Categories: | Fiction, Indic languages, Kannada, Translation |
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Post Googlism and Other Short Stories
This collection of short stories is for the fast-paced millennials, whom the author calls ?The Post Googlist Generation? who want everything hastily, at their finger-tips and on the go. The language has also shrunk in size to allow the pace. The world-view of this generation is that what cannot be done through an app cannot and should not be done. Their expectations of a story are a striking start, a quickly built middle and an interesting end. Stories in the collection seek to meet these expectations of this generation talking to them in their own language. They also echo the changing lives and changing aspirations of the time.
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Ati Sannakathe: Swarupa, Siddhi Mattu Sadhyate
Author: T P Ashoka Translator: Prakash Nayak
ಕಲ್ಪನೆ ಎಂಬುದು ಸತ್ಯಕ್ಕಿಂತ ಹೆಚ್ಚು ಸತ್ಯ, ಕನಸು ಎಂಬುದು ವಾಸ್ತವಕ್ಕಿಂತ ಹೆಚ್ಚು ವಾಸ್ತವ ಎಂಬುದು ಅತಿ ಸಣ್ಣಕತೆಗಳು ನಮಗೆ ಮನದಟ್ಟು ಮಾಡಿಕೊಡುವಂತೆ ಕಾಣುತ್ತವೆ. ಹೆಚ್ಚಿನ ಅತಿ ಸಣ್ಣಕತೆಗಳು ವಾಸ್ತವವಾದೀ ಮಾರ್ಗವನ್ನು ಬಿಟ್ಟುಕೊಟ್ಟಿರುವುದಕ್ಕೆ ಪ್ರಾಯಶಃ ಇದೇ ಕಾರಣ. ವಿವರಣೆ-ವರ್ಣನೆಗಳ ಹಂಗು ಇಲ್ಲದಿರುವುದರಿಂದ ಸಂಕ್ಷಿಪ್ತತೆ ಮತ್ತು ಸಾಂದ್ರತೆಗಳು ಇವುಗಳ ಸಹಜ ಲಕ್ಷಣಗಳಾಗಿವೆ. ಅಂತರಂಗದ ಆಳವನ್ನು, ಅಮೂರ್ತವನ್ನು, ಸಾಂಕೇತಿಕವಾದುದದ್ದನ್ನು ಮತ್ತೊಂದೇ ಸ್ತರದಲ್ಲಿ ಗ್ರಹಿಸಿ ಅಭಿವ್ಯಕ್ತಿಸಲು ಲೇಖಕರಿಗೆ ಈ ಪ್ರಕಾರ ಹೇಳಿ ಮಾಡಿಸಿದಂತಿದೆ. ಹಾಗಾಗಿ ಜಗತ್ತಿನ ಎಲ್ಲ ಭಾಷೆಗಳ ದೊಡ್ಡ ಲೇಖಕರು, ದೀರ್ಘವಾದ ಕತೆ-ಕಾದಂಬರಿಗಳನ್ನು ಬರೆದವರನ್ನೂ ಸೇರಿಸಿಕೊಂಡು, ಈ ಪ್ರಕಾರದಲ್ಲಿ ಕೃಷಿಮಾಡಿದ್ದಾರೆ. ತುಂಬ ಸೂಕ್ಷ್ಮವಾದ, ನಾಜೂಕಾದ ಸಂಗತಿಗಳನ್ನು ಸೂಚ್ಯವಾಗಿ, ಕೆಲವೊಮ್ಮೆ ಪರೋಕ್ಷವಾಗಿ, ಇನ್ನೂ ಕೆಲವು ವೇಳೆ ಮುಚ್ಚಿಟ್ಟು ಹೇಳಲು ಈ ಪ್ರಕಾರವು ತನ್ನ ಸ್ವರೂಪದ ಕಾರಣದಿಂದಲೇ ಅನುವು ಮಾಡಿಕೊಡುತ್ತದೆ. ಇದು ಆಧುನಿಕ ಪೂರ್ವದ ದಂತಕತೆ, ನೀತಿಕತೆ, ದೃಷ್ಟಾಂತ ಕತೆಗಳ ಆಧುನಿಕ ರೂಪವಾಗಿ ಕಂಡರೂ ಆಶ್ಚರ್ಯವಿಲ್ಲ.
