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Humanitarianism and Democracy (Maanava Dharmah – Prajaaprabhutvam Cheti Shatakadvayam)
These Satkarnas are Prof Nadkarni?s passionate plea for an authentic democratic order which guarantees the rights of every citizen while each citizen participates in it being fully aware of his / her duties. The complementarity of rights and duties is shown to be the essence of genuine democracy.
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Makkala Padya Manjiri
Makkala Padyamanjiri a book of poems for children by Sri Kayyara Kinhanna Rai. Most of the Kannadigas have growth up reading poetry by Shri Kayyara as the poems reached out to people of all backgrounds ? rural or urban, rich or poor. They are also popular among the grown-ups as the childhood memories are hidden in these poems and make readers nostalgic as they read. The present book with illustrations drawn by the artist Prasad Rao G makes the reading more interesting. It?s ideally the 50th publication of MUP brought out in the centenary year of the great poet, writer Kayyara.
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The Gandhi Cap and Other Short Stories by Raja Radhikaraman Prasad Singh
The book The Gandhi Cap and Other Short Stories offers a glimpse into the lifetime of work of a forgotten pioneer of Hindi fiction, Raja Radhikaraman Prasad Sinha. It is ironic that one cannot find a single book by this author who was so dedicated to Hindi literature. The stories in this collection are a testament not only to the contributions of Sinha to Hindi fiction but also, reflect the depth of political and social milieu of the times. Many readers will be moved by the elements patriotism, feminism, secularism, and spiritualism in these stories. Strong female characters are common in most of these stories. These characters provide both a moral fulcrum to the stories as well as reflect the struggle of women to balance prevailing customs with modernity. Some of these stories provide sharp political and social commentary that still have currency (The Gandhi Cap). Sinha incorporates a unique style of writing that uses lyrical prose and poetry together. He even employs a dialogue between the storyteller and a social gathering in the form of an epilogue, to offer a discourse on social dilemma about women?s plight to become modern while admonishing them to retain their Indian essence (An Expensive Bargain). We hope the readers will enjoy this wonderful collection.
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Kaitan Gandhi’s Freedom Struggle
Kaitan Gandhiya Swatantrya Horata is one of the very few novels written in Kannada on the Gandhian phase of the Indian freedom struggle. It is not globally unknown that Gandhi not only changed the idiom of the struggle and successfully experimented his lifetime-belief in non-violence on the vast canvas but also made it decisively inclusive. Kaitan Gandhi?s Freedom Struggle thematically illuminates these two crucial aspects of the great struggle and grapples with the naked truth as Charles, the priest in the novel revealingly says, ?The rulers, whosoever it is, are rulers. Caste, colour, or country does not matter to them. All are wicked.? Like in all true works of realist literature, the author, here too, creatively blends the individual, the social, and the historical in such a way that the novel poignantly unfolds the true spirit of quest ? for freedom and humanity.
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Bamonn
Konkani Roman Catholic Christians were converted from other groups by Goan Missionaries long back, keeping the caste system tradition to a large extent in layers such as the Bamonn, the Charodi, the Gawdi, the Nendar, the Shudra, etc. At the time of marriages and other social gatherings they continue to consider caste system norms and customs in the community. Caste system in Indian Christians is vividly described in the novel Bamonn. Christopher Pai of Kalyanpura hails from a Bamonn family and takes great pride in his ancestry. He believes in the stories about his Konkani Roman Catholic ancestors from his elders and about their being true Christians, holding on to their faith despite tremendous pressure to convert to Islam during Tipu Sultan?s regime. He also believes Bamonns are superior to other Christians in the community. After retiring from his job of a Headmaster, he refuels his obsession to retrace his roots and find out the truth about his ancestors. In his journey of self-assurance and faith, will he succeed in his mission to convince his family, his children and the community at large of his glorious ancestry and in still pride in the next generation? . . .
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Saamaajika Neeti Kaavya Guchchhah
The book S?m?jika N?ti-K?vya Guccha? contains five ?atakams (sets of hundred verses) on social ethics, inspired by the ancient Sanskrit poet, Bhart?hari?s Niti-?atakam. They are on environmental ethics, Gandhi?s ethical philosophy, Hinduism from the ethical perspective of Gandhi, humanitarianism, and ethical philosophy of democracy including human rights. There are also two da?akams (sets of ten verses), being prayers to goddess Sharada and goddess Mahalakshmi, one at the beginning and the other at the end of the ?atakams, respectively; seeking wisdom and end to poverty and inequality in the world. Though the original compositions are in Sanskrit, the book provides their lucid translation into English with word-to-word meaning and annotation.
The book is a short but comprehensive introduction to social, political, economic, and environmental ethics, and can be an aid in learning Sanskrit through modern problems showing the language as relevant for contemporary concerns as well.
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Last Bench Se
This is a collection of poems by Abhinav Grover which are well illustrated with sketches by some of his friends in this book. It is a collection of poems that he wrote while in engineering classes, as the author confesses. Some of them have already found appreciation in terms of prizes in competitions and praises by known poets.
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Kannada Theatre History 1850-1950: A Sourcebook
This source book on Kannada theatre history is a valuable contribution to the larger field of Indian Theatre Studies. Avoiding the shortcuts of an overview or a Wikipedia-like assemblage of information, it delves into the lives, histories, struggles, debates and anecdotes surrounding some of the most pioneering figures in the shaping of Kannada theatre between 1850-1950. The selection of primary sources, most of which are being made available in English for the first time, is nothing short of a revelation in the way it illuminates insights into the actual making and thinking of theatre practice. Here we have a model of how the construct of ?Indian Theatre? can be textured, inflected, individuated and problematized at regional, local and intracultural levels. ? Rustom Bharucha .This book is a labour of love by scholars who not only love Kannada theatre, but want to pass on their enjoyment of it. Delving deep into folklore oral history, local history, gossip debate and discourse, the editors bring out the world of Kannada theatres in pluralistic terms. Scholarship and playfulness combine to create a powerful act of storytelling where the book itself mimics the career of Kannada theatre. As an anthology it becomes an initiation rite, an introduction to all the great figures, not as hagiography but as nuanced analysis. Big questions and little questions combine to create both a sense of combativeness and a wonderful feeling of homecoming. Like tricksters, they break the binaries of tradition and modernity, treating it almost like a bad play which needs new scripts and new performers. A wonderful anthology. A deeply desi book, with all the cosmopolitanism of world theatre. ? Shiv Visvanathan