Daddal Kaadina Mouna
₹240.00
Author: Shashiraj Kavoor
ದಡ್ಡಾಲ್ ಕಾಡಿನ ಮೌನ’ ಕಿರು ಕಾದಂಬರಿಯಲ್ಲಿ ಶಶಿರಾಜ್ ಅವರು ಕೊರಗ ಸಮುದಾಯದ ಬಗ್ಗೆ ಸಾಕಷ್ಟು ಕ್ಷೇತ್ರಕಾರ್ಯದ ಅಧ್ಯಯನ ನಡೆಸಿ, ಆಧುನಿಕತೆಯ ಸಂಕ್ರಮಣಕಾಲದಲ್ಲಿನ ಕೊರಗರ ಬದುಕಿನ ಸಂಗತಿಗಳನ್ನು ಸಾಂಸ್ಕೃತಿಕ ನೆಲೆಯಲ್ಲಿ ನೋಡಲು ಪ್ರಯತ್ನಿಸಿದ್ದಾರೆ. ಅದರ ಜೊತೆಗೆಯೇ ತುಳುವ ಸಂಸ್ಕೃತಿಯ ಗುತ್ತುವಿನಂತಹ ಪರಂಪರೆಯ ಆಡಳಿತದ ಚೌಕಟ್ಟಿನಲ್ಲಿ ನಡೆಯುತ್ತಿದ್ದ ದೈವಾರಾಧನೆಯ ಸ್ವರೂಪ ಮತ್ತು ಸಮಸ್ಯೆಗಳನ್ನು ಕೂಡಾ ಪೋಣಿಸಿದ್ದಾರೆ. ಕೆಲವು ದಶಕಗಳ ಹಿಂದೆ ತುಳುನಾಡಿನಲ್ಲಿ ನಡೆಯುತ್ತಿದ್ದಂತಹ ವಿದ್ಯಮಾನಗಳನ್ನು ಕುರಿತ ಕೆಲವು ಸೂಕ್ಷ್ಮ ನೋಟಗಳು ಇಲ್ಲಿನ ಕಥಾ ಸಂವಿಧಾನದಲ್ಲಿ ಸೇರಿಕೊಂಡಿವೆ. ಇನ್ನೊಂದು ಕಡೆ ಆಧುನಿಕ ವೈದ್ಯಕೀಯ ಪದ್ಧತಿಯು ಬಂದ ಬಳಿಕವೂ ದೇಸಿ ಪರಂಪರೆಯ ವೈದ್ಯಪದ್ಧತಿ ಮತ್ತು ನಂಬಿಕೆಗಳು ಕ್ರಿಯಾಶೀಲವಾಗಿ ಇರುವುದರ ವಾಸ್ತವದ ಚಿತ್ರಣವೂ ಅನಾವರಣವಾಗಿದೆ. ಒಂದು ವ್ಯವಸ್ಥೆಯ ಒಳಗಿನ ಧನಾತ್ಮಕ ಮತ್ತು ಋಣಾತ್ಮಕ ಅಂಶಗಳು ಏಕಕಾಲಕ್ಕೆ ಕ್ರಿಯಾಶೀಲವಾಗಿ ಇರುವ ವೈರುಧ್ಯದ ಸಂಗತಿಗಳೂ ಇಲ್ಲಿ ಕಾಣಿಸುತ್ತವೆ. ಕೊರಗಸಮುದಾಯದ ಸಂಕೀರ್ಣ ಭಾವನೆಗಳ ತೊಳಲಾಟವನ್ನು ಇಲ್ಲಿ ಗ್ರಹಿಸಬಹುದು. ಕುಲಸಂಬಂಧಿ ಆಚರಣೆಗಳನ್ನು ಮಾಡುತ್ತಲೂ ಅವುಗಳಲ್ಲಿನ ಅಮಾನವೀಯ ಅಂಶಗಳನ್ನು ತೊಡೆದುಹಾಕುವ ಮನೋಧರ್ಮವು ಕಾದಂಬರಿಯ ಬೆಳವಣಿಗೆಯಲ್ಲಿ ಕಾಣಿಸುತ್ತದೆ.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Categories: | Kannada, Works in Fiction |
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ಸುರಬಹಾರಿನ ದಂತಕಥೆಯೆಂದೇ ಹೇಳಬಹುದಾದ ವಿದುಷಿ ಅನ್ನಪೂರ್ಣಾ ದೇವಿಯವರ ಖಾಸಗಿ ಬದುಕು, ಏಕಾಂತ ನಿಗೂಢವೆನ್ನಿಸುವ ಹಾಗೆಯೇ ಮೈಹರ್ ಘರಾನೆಯ ಸ್ವರಸಂಪತ್ತನ್ನು ಶಿಷ್ಯರಿಗೆ ಧಾರೆಯೆರೆದು ಕಲಿಸುತ್ತ, ಹಲವರನ್ನು ಮೇರು ಕಲಾವಿದರಾಗಿ ರೂಪುಗೊಳಿಸಿದ ಬಗೆಯೂ ಅನನ್ಯ. ಕೃತಿಯಲ್ಲಿ ಚಿತ್ರಿಸಿದ ಇನ್ನುಳಿದ ಮೂವರು ಸಂಗೀತಗಾರರು ನಮ್ಮ ನೆರೆಯ ಪಾಕಿಸ್ತಾನದ ಶಾಸ್ತ್ರೀಯ ಸಂಗೀತ ಪರಂಪರೆಯನ್ನು ಇನ್ನಷ್ಟು ಸಮೃದ್ಧಗೊಳಿಸಿದವರು.
