Aparichita
₹170.00
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Categories: | Kannada, Plays and Theatre, Texts in Translation, Works in Fiction |
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Pot of Butter and other short stories
Author: Sunanda Belgaumkar Translator: Sa Usha, Vaijayanti Suryanarayana
Pot of Butter and other Short Stories is a collection of nine short stories, originally composed by Sunanda Belgaumkar in Kannada, handpicked and translated from her collections – Kajjaya and Koduvudenu Kombudenu. The bulk of her literary work including the stories in this book are inspired by the experiences in her early life, in the rustic and robust atmosphere of Dharwad. Her stories are predominantly semiautobiographical, laced with a liberal dose of artistic freedom.
This collection weaves together her writings on the underprivileged and marginalized as seen from the comfort of her palatial home, but rendered with compassion and empathy. Often, we find her narrative infused with self-directed questions such as, “What if I was in her shoes? ” or “Could that have been me? ” These stories are reflections on human nature, suffering, and destiny. There is hope, there is despair. There is love, there is longing. There is defeat, and there is triumph. In her stories, an oft-recurring metaphor for picking up one’s life after loss is a scorching summer followed by a torrential downpour and subsequently a plant springing to life.
As a translation, this book attempts to introduce Sunanda Belgaumkar’s literary and artistic creations to the non-Kannada reader, retaining as much of the indigenous elements of the original writings as possible. In doing so, it seeks to preserve the cultural climate of North Karnataka as it was around fifty years ago.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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A Bond So Sacred
A Bond So Sacred tells the story of Raman, a satyagrahi, who adopts Kokila, an orphan. He leaves the five year old in the care of his mother while he plunges into the freedom struggle. His nationalist fervour, however, clashes with his love for Amina, his charming neighbour who wants parental approval to their marriage. Raman’s mother is as staunch a Brahmin as Amina’s father is a Muslim. Will Raman be able to get their consent. The joy of India becoming an independent nation is marred by Gandhiji’s death. Raman’s fellow satyagrahis have gone their ways and he finds himself with no role to play in a rapidly changing country. Meanwhile, Kokila, his protégée, has her own battles to fight. As the years bring them together again, Kokila discovers truths about Raman that she would never have imagined. She is forced to confront the ghosts of the past, his and hers.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Mahāmmāyi
Author: Chandrasekhara Kambara, Translator: Kathyayini Kunjibettu
Mahāmmāyi is the story of the legend of Shatavithaayi – the Goddess of death, and her adopted son Sambhashiva. Out of affection for her son, Goddess Shatavithaayi blesses him with the “power of life”. The blessing was that death will evade the people who are treated by Sambashiva. But a certain condition set by Shatavithaayi forbade him from healing every ill man. The condition was that, if Shatavithaayi stood on the right side of the patient, Sambhashiva could treat that person and he would live; but, if she stood on the left side of the patient, he should not treat that person as his death was inevitable. Through a distinct method of story-telling, the story follows the life of Sambhashiva as he begins to question the ideas of fate and destiny. Thus, the conflict between fate and human efforts to change that fate is vividly described in this play. -
Bamonn: Story of a Konkani Roman Catholic
Author: Na D’Souza Translator: S M Pejathaya
Konkani Roman Catholic Christians were converted from other groups by Goan Missionaries long back, keeping the caste system tradition to a large extent in layers such as the Bamonn, the Charodi, the Gawdi, the Nendar, the Shudra, etc. At the time of marriages and other social gatherings they continue to consider caste system norms and customs in the community. Caste system in Indian Christians is vividly described in the novel Bamonn. Christopher Pai of Kalyanpura hails from a Bamonn family and takes great pride in his ancestry. He believes in the stories about his Konkani Roman Catholic ancestors from his elders and about their being true Christians, holding on to their faith despite tremendous pressure to convert to Islam during Tipu Sultan’s regime. He also believes Bamonns are superior to other Christians in the community. After retiring from his job of a Headmaster, he refuels his obsession to retrace his roots and find out the truth about his ancestors. In his journey of self-assurance and faith, will he succeed in his mission to convince his family, his children and the community at large of his glorious ancestry and in still pride in the next generation? . . .