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Unheard Sounds Flow On
In spite of being one of the oldest members of the Dravidian family of languages, Tulu, unfortunately, has not yet found the recognition that it richly deserves in the modern world. Since modernity privileges the written over the spoken, the Tulu language that is abundantly blessed with oral literature has been placed on the fringes of modern literary world. Ironically, Tulu is still engaged in a desperate fight for official status in a country that boasts of its cultural and linguistic diversity. The motives behind the translation of Nanajjer Sude Tirgayer, hailed as the first modern Tulu novel, into English refuse to remain apolitical in this context.
The novel, which has already been translated into Kannada, Konkani and Malayalam, beautifully captures the pulse of rusticity that characterizes the life of a village community that lived its life with its love-hate relationship with nature, more than 75 years ago in a Tulu speaking village in the south-western part of Karnataka. Besides bringing alive the socio-cultural practices that find their articulation through the natural linguistic plurality ingrained in the village psyche, the novel touches upon the duality of human nature that leaves man perennially condemned to an inner crisis.
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The Zoo In My Backyard
What can you expect in a family of quirky adults, hyperactive children, and an assortment of pets? The author and her siblings shared their childhood with Kesavan, the incorrigibly curious black monkey; Judie, the nimble giant squirrel; Mini, the shy mouse deer that strayed; Psitta, the cackling parakeet; Devil, the runaway hound and many more creatures great and small. The adventures of the children and antics of their pets, together with the adults in the family make for a whole lot of fun and laughter ? not just in the backyard but indoors as well.
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Defiance
Defiance is a captivating tale of the march of globalization and its impact on the lives and times of the Santher Guthu family in Ombathkere, a village located between Mangaluru and Kasaragodu. Set in the picturesque Malabar coast of Karnataka in the late 20th Century, the novel takes the reader through four generations of the family. Ambakke, the protagonist, along with her brother Sankappa Hegde, the third-generation descendants of the family form the lifeblood of this story of human relationships in the midst of time and change. The novel is born out of deep contemplation of a community in the face of transition. There is anxiety that grips this part of Karnataka in the wake of modernity. The vast canvas of the novel and the depiction of folk culture provides a unique touch to the saga of the community. Defiance is a novel about traditions and the fear of losing out to modernity. It is about change and the desire to remain rooted.
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Kaitan Gandhi’s Freedom Struggle
Kaitan Gandhiya Swatantrya Horata is one of the very few novels written in Kannada on the Gandhian phase of the Indian freedom struggle. It is not globally unknown that Gandhi not only changed the idiom of the struggle and successfully experimented his lifetime-belief in non-violence on the vast canvas but also made it decisively inclusive. Kaitan Gandhi’s Freedom Struggle thematically illuminates these two crucial aspects of the great struggle and grapples with the naked truth as Charles, the priest in the novel revealingly says,The rulers, whosoever it is, are rulers. Caste, colour, or country does not matter to them. All are wicked. Like in all true works of realist literature, the author, here too, creatively blends the individual, the social, and the historical in such a way that the novel poignantly unfolds the true spirit of quest for freedom and humanity.
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Two Plays – The Sahyadri Saga and The World of Swayamvara
Author: Akshara K V Translator: Jayanth Kodkani
These two plays negotiate with the real problems of contemporary India. If Sahyadri Kanda is about the ripples caused in the life of the people in a village on the Western Coast which will soon have a nuclear plant, Swayamvaraloka, is an allegorical narrative set in a small village that extends to include the larger contemporary world. Both the plays dwell on the seeming binaries of village-city, success-failure, modern-traditional while examining the nature of human relationships in the changing world. These plays also reflect an ambition to elevate the real experience to a mythical level. While most playwrights attempt to echo contemporary concerns by reinterpreting history and mythology, for these plays, the epics, their grandeur, the struggle, the wars are not episodes that happen in kingdoms and palaces and battlefields, they are also that which takes place in the microworld of one’s consciousness. Each character in these plays find their own dharma, yet it offers no model for the reader, and remains only a pointer to the complex process of finding it.
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