Tunes of a Single String
₹200.00
Author: Kathyayini Kunjibettu, Translator: N Thirumaleshwara Bhat
Dive into the enchanting poetry of Dr Kathyayini Kunjibettu through Tunes of a Single String, a captivating translation of her anthology Ekthari Sanchari. Kathyayini’s verses defy convention with unrhymed lines and free verse, reflecting a profound liberation of spirit and language. Each poem brings rural landscapes and Indian mythological scenes to life with remarkable freshness and emotional depth.
This collection invites readers to explore why Kathyayini’s works align with Renaissance Poems of a Modernist Tradition. Her poetic voice resonates with freshness and depth, deftly blending familiar themes into uniquely unconventional settings. Tunes of a Single String invites readers to delve into the vibrant world of modern Kannada poetry through Kathyayini’s fearless exploration of life, culture, and language.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
| Category: | Indian Literature in Translation |
|---|
| Author | |
|---|---|
| Translator | |
| Format |
Related products
-
U-Turn
₹180.00Author: Anand Mhasvekar, Translator: Neeta Inamdar
ಮರಾಠಿ ನಾಟಕ. ಯು-ಟರ್ನ್ ಮಹಾರಾಷ್ಟ್ರ ಮತ್ತು ಅದರಾಚೆಗೆ 585 ಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನಗಳೊಂದಿಗೆ ಲಕ್ಷಾಂತರ ಹೃದಯಗಳನ್ನು ಗೆದ್ದಿದೆ. ಗುಜರಾತಿಯಲ್ಲಿ ಇದರ ಅನುವಾದವು 115 ಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನಗಳನ್ನು ಕಂಡಿದೆ ಮತ್ತು ಹಿಂದಿಯಲ್ಲಿ 50 ಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನಗಳನ್ನು ಕಂಡಿದೆ. ಈ ಯಶಸ್ಸು ಶ್ರೀಮತಿ ಸವಿತಾ ಶಾಸ್ತ್ರಿಯವರ ಬೆಂಬಲದೊಂದಿಗೆ ಕನ್ನಡದಲ್ಲಿ ಈ ಕೃತಿಯನ್ನು ಅನುವಾದಿಸಲು ಪ್ರೊ.ನೀತಾ ಇನಾಮದಾರ್ ಅವರನ್ನು ಪ್ರೋತ್ಸಾಹಿಸಿತು. ನಾಟಕವು ಉದ್ದಕ್ಕೂ ಕೇವಲ ಎರಡು ಪಾತ್ರಗಳನ್ನು ಹೊಂದಿದೆ ಮತ್ತು ಇಡೀ ಅವಧಿಗೆ ವೇದಿಕೆಯ ಮೇಲಿರುವ ಇಬ್ಬರನ್ನು ಹೊರತುಪಡಿಸಿ ಒಂದೆರಡು ಧ್ವನಿಗಳನ್ನು ಹೊಂದಿದೆ. ನಾಟಕದ ಕೇಂದ್ರ ಕಲ್ಪನೆಯು ಆಧುನಿಕತೆಯನ್ನು ಒಪ್ಪಿಕೊಳ್ಳುವಲ್ಲಿನ ವ್ಯತ್ಯಾಸಗಳು ಮತ್ತು ಎರಡು ವಿಭಿನ್ನ ತಲೆಮಾರುಗಳಲ್ಲಿ ಇದಕ್ಕೆ ಸಂಬಂಧಿಸಿದ ಸಂಘರ್ಷಗಳು. ವಿಚ್ಛೇದಿತ ಸೇನೆಯ ಮೇಜರ್ ಮತ್ತು 50 ರ ದಶಕದ ಅಂತ್ಯದಲ್ಲಿರುವ ವಿಧವೆಯ ನಡುವಿನ ಒಡನಾಟವನ್ನು ಅವರ ಮಕ್ಕಳು ವಿರೋಧಿಸುತ್ತಾರೆ ಮತ್ತು ಅವರು ತಮ್ಮನ್ನು ತಾವು ಆಧುನಿಕತೆಯನ್ನು ಅಳವಡಿಸಿಕೊಂಡರೂ ವಿಭಿನ್ನ ರೀತಿಯಲ್ಲಿ ವ್ಯಕ್ತಪಡಿಸುತ್ತಾರೆ. ನೀತಾ ಇನಾಮದಾರ್ ಅವರು ಮಣಿಪಾಲ್ ವಿಶ್ವವಿದ್ಯಾನಿಲಯದಲ್ಲಿ (MU) ಯುರೋಪಿಯನ್ ಅಧ್ಯಯನ ವಿಭಾಗದ (DES) ಮುಖ್ಯಸ್ಥರಾಗಿದ್ದಾರೆ ಮತ್ತು ಮಣಿಪಾಲ್ ಯೂನಿವರ್ಸಲ್ ಪ್ರೆಸ್ ನ (MUP) ಮುಖ್ಯ ಸಂಪಾದಕರಾಗಿದ್ದಾರೆ. ಸಂಗೀತ ಮತ್ತು ರಂಗಭೂಮಿ ಅವರ ಆಸಕ್ತಿಗಳಾಗಿದ್ದು, ಶ್ರೀಮತಿ ಸವಿತಾ ಶಾಸ್ತ್ರಿ ಅವರ ನೆರವಿನೊಂದಿಗೆ ಈ ಕೆಲಸವನ್ನು ಕೈಗೊಳ್ಳುವಂತೆ ಮಾಡಿತು. ಸವಿತಾ ಶಾಸ್ತ್ರಿ ಅವರು ಮಣಿಪಾಲದ ಮಹಿಳಾ ಉದ್ಯಮಿಯಾಗಿದ್ದು, ಅವರು ಬಾಬಾ ಆಮ್ಟೆ ಅವರ ಆನಂದವನಕ್ಕೆ ಧನಸಹಾಯವನ್ನೂ ಮಾಡುತ್ತಾರೆ. ಅವರು ಮರಾಠಿ, ಹಿಂದಿ ಮತ್ತು ಇಂಗ್ಲಿಷ್ನಲ್ಲಿ ಪುಸ್ತಕಗಳು ಮತ್ತು ನಾಟಕಗಳ ಓದುಗರಾಗಿದ್ದಾರೆ, ಅವರು ಈ ಅನುವಾದ ಯೋಜನೆಗೆ ತಮ್ಮ ಬೆಂಬಲವನ್ನು ನೀಡಿದರು.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Anurakte- The Enamoured