“ಏ ದಯ್ಯಾ… ಕಹಾಂ ಗಯೇ ವೇ ಲೋಗ್… ಬ್ರಿಜ ಕೆ ಬಸಯ್ಯಾ…”
ಮನುಷ್ಯರ ನಡುವೆ ಹತ್ತುಹಲವು ಬಗೆಯ ದ್ವೇಷದ ಗೋಡೆಗಳು ಎದ್ದು ನಿಂತಿರುವ ಇಂದಿನ ದಿನಮಾನದಲ್ಲಿ ಭಿನ್ನತೆಗಳಿದ್ದರೂ ಪರಸ್ಪರ ಸಂವಾದ ನಡೆಸುತ್ತಿದ್ದ ಆ ಜನರನ್ನು, ಆ ಕಾಲಘಟ್ಟವನ್ನು ಮತ್ತೆ ಕಂಡುಕೊಳ್ಳಲು ಬಹುಶಃ ಇಂತಹ ಸಂಗೀತಗಾರರ ಕೊರಳೊಳಗಿನ, ಬೆರಳೊಳಗಿನ ಸ್ವರಗಳೇ ನಮ್ಮ ಕೈಹಿಡಿದು ಮುನ್ನಡೆಸಬೇಕಿದೆ.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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The Gandhi Cap and Other Short Stories
Author: Raja Radhikaraman Prasad Singh, Translator: Mahendra P Srivastava
The book The Gandhi Cap and Other Short Stories offers a glimpse into the lifetime of work of a forgotten pioneer of Hindi fiction, Raja Radhikaraman Prasad Sinha. It is ironic that one cannot find a single book by this author who was so dedicated to Hindi literature. The stories in this collection are a testament not only to the contributions of Sinha to Hindi fiction but also, reflect the depth of political and social milieu of the times. Many readers will be moved by the elements patriotism, feminism, secularism, and spiritualism in these stories. Strong female characters are common in most of these stories. These characters provide both a moral fulcrum to the stories as well as reflect the struggle of women to balance prevailing customs with modernity. Some of these stories provide sharp political and social commentary that still have currency (The Gandhi Cap). Sinha incorporates a unique style of writing that uses lyrical prose and poetry together. He even employs a dialogue between the storyteller and a social gathering in the form of an epilogue, to offer a discourse on social dilemma about women’s plight to become modern while admonishing them to retain their Indian essence (An Expensive Bargain). We hope the readers will enjoy this wonderful collection.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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A Bond So Sacred
A Bond So Sacred tells the story of Raman, a satyagrahi, who adopts Kokila, an orphan. He leaves the five year old in the care of his mother while he plunges into the freedom struggle. His nationalist fervour, however, clashes with his love for Amina, his charming neighbour who wants parental approval to their marriage. Raman’s mother is as staunch a Brahmin as Amina’s father is a Muslim. Will Raman be able to get their consent. The joy of India becoming an independent nation is marred by Gandhiji’s death. Raman’s fellow satyagrahis have gone their ways and he finds himself with no role to play in a rapidly changing country. Meanwhile, Kokila, his protégée, has her own battles to fight. As the years bring them together again, Kokila discovers truths about Raman that she would never have imagined. She is forced to confront the ghosts of the past, his and hers.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Saga of The Uprooted
Author: Ranga Hari, Translator: Saratchandra Shenoi
This English translation of Visthapanachi Katha, a Konkani Khanda Kavya, depicts the saga of the migration of the Konkani community from Goa to a land far away from home. This collection of poems encapsulates the reign of a colonial power over the region of Goa that began with the entry of the Portuguese in the 16th century. It illustrates the displacement of the Konkani people and their resurgence at Cochin port. The poems describe the transformation of Goa – both culturally and topographically – and the people of Goa who were plundered, displaced, uprooted, and were forced to strip off their culture and identity. The poet is unfolding the tale of his very own ancestors by tracing out these events and graphically portraying the plight of the Konkani people. Saratchandra Shenoi, the author of this English translation, is a multilingual translator and a Sahitya Akademi Award winning (Antarnad – 1999) Konkani poet based in Kochi. He has over twenty books to his credit which include collections of poetry, works of fiction and non-fiction, translations, edited anthologies and language guides. Ranga Hari is the author of the Konkani original text titled Visthapanachi Katha. He has written more than twenty-five books in different languages, and was associated with Bharatiya Sikshan Mandal and Vidya Bharati.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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A Shrine for Sarasamma
