Categories: | Kannada, Works in Fiction |
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The Gandhi Cap and Other Short Stories
Author: Raja Radhikaraman Prasad Singh, Translator: Mahendra P Srivastava
The book The Gandhi Cap and Other Short Stories offers a glimpse into the lifetime of work of a forgotten pioneer of Hindi fiction, Raja Radhikaraman Prasad Sinha. It is ironic that one cannot find a single book by this author who was so dedicated to Hindi literature. The stories in this collection are a testament not only to the contributions of Sinha to Hindi fiction but also, reflect the depth of political and social milieu of the times. Many readers will be moved by the elements patriotism, feminism, secularism, and spiritualism in these stories. Strong female characters are common in most of these stories. These characters provide both a moral fulcrum to the stories as well as reflect the struggle of women to balance prevailing customs with modernity. Some of these stories provide sharp political and social commentary that still have currency (The Gandhi Cap). Sinha incorporates a unique style of writing that uses lyrical prose and poetry together. He even employs a dialogue between the storyteller and a social gathering in the form of an epilogue, to offer a discourse on social dilemma about women’s plight to become modern while admonishing them to retain their Indian essence (An Expensive Bargain). We hope the readers will enjoy this wonderful collection.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Ati Sannakathe: Swarupa, Siddhi Mattu Sadhyate
Author: T P Ashoka Translator: Prakash Nayak
ಕಲ್ಪನೆ ಎಂಬುದು ಸತ್ಯಕ್ಕಿಂತ ಹೆಚ್ಚು ಸತ್ಯ, ಕನಸು ಎಂಬುದು ವಾಸ್ತವಕ್ಕಿಂತ ಹೆಚ್ಚು ವಾಸ್ತವ ಎಂಬುದು ಅತಿ ಸಣ್ಣಕತೆಗಳು ನಮಗೆ ಮನದಟ್ಟು ಮಾಡಿಕೊಡುವಂತೆ ಕಾಣುತ್ತವೆ. ಹೆಚ್ಚಿನ ಅತಿ ಸಣ್ಣಕತೆಗಳು ವಾಸ್ತವವಾದೀ ಮಾರ್ಗವನ್ನು ಬಿಟ್ಟುಕೊಟ್ಟಿರುವುದಕ್ಕೆ ಪ್ರಾಯಶಃ ಇದೇ ಕಾರಣ. ವಿವರಣೆ-ವರ್ಣನೆಗಳ ಹಂಗು ಇಲ್ಲದಿರುವುದರಿಂದ ಸಂಕ್ಷಿಪ್ತತೆ ಮತ್ತು ಸಾಂದ್ರತೆಗಳು ಇವುಗಳ ಸಹಜ ಲಕ್ಷಣಗಳಾಗಿವೆ. ಅಂತರಂಗದ ಆಳವನ್ನು, ಅಮೂರ್ತವನ್ನು, ಸಾಂಕೇತಿಕವಾದುದದ್ದನ್ನು ಮತ್ತೊಂದೇ ಸ್ತರದಲ್ಲಿ ಗ್ರಹಿಸಿ ಅಭಿವ್ಯಕ್ತಿಸಲು ಲೇಖಕರಿಗೆ ಈ ಪ್ರಕಾರ ಹೇಳಿ ಮಾಡಿಸಿದಂತಿದೆ. ಹಾಗಾಗಿ ಜಗತ್ತಿನ ಎಲ್ಲ ಭಾಷೆಗಳ ದೊಡ್ಡ ಲೇಖಕರು, ದೀರ್ಘವಾದ ಕತೆ-ಕಾದಂಬರಿಗಳನ್ನು ಬರೆದವರನ್ನೂ ಸೇರಿಸಿಕೊಂಡು, ಈ ಪ್ರಕಾರದಲ್ಲಿ ಕೃಷಿಮಾಡಿದ್ದಾರೆ. ತುಂಬ ಸೂಕ್ಷ್ಮವಾದ, ನಾಜೂಕಾದ ಸಂಗತಿಗಳನ್ನು ಸೂಚ್ಯವಾಗಿ, ಕೆಲವೊಮ್ಮೆ ಪರೋಕ್ಷವಾಗಿ, ಇನ್ನೂ ಕೆಲವು ವೇಳೆ ಮುಚ್ಚಿಟ್ಟು ಹೇಳಲು ಈ ಪ್ರಕಾರವು ತನ್ನ ಸ್ವರೂಪದ ಕಾರಣದಿಂದಲೇ ಅನುವು ಮಾಡಿಕೊಡುತ್ತದೆ. ಇದು ಆಧುನಿಕ ಪೂರ್ವದ ದಂತಕತೆ, ನೀತಿಕತೆ, ದೃಷ್ಟಾಂತ ಕತೆಗಳ ಆಧುನಿಕ ರೂಪವಾಗಿ ಕಂಡರೂ ಆಶ್ಚರ್ಯವಿಲ್ಲ.