₹390.00Author: Vyasaraya Ballal Translator: Poornima Hebbar
There are many rags-to-riches stories around the city of Mumbai. However, here is a story of transformation of a woman and her true self in the city of dreams. Set in Mangalore and Mumbai of the late 1940s, Anurakte- The Enamoured is an elegantly written story of a woman and her changing worldview over a period of time. Sumithra, a young woman with ordinary dreams and aspirations, comes to the then Bombay in search of livelihood. Little did she know that her experiences in the city and her zest for an independent life would transform her into a different person. She breaks the shell and resolves not to look back. The book is a poignant tale of love, loss, betrayal, family, relationships and traditions. The culturescape of Mumbai beautifully intertwines with her dreams. It is as much a story of the vibrancy of Mumbai as it is about Sumithra’s journey towards freedom.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Swan Song
₹320.00Author: T R Subba Rao| Translator: Pramod Mutalik
Swan Song is the poignant tale of Venkatasubbiah, a legendary musician from 18th century Chitradurga. Written by renowned Kannada author Late Shri T R Subba Rao (TaRaSu) and translated into English by Prof Pramod Mutalik, the novel explores the extraordinary journey of an artist whose unwavering dedication to his craft defines his life.
The author weaves together perspectives from people of varied backgrounds to reconstruct Venkatasubbiah’s story, revealing his innate musical genius and determination. It narrates the tale of a musician’s steadfast devotion to art against all odds.
The narrative takes a dramatic turn when Venkatasubbiah defies Tippu Sultan’s order to perform in his palace. To protect the dignity of his art, he sacrifices his ability to sing by cutting off his tongue. Undeterred, he continues to produce swaras through his nose, earning him the metaphorical title of the swan. His life ends while performing, leaving an unforgettable legacy of self-respect and artistic integrity.