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Sümi and the Dance of the Dark Spirits
Author: Toinali Sema
Join the shy Moi, spirited Sumi and brave Vikai in this folk-fantasy adventure of self-discovery, bravery, mystery, and above all loyalty and friendship as they embark on a journey into unfamiliar territories and encounter supernatural beings, get chased by spirits, befriend dragonflies, meets the wind family, and fight the dark spirits.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
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Saga of The Uprooted
Author: Ranga Hari, Translator: Saratchandra Shenoi
This English translation of Visthapanachi Katha, a Konkani Khanda Kavya, depicts the saga of the migration of the Konkani community from Goa to a land far away from home. This collection of poems encapsulates the reign of a colonial power over the region of Goa that began with the entry of the Portuguese in the 16th century. It illustrates the displacement of the Konkani people and their resurgence at Cochin port. The poems describe the transformation of Goa – both culturally and topographically – and the people of Goa who were plundered, displaced, uprooted, and were forced to strip off their culture and identity. The poet is unfolding the tale of his very own ancestors by tracing out these events and graphically portraying the plight of the Konkani people. Saratchandra Shenoi, the author of this English translation, is a multilingual translator and a Sahitya Akademi Award winning (Antarnad – 1999) Konkani poet based in Kochi. He has over twenty books to his credit which include collections of poetry, works of fiction and non-fiction, translations, edited anthologies and language guides. Ranga Hari is the author of the Konkani original text titled Visthapanachi Katha. He has written more than twenty-five books in different languages, and was associated with Bharatiya Sikshan Mandal and Vidya Bharati.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Sangeetha Lokadrishti
Author: Sumangala
ತಂದೆ-ಮಗಳ ಸುರಬಹಾರಿನ ಸಂಗೀತಬಂಧದ ಚಿತ್ರಣದಿಂದ ಆರಂಭಗೊಳ್ಳುವ ಈ ಕಿರುಕೃತಿಯು ಸಾಗರ ವೀಣೆ ರೂಪುಗೊಳಿಸಿದ ಇನ್ನೊಂದು ತಂದೆ-ಮಗಳ ಸಂಗೀತಬಂಧದ ಚಿತ್ರಣದೊಂದಿಗೆ ಮುಕ್ತಾಯವಾಗುತ್ತದೆ. ಇಲ್ಲಿ ನಾಲ್ವರು ಸಂಗೀತಗಾರರ ಬದುಕಿನ ಕೆಲವು ಸನ್ನಿವೇಶಗಳು, ಸಂಗೀತಪಯಣದಲ್ಲಿ ಅವರು ಸಾಗಿದ ಹಾದಿ, ಕಠಿಣ ಸಂದರ್ಭಗಳು, ಅವರ ಸಾಂಗೀತಿಕ ಮನೋಧರ್ಮ, ರಾಗರೂಪದ ಕುರಿತ ದೃಷ್ಟಿಕೋನ, ಇತ್ಯಾದಿ ಅಂಶಗಳ ಸ್ಥೂಲ ಚಿತ್ರಣವಿದೆ.