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Inti Dvadasha Akhyana
Author: Sathyavathi Harikrishnan
ಸತ್ಯವತಿ ಹರಿಕೃಷ್ಣನ್ ಹಾಸ್ಯಬರವಣಿಗೆಯಲ್ಲಿ ಸುಮಾರು ಎರಡು ದಶಕಗಳಿಂದ ತನ್ನನ್ನು ತೊಡಗಿಸಿಕೊಂಡಿರುವ ಕವಯಿತ್ರಿ. ಇವರ ಹಾಸ್ಯಲೇಖನಗಳು ತರಂಗ, ತುಷಾರ, ಮಯೂರ, ಕರ್ಮವೀರದಂಥ ನಿಯತಕಾಲಿಕಗಳಲ್ಲಿ, ಉದಯವಾಣಿ, ಪ್ರಜಾವಾಣಿ ಮುಂತಾದವುಗಳಲ್ಲಿಯೂ ಪ್ರಕಟಗೊಂಡಿವೆ. 2002ರಲ್ಲಿ ಡೆಟ್ರಾಯಿಟ್ ನಲ್ಲಿ ನಡೆದ “ಅಕ್ಕ” ವಿಶ್ವ ಕನ್ನಡ ಸಮ್ಮೇಳನದ ಸ್ಮರಣ ಸಂಚಿಕೆಯಲ್ಲಿ ಇವರ “ಗುಂಡ್ರಾಮನ ಚಿಕಿತ್ಸಾಯಣ’ ಎಂಬ ಕೃತಿ ಪ್ರಕಟವಾಗಿದೆ. ಸನ್ಮಾನ್ಯರಾದ ದೇಜಗೌ ಮತ್ತು ಜಿಟಿನಾರವರ ಸಂಪಾದಕತ್ವದಲ್ಲಿ ಪ್ರಕಟವಾದ “ಪುಸ್ತಕ ಪ್ರಪಂಚ’ದಲ್ಲಿ ಇವರ ಅನುವಾದಿತ ಲೇಖನಗಳು ಪಡಿಮೂಡಿವೆ. “ಕುಂಬಾಸ’, “ನುಗ್ಗೇಹಳ್ಳಿ ಪಂಕಜ’ವೇ ಮೊದಲಾದ ಪ್ರಶಸ್ತಿಗಳನ್ನು ಪಡೆದಿರುವ ಸತ್ಯವತಿಯವರು ಈಗಾಗಲೇ ಐದು ಹಾಸ್ಯ ಸಂಕಲನಗಳನ್ನು ರಚಿಸಿದ್ದಾರೆ. ಅವರ ಆರನೆಯ ಹಾಸ್ಯ ಸಂಕಲನವೇ – “ಇಂತಿ ದ್ವಾದಶ ಆಖ್ಯಾನ’. ಹಾಸ್ಯದಲ್ಲಿ ಅಪಹಾಸ್ಯ, ತಿಳಿಹಾಸ್ಯ, ವ್ಯಂಗ್ಯ ಮುಂತಾದ ಪ್ರಭೇದಗಳಿವೆ. ವ್ಯಂಗ್ಯಮಿಶ್ರಿತವಾದ ತಿಳಿಹಾಸ್ಯ ಒಂದೇ ಕಾಲದಲ್ಲಿ ಎರಡು ಉದ್ದೇಶಗಳನ್ನು ಹೊಂದಿರುತ್ತವೆ. ಅದು ಮೇಲ್ನೋಟಕ್ಕೆ ಮನೋರಂಜನೆಯಾಗಿ ಕಂಡರೂ, ಅದರ ಇಂಗಿತ ಓದುಗರನ್ನು ಗಂಭೀರ ಚಿಂತನೆಗೆ ತೊಡಗುವಂತೆ ಮಾಡುವುದಾಗಿರುತ್ತದೆ. ವ್ಯಕ್ತಿಯನ್ನು ನೋಯಿಸದೇ ಲಘುಹಾಸ್ಯ-ವ್ಯಂಗ್ಯಗಳಿಂದ ಸ್ವವಿಮರ್ಶೆ ಮಾಡಿಕೊಳ್ಳುವಂತೆ ಪ್ರೇರೇಪಿಸುವುದು ಹಾಸ್ಯದ ಕಲಾತ್ಮಕ ಪ್ರಕ್ರಿಯೆ. ಶ್ರೀಮತಿ ಸತ್ಯವತಿಯವರ ಈ ಕೃತಿಯಲ್ಲಿ ಇಂತಹ ಒಂದು ಪ್ರಯತ್ನವನ್ನು ನಾವು ಕಾಣಬಹುದು. “ಇಂತಿ ದ್ವಾದಶ ಆಖ್ಯಾನ’ದಲ್ಲಿ ಹನ್ನೆರಡು ವೈವಿಧ್ಯಮಯ ಸಣ್ಣ ಹಾಸ್ಯಲೇಖನಗಳಿವೆ. ಸತ್ಯವತಿಯವರು ನಮ್ಮ ಜೀವನದ ಸಾಮಾನ್ಯ ಘಟನೆಗಳನ್ನೇ ರಂಗುರಂಗಾಗಿ ತಿಳಿಹಾಸ್ಯದ ಮೂಲಕ ಈ ಕೃತಿಯಲ್ಲಿ ತೋರಿಸಿದ್ದಾರೆ. ಕಾಲ್ಪನಿಕ ಘಟನೆಗಳಲ್ಲಿ ಹಾಸ್ಯದ ಪಾತ್ರಗಳನ್ನು ಸೃಷ್ಟಿಸಿ, ಗಂಭೀರ ವಿಚಾರಗಳನ್ನು ಮನಮುಟ್ಟುವಂತೆ ನಿರೂಪಿಸುವ ಲೇಖಕಿಯ ಶೈಲಿಯು ಅಪೂರ್ವವಾದದ್ದು. ಪ್ರತಿ ಕತೆಯ ಶೀರ್ಷಿಕೆಯಲ್ಲೇ ಹಾಸ್ಯ ತುಂಬಿರುವ ಈ ಕೃತಿಯು ಓದುಗರನ್ನು ನಗಿಸುವಲ್ಲಿ ಯಶಸ್ವಿಯಾಗುತ್ತದೆ.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
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Sümi and the Dance of the Dark Spirits
Author: Toinali Sema
Join the shy Moi, spirited Sumi and brave Vikai in this folk-fantasy adventure of self-discovery, bravery, mystery, and above all loyalty and friendship as they embark on a journey into unfamiliar territories and encounter supernatural beings, get chased by spirits, befriend dragonflies, meets the wind family, and fight the dark spirits.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
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Bamonn
Author: Na D’Souza Translator: S M Pejathaya
Konkani Roman Catholic Christians were converted from other groups by Goan Missionaries long back, keeping the caste system tradition to a large extent in layers such as the Bamonn, the Charodi, the Gawdi, the Nendar, the Shudra, etc. At the time of marriages and other social gatherings they continue to consider caste system norms and customs in the community. Caste system in Indian Christians is vividly described in the novel Bamonn. Christopher Pai of Kalyanpura hails from a Bamonn family and takes great pride in his ancestry. He believes in the stories about his Konkani Roman Catholic ancestors from his elders and about their being true Christians, holding on to their faith despite tremendous pressure to convert to Islam during Tipu Sultan’s regime. He also believes Bamonns are superior to other Christians in the community. After retiring from his job of a Headmaster, he refuels his obsession to retrace his roots and find out the truth about his ancestors. In his journey of self-assurance and faith, will he succeed in his mission to convince his family, his children and the community at large of his glorious ancestry and in still pride in the next generation? . . .
