Pharmaceutical Consumer Complaints: A Guide to Academia and Pharmaceutical Industry
₹795.00
Editors: Girish Pai Kulyadi, Muddukrishna B S, Richa Ajay Dayaramani
This book is an excellent guide in analyzing consumer complaints and will aid the students who are yet to gain industry experience. It is necessary for resolving consumer complaints in pharmaceutical industry where such concerns are frequently received. The case studies provide a vivid description of defects that will help identify the nature of the issue, possible root cause of such complaints, and subsequent remediation.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Kathana Bharathi
Author: T P Ashoka
ಕಥನ ಭಾರತಿಯು ವಿವಿಧ ಭಾರತೀಯ ಭಾಷೆಗಳಾದ ಕನ್ನಡ, ಹಿಂದಿ, ಬೆಂಗಾಲಿ, ಗುಜರಾತಿ, ಮಲಯಾಳಂ, ಮರಾಠಿ, ಒರಿಯಾ, ಪಂಜಾಬಿ ಮತ್ತು ಉರ್ದುಗಳಲ್ಲಿ ಬರೆಯಲಾದ ಆಧುನಿಕ ಶ್ರೇಷ್ಠ ಸಾಹಿತ್ಯದ ಇಪ್ಪತ್ತು ಸಾಹಿತ್ಯ ವಿಮರ್ಶಾತ್ಮಕ ಪ್ರಬಂಧಗಳ ಸಂಗ್ರಹವಾಗಿದೆ. ಪುಸ್ತಕದಲ್ಲಿ ಚರ್ಚಿಸಲಾದ ಭಾರತೀಯ ಲೇಖಕರಲ್ಲಿ ಜನಪ್ರಿಯ ಲೇಖಕರಾದ ಅಲೋಕ್ ಭಲ್ಲಾ, ಅಮೃತಾ ಪ್ರೀತಮ್, ಬೇಗಂ ರೋಕ್ವಿಯಾ ಸಖಾವತ್ ಹುಸೇನ್, ಭೀಮರಾವ್ ರಾಮ್ಜಿ ಅಂಬೇಡ್ಕರ್, ಭೀಶಮ್ ಸಾಹ್ನಿ, ಚಂದ್ರಶೇಖರ ಕಂಬಾರ, ಗಿರೀಶ್ ರಘುನಾಥ್ ಕಾರ್ನಾಡ್, ಗೋಪಿನಾಥ್ ಮೊಹಾಂತಿ, ಜಾನಕಿ ಶ್ರೀನಿವಾಸ ಮೂರ್ತಿ (ವೈದೇಹಿ, ಕೋತಾ ಸುನಿವಾಸ ಮೂರ್ತಿ) ಸೇರಿದ್ದಾರೆ. ಶಿವರಾಮ ಕಾರಂತ್, ಲಕ್ಷ್ಮಣ ಮಾನೆ, ಮಹಾಶ್ವೇತಾದೇವಿ, ಮಾಸ್ತಿ ವೆಂಕಟೇಶ ಅಯ್ಯಂಗಾರ್, ಮೋಹನ್ದಾಸ್ ಕರಮಚಂದ್ ಗಾಂಧಿ, ಮುನ್ಷಿ ಪ್ರೇಮಚಂದ್, ಪನ್ನಾಲಾಲ್ ನಾನಾಲಾಲ್ ಪಟೇಲ್, ರವೀಂದ್ರನಾಥ ಠಾಗೋರ್, ಸಾದತ್ ಹಸನ್ ಮಂಟೋ, ತಕಳಿ ಶಿವಶಂಕರ ಪಿಳ್ಳೈ, ಉಡುಪಿ ರಾಜಗೋಪಾಲಾಚಾರ್ಯ ಅನಂತಮೂರ್ತಿ ಮತ್ತು ಯಶಪಾಲ. ಇಪ್ಪತ್ತು ಸಾಹಿತ್ಯ ವಿಮರ್ಶಾತ್ಮಕ ಪ್ರಬಂಧಗಳು ತಮ್ಮ ಆಯ್ದ ಬರಹಗಳನ್ನು ಪರಿಶೀಲಿಸುತ್ತವೆ, ಪರಿಚಯಿಸುತ್ತವೆ, ಚರ್ಚಿಸುತ್ತವೆ ಮತ್ತು ವ್ಯಾಖ್ಯಾನಿಸುತ್ತವೆ. ಕಳೆದ ನೂರೈವತ್ತು ವರ್ಷಗಳಲ್ಲಿ ಭಾರತೀಯ ಶ್ರೇಷ್ಠ ಲೇಖಕರು ತಮ್ಮ ಸಮಯ ಮತ್ತು ಜಾಗಕ್ಕೆ ಹೇಗೆ ಪ್ರತಿಕ್ರಿಯಿಸಿದ್ದಾರೆ ಮತ್ತು ಪ್ರತಿಕ್ರಿಯಿಸಿದ್ದಾರೆ ಎಂಬುದನ್ನು ಈ ಲೇಖನಗಳು ಪರಿಶೀಲಿಸುತ್ತವೆ. ವಸಾಹತುಶಾಹಿ ಅನುಭವ, ವಿಭಜನೆಯ ಆಘಾತ ಮತ್ತು ಸ್ವಾತಂತ್ರ್ಯಾನಂತರದ ಸಾಮಾಜಿಕ ರಾಜಕೀಯ ಬೆಳವಣಿಗೆಗಳು ಈ ಬರಹಗಾರರ ಬರಹಗಳಲ್ಲಿ ಪ್ರಬಲ ನಿರೂಪಣೆಗಳು ಮತ್ತು ರೂಪಕಗಳ ರೂಪದಲ್ಲಿ ಅಭಿವ್ಯಕ್ತಿಯನ್ನು ಕಂಡುಕೊಂಡಿವೆ. ಟಿ ಪಿ ಅಶೋಕ ಅವರ ಕಥನ ಭಾರತಿ ಈ ಬರಹಗಳ ವಿಮರ್ಶೆ. ಆಧುನಿಕ ಭಾರತೀಯ ಸಾಹಿತ್ಯದಲ್ಲಿನ ಈ ಅಧ್ಯಯನಗಳು ಆಧುನಿಕ ಭಾರತೀಯ ಸಾಹಿತ್ಯ ವಿಮರ್ಶೆಗೆ ಅಮೂಲ್ಯ ಕೊಡುಗೆಯಾಗಿದೆ. ಪುಸ್ತಕವು ಸಾಹಿತ್ಯದ ವಿದ್ಯಾರ್ಥಿಗಳು, ಸಂಶೋಧಕರು ಮತ್ತು ಶಿಕ್ಷಕರಿಗೆ ಆಸಕ್ತಿದಾಯಕ ಓದುವಿಕೆಯನ್ನು ಒದಗಿಸುತ್ತದೆ ಆದರೆ ಸಾಮಾನ್ಯ ಓದುಗರನ್ನೂ ಆಕರ್ಷಿಸುತ್ತದೆ.