ಸುರಬಹಾರಿನ ದಂತಕಥೆಯೆಂದೇ ಹೇಳಬಹುದಾದ ವಿದುಷಿ ಅನ್ನಪೂರ್ಣಾ ದೇವಿಯವರ ಖಾಸಗಿ ಬದುಕು, ಏಕಾಂತ ನಿಗೂಢವೆನ್ನಿಸುವ ಹಾಗೆಯೇ ಮೈಹರ್ ಘರಾನೆಯ ಸ್ವರಸಂಪತ್ತನ್ನು ಶಿಷ್ಯರಿಗೆ ಧಾರೆಯೆರೆದು ಕಲಿಸುತ್ತ, ಹಲವರನ್ನು ಮೇರು ಕಲಾವಿದರಾಗಿ ರೂಪುಗೊಳಿಸಿದ ಬಗೆಯೂ ಅನನ್ಯ. ಕೃತಿಯಲ್ಲಿ ಚಿತ್ರಿಸಿದ ಇನ್ನುಳಿದ ಮೂವರು ಸಂಗೀತಗಾರರು ನಮ್ಮ ನೆರೆಯ ಪಾಕಿಸ್ತಾನದ ಶಾಸ್ತ್ರೀಯ ಸಂಗೀತ ಪರಂಪರೆಯನ್ನು ಇನ್ನಷ್ಟು ಸಮೃದ್ಧಗೊಳಿಸಿದವರು.
“ಏ ದಯ್ಯಾ… ಕಹಾಂ ಗಯೇ ವೇ ಲೋಗ್… ಬ್ರಿಜ ಕೆ ಬಸಯ್ಯಾ…”
ಮನುಷ್ಯರ ನಡುವೆ ಹತ್ತುಹಲವು ಬಗೆಯ ದ್ವೇಷದ ಗೋಡೆಗಳು ಎದ್ದು ನಿಂತಿರುವ ಇಂದಿನ ದಿನಮಾನದಲ್ಲಿ ಭಿನ್ನತೆಗಳಿದ್ದರೂ ಪರಸ್ಪರ ಸಂವಾದ ನಡೆಸುತ್ತಿದ್ದ ಆ ಜನರನ್ನು, ಆ ಕಾಲಘಟ್ಟವನ್ನು ಮತ್ತೆ ಕಂಡುಕೊಳ್ಳಲು ಬಹುಶಃ ಇಂತಹ ಸಂಗೀತಗಾರರ ಕೊರಳೊಳಗಿನ, ಬೆರಳೊಳಗಿನ ಸ್ವರಗಳೇ ನಮ್ಮ ಕೈಹಿಡಿದು ಮುನ್ನಡೆಸಬೇಕಿದೆ.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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U-Turn
Author: Anand Mhasvekar, Translator: Neeta Inamdar
ಮರಾಠಿ ನಾಟಕ. ಯು-ಟರ್ನ್ ಮಹಾರಾಷ್ಟ್ರ ಮತ್ತು ಅದರಾಚೆಗೆ 585 ಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನಗಳೊಂದಿಗೆ ಲಕ್ಷಾಂತರ ಹೃದಯಗಳನ್ನು ಗೆದ್ದಿದೆ. ಗುಜರಾತಿಯಲ್ಲಿ ಇದರ ಅನುವಾದವು 115 ಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನಗಳನ್ನು ಕಂಡಿದೆ ಮತ್ತು ಹಿಂದಿಯಲ್ಲಿ 50 ಕ್ಕೂ ಹೆಚ್ಚು ಪ್ರದರ್ಶನಗಳನ್ನು ಕಂಡಿದೆ. ಈ ಯಶಸ್ಸು ಶ್ರೀಮತಿ ಸವಿತಾ ಶಾಸ್ತ್ರಿಯವರ ಬೆಂಬಲದೊಂದಿಗೆ ಕನ್ನಡದಲ್ಲಿ ಈ ಕೃತಿಯನ್ನು ಅನುವಾದಿಸಲು ಪ್ರೊ.