Aadukala
₹300.00
Author: Shridhar Balagar Translator: Krishna Murthy Chandar
Aadukala is an exceptional work that documents tribulations, tragedies, and the movement of history in a small town. It gives expression, at the experiential level, to the fundamental truth that the differences in the living patterns of larger cities and smaller provincial places may exist in political and economic terms rather than in human consciousness.
This novel gradually unfolds the conflicts between brothers and cousins over ownership of land, showing how such conflicts can destroy the human spirit. It is a narrative of the mechanizations of individuals that result in tragedy. The novel enables readers to experience the subtle narrative and technique of the moving world, layer by layer, without any emotional intensity or a leisurely pace, almost like the ‘alap’ in the enunciation of a Raga in classical music.
Aadukala records, with tremendous intensity, the fact that not merely the daily routine events but also those considered exceptional or otherworldly are illusions created by human emotions and consciousness.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Kaitan Gandhi’s Freedom Struggle
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Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Pot of Butter and other short stories
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Pot of Butter and other Short Stories is a collection of nine short stories, originally composed by Sunanda Belgaumkar in Kannada, handpicked and translated from her collections – Kajjaya and Koduvudenu Kombudenu. The bulk of her literary work including the stories in this book are inspired by the experiences in her early life, in the rustic and robust atmosphere of Dharwad. Her stories are predominantly semiautobiographical, laced with a liberal dose of artistic freedom.
This collection weaves together her writings on the underprivileged and marginalized as seen from the comfort of her palatial home, but rendered with compassion and empathy. Often, we find her narrative infused with self-directed questions such as, “What if I was in her shoes? ” or “Could that have been me? ” These stories are reflections on human nature, suffering, and destiny. There is hope, there is despair. There is love, there is longing. There is defeat, and there is triumph. In her stories, an oft-recurring metaphor for picking up one’s life after loss is a scorching summer followed by a torrential downpour and subsequently a plant springing to life.
As a translation, this book attempts to introduce Sunanda Belgaumkar’s literary and artistic creations to the non-Kannada reader, retaining as much of the indigenous elements of the original writings as possible. In doing so, it seeks to preserve the cultural climate of North Karnataka as it was around fifty years ago.
Interested readers may write to us at mup@manipal.edu about purchasing the book.