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Legends of Travancore – A Numismatic Heritage
The Kingdom of Travancore in the Southern part of India was a native state in British India which was well known for its progressive outlook. Its enlightened royalty ruled the country as Sree Padmanabha Dasa. They had in place a well oiled administrative mechanism that implemented various programs and reforms, resulting in an overall development of Travancore. Though Travancore was under the colonial rulers, there was a well-orchestrated administrative machinery for coinage. Coins were minted as per the specifications ordered by the periodically issued Royal Proclamations. It is creditable that Travancore retained its independence in its functioning to a large extent. This book is an insight into the coins of Modern Travancore (from 1729 AD) which not only reflects the religious beliefs of the rulers, but also sketches the socio-political atmosphere of the period. Dr Joseph Thomas hailing from Thiruvananthapuram, is a Professor of Urology at Manipal University in India. His passion for collecting coins developed into a serious numismatic pursuit. His special area of interest is the study of the history of Venad and Travancore. His detailed study of the Travancore coins and the various related issues give an insight into the rich numismatic heritage of modern Travancore. He is a Life Member of the Philatelic and Numismatic Association of Thiruvananthapuram and a Life Member of the South Indian Numismatic Society, Chennai.
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The Path of Proofs – Pramanapaddhati of Sri Jayatirtha
The Path of Proofs: Pramanapaddhati of Sri Jayatirtha Epistemology of the Dvaita school of thought is presented in this short monograph Pramanapaddhati the Path of Proofs, authored by Sri Jayatirtha. Epistemology is the science of knowledge that deals with the origin and nature of cognitive events and their means. Acarya Madhva, the proponent of the Dvaita school, has explained about the epistemology of this new school in his works. Since Madhva’s language is profound and the elucidations are scattered over his several works, it is difficult to comprehend for a novice. Hence, Pramanapaddhati was composed by his successor of third generation Sri Jayatirtha. The simple and captivating style of this work is sure to ignite the interest in the readers to conduct further study in detail. This work is not only regarded as a standard textbook of Dvaita studies, but also considered as a basic authentic work in the Dvaita dialectic literature. The work is classified into three chapters; Pratyaksa, Anumana and Agama as a compendious yet full treatment of the Dvaita epistemology in smaller captions. Its discussion on the standpoints of other schools on various topics and their criticism is not much detailed. However, it is systematized and presented in an easily comprehendible style that can make even a novice understand the intricacies of Dvaita epistemology. The unique commentary skill of Sri Jayatirtha comprises of profound scholarship, style of exposition, lucid language, commitment to the original author, views on opposition with thorough knowledge, logical integrity, appropriate and comprehensive method of thinking. This work is rendered into English by Prof Shrinivasa Varakhedi adopting the mirror-translation method.
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This source book on Kannada theatre history is a valuable contribution to the larger field of Indian Theatre Studies. Avoiding the shortcuts of an overview or a Wikipedia-like assemblage of information, it delves into the lives, histories, struggles, debates and anecdotes surrounding some of the most pioneering figures in the shaping of Kannada theatre between 1850-1950. The selection of primary sources, most of which are being made available in English for the first time, is nothing short of a revelation in the way it illuminates insights into the actual making and thinking of theatre practice. Here we have a model of how the construct of ‘Indian Theatre’ can be textured, inflected, individuated and problematized at regional, local and intracultural levels. Rustom Bharucha .This book is a labour of love by scholars who not only love Kannada theatre, but want to pass on their enjoyment of it. Delving deep into folklore oral history, local history, gossip debate and discourse, the editors bring out the world of Kannada theatres in pluralistic terms. Scholarship and playfulness combine to create a powerful act of storytelling where the book itself mimics the career of Kannada theatre. As an anthology it becomes an initiation rite, an introduction to all the great figures, not as hagiography but as nuanced analysis. Big questions and little questions combine to create both a sense of combativeness and a wonderful feeling of homecoming. Like tricksters, they break the binaries of tradition and modernity, treating it almost like a bad play which needs new scripts and new performers. A wonderful anthology. A deeply desi book, with all the cosmopolitanism of world theatre.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Interested readers may write to us at mup@manipal.edu about purchasing the book.