ನೀತಾ ಇನಾಮದಾರ್ ಅವರನ್ನು ಪ್ರೋತ್ಸಾಹಿಸಿತು. ನಾಟಕವು ಉದ್ದಕ್ಕೂ ಕೇವಲ ಎರಡು ಪಾತ್ರಗಳನ್ನು ಹೊಂದಿದೆ ಮತ್ತು ಇಡೀ ಅವಧಿಗೆ ವೇದಿಕೆಯ ಮೇಲಿರುವ ಇಬ್ಬರನ್ನು ಹೊರತುಪಡಿಸಿ ಒಂದೆರಡು ಧ್ವನಿಗಳನ್ನು ಹೊಂದಿದೆ. ನಾಟಕದ ಕೇಂದ್ರ ಕಲ್ಪನೆಯು ಆಧುನಿಕತೆಯನ್ನು ಒಪ್ಪಿಕೊಳ್ಳುವಲ್ಲಿನ ವ್ಯತ್ಯಾಸಗಳು ಮತ್ತು ಎರಡು ವಿಭಿನ್ನ ತಲೆಮಾರುಗಳಲ್ಲಿ ಇದಕ್ಕೆ ಸಂಬಂಧಿಸಿದ ಸಂಘರ್ಷಗಳು. ವಿಚ್ಛೇದಿತ ಸೇನೆಯ ಮೇಜರ್ ಮತ್ತು 50 ರ ದಶಕದ ಅಂತ್ಯದಲ್ಲಿರುವ ವಿಧವೆಯ ನಡುವಿನ ಒಡನಾಟವನ್ನು ಅವರ ಮಕ್ಕಳು ವಿರೋಧಿಸುತ್ತಾರೆ ಮತ್ತು ಅವರು ತಮ್ಮನ್ನು ತಾವು ಆಧುನಿಕತೆಯನ್ನು ಅಳವಡಿಸಿಕೊಂಡರೂ ವಿಭಿನ್ನ ರೀತಿಯಲ್ಲಿ ವ್ಯಕ್ತಪಡಿಸುತ್ತಾರೆ. ನೀತಾ ಇನಾಮದಾರ್ ಅವರು ಮಣಿಪಾಲ್ ವಿಶ್ವವಿದ್ಯಾನಿಲಯದಲ್ಲಿ (MU) ಯುರೋಪಿಯನ್ ಅಧ್ಯಯನ ವಿಭಾಗದ (DES) ಮುಖ್ಯಸ್ಥರಾಗಿದ್ದಾರೆ ಮತ್ತು ಮಣಿಪಾಲ್ ಯೂನಿವರ್ಸಲ್ ಪ್ರೆಸ್ ನ (MUP) ಮುಖ್ಯ ಸಂಪಾದಕರಾಗಿದ್ದಾರೆ. ಸಂಗೀತ ಮತ್ತು ರಂಗಭೂಮಿ ಅವರ ಆಸಕ್ತಿಗಳಾಗಿದ್ದು, ಶ್ರೀಮತಿ ಸವಿತಾ ಶಾಸ್ತ್ರಿ ಅವರ ನೆರವಿನೊಂದಿಗೆ ಈ ಕೆಲಸವನ್ನು ಕೈಗೊಳ್ಳುವಂತೆ ಮಾಡಿತು. ಸವಿತಾ ಶಾಸ್ತ್ರಿ ಅವರು ಮಣಿಪಾಲದ ಮಹಿಳಾ ಉದ್ಯಮಿಯಾಗಿದ್ದು, ಅವರು ಬಾಬಾ ಆಮ್ಟೆ ಅವರ ಆನಂದವನಕ್ಕೆ ಧನಸಹಾಯವನ್ನೂ ಮಾಡುತ್ತಾರೆ. ಅವರು ಮರಾಠಿ, ಹಿಂದಿ ಮತ್ತು ಇಂಗ್ಲಿಷ್ನಲ್ಲಿ ಪುಸ್ತಕಗಳು ಮತ್ತು ನಾಟಕಗಳ ಓದುಗರಾಗಿದ್ದಾರೆ, ಅವರು ಈ ಅನುವಾದ ಯೋಜನೆಗೆ ತಮ್ಮ ಬೆಂಬಲವನ್ನು ನೀಡಿದರು.
Interested readers may write to us at mup@manipal.edu about purchasing the book.