Categories: | Kannada, Works in Fiction |
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A Handful of Sesame
Author: Srinivas B Vaidya, Translator: Maithreyi Karnoor
With a captivating start, A Handful of Sesame plunges us into the heart of the dying years of the 1857 mutiny. But the mutiny is largely a backdrop to the novel. When Kamalanabh of Kashi is manipulated by an impoverished Brahmin of Navalgund into marrying his daughter, the novel becomes basically the story of an internal migration. This is rare, and it remains one of the strengths of the novel. We are so used to speaking of migration across the postcolonial bridge and accredited national borders that we forget that India is a country of endless internal migrations – in the past and the present.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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If we meet again we shall smile
Author: Anushua Chakrabarti
People leave our lives. Some simply walk away from our world while some leave this world altogether. Through visuals, poetry and short stories, the author has a dialogue with the reader that takes them both through a journey full of characters that are no more, and yet have shaped the story. This fictional dialogue is a short trip down memory lane that visits the relationships one keeps hidden beneath.
Anushua Chakrabarti, originally from Kolkata, is a wandering minstrel. She lives on travel and music. Anushua has completed her MBA from TAPMI, Manipal, India, post which she worked in top technology brands like HP and Microsoft. She is presently back in Kolkata, driving social service through her acquired experience. Anushua has faced several childhood traumas but she believes she is what she is today, not in spite of it; but because of it.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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A Shrine for Sarasamma
Author: Shivarama Karanth Translator: D A Shankar
A Shrine for Sarasamma is the English translation of Sarasammana Samadhi written by K Shivarama Karanth in 1937, in his early thirties. It offers one of the most authentic and searing accounts of Indian womanhood, which consistently, and through the ages, has suffered deep anguish, humiliation and crushing insult from the oppressive patriarchal culture prevalent in all parts of India and among all castes and classes. The novel is a classic in Kannada and the English translation is an attempt to bring to the English reading audience a taste of the regional classic.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Sati Kamale
Author: S U Paniyadi Translators: B Surendra Rao, K Chinnappa Gowda
This eponymous novel is centred on Kamale, who is an embodiment of wifely virtue. For fifteen long years Kamale lives the life of a widow to the outside world, nurturing the hopes of reuniting with the husband one day. Alone in the room, each night she wears her marks of a married woman with the dagger gifted by Umesha next to her. It could be seen as an exposition on the then existing indigenous discourse in India in the 19th century and early 20th century. Kamale, in her rigorous commitment and in retrieving her husband from ‘death’, is fashioned after Savithri in an intertextual reference to Mahabharata’s episode of “Satyavan and Savithri”. The novel might look conservative for the present-day reader, but it is a representative literary work of the time when Paniyadi, among many others, wanted to regain the independent status of the Tulu language which had somehow slipped out of its pedestal.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Two Plays – The Sahyadri Saga and The World of Swayamvara
Author: Akshara K V Translator: Jayanth Kodkani
