Tunes of a Single String

Author: Guruprasad Kaginele, Translator: Narayan Shankaran

The Preferred Pronoun and Other Stories is a unique collection of twelve short stories by Guruprasad Kaginele. These stories arise from the restless tension of being away from one’s roots, the haunting nostalgia for the home left behind, and the interplay of diverse cultures, while also exploring the process of integrating into a new environment. Set against the backdrop of America and within the medical world, the stories reflect the author’s thoughts and experiences.
From Osama, who nervously sweats after discovering a semiautomatic pistol in a schoolteacher’s house, to Morris, a middle aged individual on a quest for the perfect pronoun after gender transformation, the collection brings a wide array of characters and situations to life. The Nesting, a story that triggers many thoughts with its metaphorical allusions to a home blooming over the doom of another, and The Big Save, a story about a doctor yearning to regain his lost mojo despite realizing that it requires jeopardizing a life to save another, along with other stories, amply illustrate the author’s uncanny prowess in the dramatic presentation of compassion, love, jealousy, torts and their befitting punishments, the thin line between good and evil, and other subtle nuances.

The stories depict three phases of a migrant’s life: the naiveté and challenges of a new immigrant, the process of assimilation, and the adaptation to American culture, seamlessly woven together to create a cohesive narrative of diverse experiences. Stemming from the choice to build a life in a foreign land, the narratives explore the politics and ethnic consciousness tied to that journey. Through the lens of a doctor’s work and family life in America, Kaginele captures the dynamic political changes in the country, while revealing subtle shifts in ethnic sensibilities and the evolving nature of interpersonal relationships in the migrant experience.

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Author: Kuppe Nagaraja, Translator: Sadananda R

Kuppe Nagaraja’s autobiography is of social importance as it covers the life of a nomadic community. Its uniqueness comes from the fact that the nomadic and semi-nomadic lifestyle is markedly different from that of other communities in the lower socioeconomic strata of society. This autobiography does not glorify the life of its author; it narrates the story of a community through the lens of an individual’s life. It begins as the story of an individual, then becomes the story of a family, and finally transforms into the story of a community. The autobiography grows beyond the traps of self-glorification by providing equal space to all these aspects in a balancedmanner.

– Baraguru Ramachandrappa
Noted Kannada writer, critic and film director

Just as birds migrate to greener pastures, nomadic people move towards regions that have received good rains. Kuppe Nagaraja’s autobiography meaningfully captures their traditions, beliefs, social interactions, and superstitions. This book can also be considered a free gift to social scientists as it provides insights into the life of nomads. It should be noted that it is very difficult to study nomads, as they keep to themselves and often dodge any probing questions. Moreover,
the book provides an answer to all those people who often stand on the footpaths of cities debating the relevance of caste-based reservation in Indian society.
– Krupakara-Senani
The Green Oscar winning wildlife photographers

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Author: T R Subba Rao| Translator: Pramod Mutalik

Swan Song is the poignant tale of Venkatasubbiah, a legendary musician from 18th century Chitradurga. Written by renowned Kannada author Late Shri T R Subba Rao (TaRaSu) and translated into English by Prof Pramod Mutalik, the novel explores the extraordinary journey of an artist whose unwavering dedication to his craft defines his life.

The author weaves together perspectives from people of varied backgrounds to reconstruct Venkatasubbiah’s story, revealing his innate musical genius and determination. It narrates the tale of a musician’s steadfast devotion to art against all odds.

The narrative takes a dramatic turn when Venkatasubbiah defies Tippu Sultan’s order to perform in his palace. To protect the dignity of his art, he sacrifices his ability to sing by cutting off his tongue. Undeterred, he continues to produce swaras through his nose, earning him the metaphorical title of the swan. His life ends while performing, leaving an unforgettable legacy of self-respect and artistic integrity.

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