Interested readers may write to us at mup@manipal.edu about purchasing the book. -
Pot of Butter and other short stories
₹250.00Author: Sunanda Belgaumkar Translator: Sa Usha, Vaijayanti Suryanarayana
Pot of Butter and other Short Stories is a collection of nine short stories, originally composed by Sunanda Belgaumkar in Kannada, handpicked and translated from her collections – Kajjaya and Koduvudenu Kombudenu. The bulk of her literary work including the stories in this book are inspired by the experiences in her early life, in the rustic and robust atmosphere of Dharwad. Her stories are predominantly semiautobiographical, laced with a liberal dose of artistic freedom.
This collection weaves together her writings on the underprivileged and marginalized as seen from the comfort of her palatial home, but rendered with compassion and empathy. Often, we find her narrative infused with self-directed questions such as, “What if I was in her shoes? ” or “Could that have been me? ” These stories are reflections on human nature, suffering, and destiny. There is hope, there is despair. There is love, there is longing. There is defeat, and there is triumph. In her stories, an oft-recurring metaphor for picking up one’s life after loss is a scorching summer followed by a torrential downpour and subsequently a plant springing to life.
As a translation, this book attempts to introduce Sunanda Belgaumkar’s literary and artistic creations to the non-Kannada reader, retaining as much of the indigenous elements of the original writings as possible. In doing so, it seeks to preserve the cultural climate of North Karnataka as it was around fifty years ago.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
A Shrine for Sarasamma
₹180.00Author: Shivarama Karanth Translator: D A Shankar
A Shrine for Sarasamma is the English translation of Sarasammana Samadhi written by K Shivarama Karanth in 1937, in his early thirties. It offers one of the most authentic and searing accounts of Indian womanhood, which consistently, and through the ages, has suffered deep anguish, humiliation and crushing insult from the oppressive patriarchal culture prevalent in all parts of India and among all castes and classes. The novel is a classic in Kannada and the English translation is an attempt to bring to the English reading audience a taste of the regional classic.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Just a few pages: Some Memories of Saraswatibai Rajwade
₹210.00Author: Vaidehi, Translator: Deepa Ganesh
This book is a coming together of two women writers of modern Kannada literature; one from its early period, the other, a contemporary. Saraswati Bai Rajwade, the early writer, became a fable, a mythology, leaving behind only the shadows of her writing. Vaidehi, the contemporary writer, reinvents Rajwade from the folds of history and gives her a life in the present. Saraswati Bai Rajwade was born into a poor family in the Dakshina Kannada of yore. By chance, she stepped into theatre and later into films. But all the glory that came to her unexpectedly, vanished just as suddenly. She later became the wife of a rich and high official, travelled abroad and underwent immense suffering. In her pain and loneliness, she took to books and also began to write and attained glory as a writer. In the last years of her life, she returned to a life of austerity and anonymity. Vaidehi has collected bits and pieces from her life and writing, presenting before us a unique tapestry. In this tapestry, Vaidehi?s perceptions criss-cross with Rajwade?s life and writing. Art does not reside in the object, but in its close encounter with life. This work unfolds before us as a grand illustration of such twin narratives.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Swapna Saraswatha
₹530.00Author: Gopalakrishna Pai Translator: Sumathi Shenoy, M R Rakshith, Savita Sastri
Swapna Saraswatha is the saga of migration of a community called Saraswaths in the west coast of India, extending from Goa to the south of Mangalore. It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.
-
Mahāmmāyi
₹195.00Author: Chandrasekhara Kambara, Translator: Kathyayini Kunjibettu
Mahāmmāyi is the story of the legend of Shatavithaayi – the Goddess of death, and her adopted son Sambhashiva. Out of affection for her son, Goddess Shatavithaayi blesses him with the “power of life”. The blessing was that death will evade the people who are treated by Sambashiva. But a certain condition set by Shatavithaayi forbade him from healing every ill man. The condition was that, if Shatavithaayi stood on the right side of the patient, Sambhashiva could treat that person and he would live; but, if she stood on the left side of the patient, he should not treat that person as his death was inevitable. Through a distinct method of story-telling, the story follows the life of Sambhashiva as he begins to question the ideas of fate and destiny. Thus, the conflict between fate and human efforts to change that fate is vividly described in this play.