These two plays negotiate with the real problems of contemporary India. If Sahyadri Kanda is about the ripples caused in the life of the people in a village on the Western Coast which will soon have a nuclear plant, Swayamvaraloka, is an allegorical narrative set in a small village that extends to include the larger contemporary world. Both the plays dwell on the seeming binaries of village-city, success-failure, modern-traditional while examining the nature of human relationships in the changing world. These plays also reflect an ambition to elevate the real experience to a mythical level. While most playwrights attempt to echo contemporary concerns by reinterpreting history and mythology, for these plays, the epics, their grandeur, the struggle, the wars are not episodes that happen in kingdoms and palaces and battlefields, they are also that which takes place in the microworld of one’s consciousness. Each character in these plays find their own dharma, yet it offers no model for the reader, and remains only a pointer to the complex process of finding it.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Mahāmmāyi
Author: Chandrasekhara Kambara, Translator: Kathyayini Kunjibettu
Mahāmmāyi is the story of the legend of Shatavithaayi – the Goddess of death, and her adopted son Sambhashiva. Out of affection for her son, Goddess Shatavithaayi blesses him with the “power of life”. The blessing was that death will evade the people who are treated by Sambashiva. But a certain condition set by Shatavithaayi forbade him from healing every ill man. The condition was that, if Shatavithaayi stood on the right side of the patient, Sambhashiva could treat that person and he would live; but, if she stood on the left side of the patient, he should not treat that person as his death was inevitable. Through a distinct method of story-telling, the story follows the life of Sambhashiva as he begins to question the ideas of fate and destiny. Thus, the conflict between fate and human efforts to change that fate is vividly described in this play. -
Sümi and the Dance of the Dark Spirits
Author: Toinali Sema
Join the shy Moi, spirited Sumi and brave Vikai in this folk-fantasy adventure of self-discovery, bravery, mystery, and above all loyalty and friendship as they embark on a journey into unfamiliar territories and encounter supernatural beings, get chased by spirits, befriend dragonflies, meets the wind family, and fight the dark spirits.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
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U-Turn
Author: Anand Mhasvekar, Translator: Neeta Inamdar
ಮರಾಠಿ ನಾಟಕ. ಯು-ಟರ್ನ್ ಮಹಾರಾಷ್ಟ್ರ ಮತ್ತು ಅದರಾಚೆಗೆ 585 ಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನಗಳೊಂದಿಗೆ ಲಕ್ಷಾಂತರ ಹೃದಯಗಳನ್ನು ಗೆದ್ದಿದೆ. ಗುಜರಾತಿಯಲ್ಲಿ ಇದರ ಅನುವಾದವು 115 ಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನಗಳನ್ನು ಕಂಡಿದೆ ಮತ್ತು ಹಿಂದಿಯಲ್ಲಿ 50 ಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನಗಳನ್ನು ಕಂಡಿದೆ. ಈ ಯಶಸ್ಸು ಶ್ರೀಮತಿ ಸವಿತಾ ಶಾಸ್ತ್ರಿಯವರ ಬೆಂಬಲದೊಂದಿಗೆ ಕನ್ನಡದಲ್ಲಿ ಈ ಕೃತಿಯನ್ನು ಅನುವಾದಿಸಲು ಪ್ರೊ.ನೀತಾ ಇನಾಮದಾರ್ ಅವರನ್ನು ಪ್ರೋತ್ಸಾಹಿಸಿತು. ನಾಟಕವು ಉದ್ದಕ್ಕೂ ಕೇವಲ ಎರಡು ಪಾತ್ರಗಳನ್ನು ಹೊಂದಿದೆ ಮತ್ತು ಇಡೀ ಅವಧಿಗೆ ವೇದಿಕೆಯ ಮೇಲಿರುವ ಇಬ್ಬರನ್ನು ಹೊರತುಪಡಿಸಿ ಒಂದೆರಡು ಧ್ವನಿಗಳನ್ನು ಹೊಂದಿದೆ. ನಾಟಕದ ಕೇಂದ್ರ ಕಲ್ಪನೆಯು ಆಧುನಿಕತೆಯನ್ನು ಒಪ್ಪಿಕೊಳ್ಳುವಲ್ಲಿನ ವ್ಯತ್ಯಾಸಗಳು ಮತ್ತು ಎರಡು ವಿಭಿನ್ನ ತಲೆಮಾರುಗಳಲ್ಲಿ ಇದಕ್ಕೆ ಸಂಬಂಧಿಸಿದ ಸಂಘರ್ಷಗಳು. ವಿಚ್ಛೇದಿತ ಸೇನೆಯ ಮೇಜರ್ ಮತ್ತು 50 ರ ದಶಕದ ಅಂತ್ಯದಲ್ಲಿರುವ ವಿಧವೆಯ ನಡುವಿನ ಒಡನಾಟವನ್ನು ಅವರ ಮಕ್ಕಳು ವಿರೋಧಿಸುತ್ತಾರೆ ಮತ್ತು ಅವರು ತಮ್ಮನ್ನು ತಾವು ಆಧುನಿಕತೆಯನ್ನು ಅಳವಡಿಸಿಕೊಂಡರೂ ವಿಭಿನ್ನ ರೀತಿಯಲ್ಲಿ ವ್ಯಕ್ತಪಡಿಸುತ್ತಾರೆ. ನೀತಾ ಇನಾಮದಾರ್ ಅವರು ಮಣಿಪಾಲ್ ವಿಶ್ವವಿದ್ಯಾನಿಲಯದಲ್ಲಿ (MU) ಯುರೋಪಿಯನ್ ಅಧ್ಯಯನ ವಿಭಾಗದ (DES) ಮುಖ್ಯಸ್ಥರಾಗಿದ್ದಾರೆ ಮತ್ತು ಮಣಿಪಾಲ್ ಯೂನಿವರ್ಸಲ್ ಪ್ರೆಸ್ ನ (MUP) ಮುಖ್ಯ ಸಂಪಾದಕರಾಗಿದ್ದಾರೆ. ಸಂಗೀತ ಮತ್ತು ರಂಗಭೂಮಿ ಅವರ ಆಸಕ್ತಿಗಳಾಗಿದ್ದು, ಶ್ರೀಮತಿ ಸವಿತಾ ಶಾಸ್ತ್ರಿ ಅವರ ನೆರವಿನೊಂದಿಗೆ ಈ ಕೆಲಸವನ್ನು ಕೈಗೊಳ್ಳುವಂತೆ ಮಾಡಿತು. ಸವಿತಾ ಶಾಸ್ತ್ರಿ ಅವರು ಮಣಿಪಾಲದ ಮಹಿಳಾ ಉದ್ಯಮಿಯಾಗಿದ್ದು, ಅವರು ಬಾಬಾ ಆಮ್ಟೆ ಅವರ ಆನಂದವನಕ್ಕೆ ಧನಸಹಾಯವನ್ನೂ ಮಾಡುತ್ತಾರೆ. ಅವರು ಮರಾಠಿ, ಹಿಂದಿ ಮತ್ತು ಇಂಗ್ಲಿಷ್ನಲ್ಲಿ ಪುಸ್ತಕಗಳು ಮತ್ತು ನಾಟಕಗಳ ಓದುಗರಾಗಿದ್ದಾರೆ, ಅವರು ಈ ಅನುವಾದ ಯೋಜನೆಗೆ ತಮ್ಮ ಬೆಂಬಲವನ್ನು ನೀಡಿದರು.
Interested readers may write to us at mup@manipal.edu about purchasing the book.