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Mahammaayi
Author: Chandrasekhara Kambara, Translator: Kathyayini Kunjibettu
Mahāmmāyi is the story of the legend of Shatavithaayi – the Goddess of death, and her adopted son Sambhashiva. Out of affection for her son, Goddess Shatavithaayi blesses him with the “power of life”. The blessing was that death will evade the people who are treated by Sambashiva. But a certain condition set by Shatavithaayi forbade him from healing every ill man. The condition was that, if Shatavithaayi stood on the right side of the patient, Sambhashiva could treat that person and he would live; but, if she stood on the left side of the patient, he should not treat that person as his death was inevitable. Through a distinct method of story-telling, the story follows the life of Sambhashiva as he begins to question the ideas of fate and destiny. Thus, the conflict between fate and human efforts to change that fate is vividly described in this play. -
Sati Kamale
Author: S U Paniyadi Translators: B Surendra Rao, K Chinnappa Gowda
This eponymous novel is centred on Kamale, who is an embodiment of wifely virtue. For fifteen long years Kamale lives the life of a widow to the outside world, nurturing the hopes of reuniting with the husband one day. Alone in the room, each night she wears her marks of a married woman with the dagger gifted by Umesha next to her. It could be seen as an exposition on the then existing indigenous discourse in India in the 19th century and early 20th century. Kamale, in her rigorous commitment and in retrieving her husband from ‘death’, is fashioned after Savithri in an intertextual reference to Mahabharata’s episode of “Satyavan and Savithri”. The novel might look conservative for the present-day reader, but it is a representative literary work of the time when Paniyadi, among many others, wanted to regain the independent status of the Tulu language which had somehow slipped out of its pedestal.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Kaitan Gandhi’s Freedom Struggle
Author: Na D’Souza Translator: B Gangadharamurthy
Kaitan Gandhiya Swatantrya Horata is one of the very few novels written in Kannada on the Gandhian phase of the Indian freedom struggle. It is not globally unknown that Gandhi not only changed the idiom of the struggle and successfully experimented his lifetime-belief in non-violence on the vast canvas but also made it decisively inclusive. Kaitan Gandhi’s Freedom Struggle thematically illuminates these two crucial aspects of the great struggle and grapples with the naked truth as Charles, the priest in the novel revealingly says,The rulers, whosoever it is, are rulers. Caste, colour, or country does not matter to them. All are wicked. Like in all true works of realist literature, the author, here too, creatively blends the individual, the social, and the historical in such a way that the novel poignantly unfolds the true spirit of quest for freedom and humanity.
Interested readers may write to us at mup@manipal.edu about purchasing the book.