Author: Shivarama Karanth Translator: D A Shankar
A Shrine for Sarasamma is the English translation of Sarasammana Samadhi written by K Shivarama Karanth in 1937, in his early thirties. It offers one of the most authentic and searing accounts of Indian womanhood, which consistently, and through the ages, has suffered deep anguish, humiliation and crushing insult from the oppressive patriarchal culture prevalent in all parts of India and among all castes and classes. The novel is a classic in Kannada and the English translation is an attempt to bring to the English reading audience a taste of the regional classic.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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If we meet again we shall smile
Author: Anushua Chakrabarti
People leave our lives. Some simply walk away from our world while some leave this world altogether. Through visuals, poetry and short stories, the author has a dialogue with the reader that takes them both through a journey full of characters that are no more, and yet have shaped the story. This fictional dialogue is a short trip down memory lane that visits the relationships one keeps hidden beneath.
Anushua Chakrabarti, originally from Kolkata, is a wandering minstrel. She lives on travel and music. Anushua has completed her MBA from TAPMI, Manipal, India, post which she worked in top technology brands like HP and Microsoft. She is presently back in Kolkata, driving social service through her acquired experience. Anushua has faced several childhood traumas but she believes she is what she is today, not in spite of it; but because of it.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Sati Kamale
Author: S U Paniyadi Translators: B Surendra Rao, K Chinnappa Gowda
This eponymous novel is centred on Kamale, who is an embodiment of wifely virtue. For fifteen long years Kamale lives the life of a widow to the outside world, nurturing the hopes of reuniting with the husband one day. Alone in the room, each night she wears her marks of a married woman with the dagger gifted by Umesha next to her. It could be seen as an exposition on the then existing indigenous discourse in India in the 19th century and early 20th century. Kamale, in her rigorous commitment and in retrieving her husband from ‘death’, is fashioned after Savithri in an intertextual reference to Mahabharata’s episode of “Satyavan and Savithri”. The novel might look conservative for the present-day reader, but it is a representative literary work of the time when Paniyadi, among many others, wanted to regain the independent status of the Tulu language which had somehow slipped out of its pedestal.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Kaitan Gandhi’s Freedom Struggle
Author: Na D’Souza Translator: B Gangadharamurthy
Kaitan Gandhiya Swatantrya Horata is one of the very few novels written in Kannada on the Gandhian phase of the Indian freedom struggle. It is not globally unknown that Gandhi not only changed the idiom of the struggle and successfully experimented his lifetime-belief in non-violence on the vast canvas but also made it decisively inclusive. Kaitan Gandhi’s Freedom Struggle thematically illuminates these two crucial aspects of the great struggle and grapples with the naked truth as Charles, the priest in the novel revealingly says,The rulers, whosoever it is, are rulers. Caste, colour, or country does not matter to them. All are wicked. Like in all true works of realist literature, the author, here too, creatively blends the individual, the social, and the historical in such a way that the novel poignantly unfolds the true spirit of quest for freedom and humanity.
Interested readers may write to us at mup@manipal.edu about purchasing the book.