Swan Song
₹320.00
Author: T R Subba Rao| Translator: Pramod Mutalik
Swan Song is the poignant tale of Venkatasubbiah, a legendary musician from 18th century Chitradurga. Written by renowned Kannada author Late Shri T R Subba Rao (TaRaSu) and translated into English by Prof Pramod Mutalik, the novel explores the extraordinary journey of an artist whose unwavering dedication to his craft defines his life.
The author weaves together perspectives from people of varied backgrounds to reconstruct Venkatasubbiah’s story, revealing his innate musical genius and determination. It narrates the tale of a musician’s steadfast devotion to art against all odds.
The narrative takes a dramatic turn when Venkatasubbiah defies Tippu Sultan’s order to perform in his palace. To protect the dignity of his art, he sacrifices his ability to sing by cutting off his tongue. Undeterred, he continues to produce swaras through his nose, earning him the metaphorical title of the swan. His life ends while performing, leaving an unforgettable legacy of self-respect and artistic integrity.
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ಚಿತ್ರಾ: ಪೌರಾಣಿಕ ಕಥಾನಕವೊಂದರ ಪುನರ್ಲೇಖನದ ಈ ನಾಟಕವು ಹೆಣ್ಣು ಮತ್ತು ರಾಷ್ಟçವನ್ನು ಒಂದು ಸಂಕಥನವನ್ನಾಗಿ ಚರ್ಚಿಸುತ್ತದೆ. ಹೆಣ್ಣು-ಗಂಡಿನ ಘನತೆಯ ಬದುಕನ್ನು ಕನಸುವ ನಿರೂಪಣೆ ನಾವು ಕಟ್ಟಬೇಕಾಗಿರುವ ರಾಷ್ಟçದ ರೂಪುರೇಷೆಗಳನ್ನೂ ತನ್ನೊಳಗೆ ಆಡಕ ಮಾಡಿಕೊಂಡಿದೆ. ನಮ್ಮ ಅನನ್ಯತೆಯನ್ನು ಉಳಿಸಿಕೊಳ್ಳುತ್ತಲೇ ಇನ್ನೊಬ್ಬರೊಂದಿಗೆ ಸಹಬಾಳ್ವೆಯನ್ನು ನಡೆಸುವ ಬಗೆಯನ್ನು ಮಂಡಿಸುತ್ತದೆ. ತಾನು ಆರೋಪಿಸಿಕೊಂಡ ಕೃತಕ ತೆರೆಯನ್ನು ಸರಿಸುವ ಚಿತ್ರಾ ನಮ್ಮೊಳಗಿನ ಅರಿವಿಗೆ ತೊಡಕಾಗಿರುವ ಸಂಕುಚಿತತೆಯ ಪರದೆಯನ್ನೂ ಸರಿಸುತ್ತಾಳೆ.
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Tapaalu Mani
Author: Rabhindranath Tagore, Translator: Mounesh Badiger
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Pot of Butter and other short stories
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Pot of Butter and other Short Stories is a collection of nine short stories, originally composed by Sunanda Belgaumkar in Kannada, handpicked and translated from her collections – Kajjaya and Koduvudenu Kombudenu. The bulk of her literary work including the stories in this book are inspired by the experiences in her early life, in the rustic and robust atmosphere of Dharwad. Her stories are predominantly semiautobiographical, laced with a liberal dose of artistic freedom.
This collection weaves together her writings on the underprivileged and marginalized as seen from the comfort of her palatial home, but rendered with compassion and empathy. Often, we find her narrative infused with self-directed questions such as, “What if I was in her shoes? ” or “Could that have been me? ” These stories are reflections on human nature, suffering, and destiny. There is hope, there is despair. There is love, there is longing. There is defeat, and there is triumph. In her stories, an oft-recurring metaphor for picking up one’s life after loss is a scorching summer followed by a torrential downpour and subsequently a plant springing to life.
As a translation, this book attempts to introduce Sunanda Belgaumkar’s literary and artistic creations to the non-Kannada reader, retaining as much of the indigenous elements of the original writings as possible. In doing so, it seeks to preserve the cultural climate of North Karnataka as it was around fifty years ago.
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Mahammaayi
Author: Chandrasekhara Kambara, Translator: Kathyayini Kunjibettu
Mahāmmāyi is the story of the legend of Shatavithaayi – the Goddess of death, and her adopted son Sambhashiva. Out of affection for her son, Goddess Shatavithaayi blesses him with the “power of life”. The blessing was that death will evade the people who are treated by Sambashiva. But a certain condition set by Shatavithaayi forbade him from healing every ill man. The condition was that, if Shatavithaayi stood on the right side of the patient, Sambhashiva could treat that person and he would live; but, if she stood on the left side of the patient, he should not treat that person as his death was inevitable. Through a distinct method of story-telling, the story follows the life of Sambhashiva as he begins to question the ideas of fate and destiny. Thus, the conflict between fate and human efforts to change that fate is vividly described in this play.