Aparichita (Camus – The Stranger)
₹170.00
Interested customers may write to us at mup@manipal.edu about purchasing the book.
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Categories: | Fiction, Plays and Theatre, Translation |
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Makkala Padya Manjiri
Author: Kayyara Kinhanna Rai
ಮಕ್ಕಳ ಪದ್ಯಮಂಜಿರಿ ಶ್ರೀ ಕಯ್ಯಾರ ಕಿಞ್ಞಣ್ಣ ರೈ ಅವರಿಂದ ಮಕ್ಕಳಿಗಾಗಿ ಕವನಗಳ ಪುಸ್ತಕ. ಶ್ರೀ ಕಯ್ಯಾರರ ಕವನಗಳು ಎಲ್ಲಾ ಹಿನ್ನೆಲೆಯ ಜನರನ್ನು ತಲುಪುವುದರಿಂದ ಹೆಚ್ಚಿನ ಕನ್ನಡಿಗರು ಕಾವ್ಯವನ್ನು ಓದುವ ಬೆಳವಣಿಗೆಯನ್ನು ಹೊಂದಿದ್ದಾರೆ. ಗ್ರಾಮೀಣ ಅಥವಾ ನಗರ, ಶ್ರೀಮಂತ ಅಥವಾ ಬಡ. ಈ ಕವಿತೆಗಳಲ್ಲಿ ಬಾಲ್ಯದ ಸವಿನೆನಪುಗಳು ಅಡಗಿದ್ದು, ಓದುವಾಗ ಓದುಗರಿಗೆ ನಾಸ್ಟಾಲ್ಜಿಕ್ ಆಗುವುದರಿಂದ ಅವು ದೊಡ್ಡವರಲ್ಲಿಯೂ ಜನಪ್ರಿಯವಾಗಿವೆ. ಕಲಾವಿದ ಪ್ರಸಾದ್ ರಾವ್ ಜಿ ಅವರು ಚಿತ್ರಿಸಿದ ಚಿತ್ರಗಳೊಂದಿಗೆ ಪ್ರಸ್ತುತ ಪುಸ್ತಕವು ಓದುವಿಕೆಯನ್ನು ಇನ್ನಷ್ಟು ಆಸಕ್ತಿದಾಯಕವಾಗಿಸುತ್ತದೆ. ಇದು ಶ್ರೇಷ್ಠ ಕವಿ, ಬರಹಗಾರ ಕಯ್ಯಾರ ಅವರ ಶತಮಾನೋತ್ಸವ ವರ್ಷದಲ್ಲಿ ಹೊರತರಲಾದ MUP ಯ 50 ನೇ ಪ್ರಕಟಣೆಯಾಗಿದೆ.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Defiance
Defiance is a captivating tale of the march of globalization and its impact on the lives and times of the Santher Guthu family in Ombathkere, a village located between Mangaluru and Kasaragodu. Set in the picturesque Malabar coast of Karnataka in the late 20th Century, the novel takes the reader through four generations of the family. Ambakke, the protagonist, along with her brother Sankappa Hegde, the third-generation descendants of the family form the lifeblood of this story of human relationships in the midst of time and change. The novel is born out of deep contemplation of a community in the face of transition. There is anxiety that grips this part of Karnataka in the wake of modernity. The vast canvas of the novel and the depiction of folk culture provides a unique touch to the saga of the community. Defiance is a novel about traditions and the fear of losing out to modernity. It is about change and the desire to remain rooted.
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A Handful of Sesame
With a captivating start, A Handful of Sesame plunges us into the heart of the dying years of the 1857 mutiny. But the mutiny is largely a backdrop to the novel. When Kamalanabh of Kashi is manipulated by an impoverished Brahmin of Navalgund into marrying his daughter, the novel becomes basically the story of an internal migration. This is rare, and it remains one of the strengths of the novel. We are so used to speaking of migration across the postcolonial bridge and accredited national borders that we forget that India is a country of endless internal migrations – in the past and the present.
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The Gandhi Cap and Other Short Stories by Raja Radhikaraman Prasad Singh
The book The Gandhi Cap and Other Short Stories offers a glimpse into the lifetime of work of a forgotten pioneer of Hindi fiction, Raja Radhikaraman Prasad Sinha. It is ironic that one cannot find a single book by this author who was so dedicated to Hindi literature. The stories in this collection are a testament not only to the contributions of Sinha to Hindi fiction but also, reflect the depth of political and social milieu of the times. Many readers will be moved by the elements patriotism, feminism, secularism, and spiritualism in these stories. Strong female characters are common in most of these stories. These characters provide both a moral fulcrum to the stories as well as reflect the struggle of women to balance prevailing customs with modernity. Some of these stories provide sharp political and social commentary that still have currency (The Gandhi Cap). Sinha incorporates a unique style of writing that uses lyrical prose and poetry together. He even employs a dialogue between the storyteller and a social gathering in the form of an epilogue, to offer a discourse on social dilemma about women?s plight to become modern while admonishing them to retain their Indian essence (An Expensive Bargain). We hope the readers will enjoy this wonderful collection.
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Pot of Butter and other short stories
Pot of Butter and other Short Stories is a collection of nine short stories, originally composed by Sunanda Belgaumkar in Kannada, handpicked and translated from her collections – Kajjaya and Koduvudenu Kombudenu. The bulk of her literary work including the stories in this book are inspired by the experiences in her early life, in the rustic and robust atmosphere of Dharwad. Her stories are predominantly semiautobiographical, laced with a liberal dose of artistic freedom.
This collection weaves together her writings on the underprivileged and marginalized as seen from the comfort of her palatial home, but rendered with compassion and empathy. Often, we find her narrative infused with self-directed questions such as, “What if I was in her shoes? ” or “Could that have been me? ” These stories are reflections on human nature, suffering, and destiny. There is hope, there is despair. There is love, there is longing. There is defeat, and there is triumph. In her stories, an oft-recurring metaphor for picking up one’s life after loss is a scorching summer followed by a torrential downpour and subsequently a plant springing to life.
As a translation, this book attempts to introduce Sunanda Belgaumkar’s literary and artistic creations to the non-Kannada reader, retaining as much of the indigenous elements of the original writings as possible. In doing so, it seeks to preserve the cultural climate of North Karnataka as it was around fifty years ago.
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A Bond So Sacred
A Bond So Sacred tells the story of Raman, a satyagrahi, who adopts Kokila, an orphan. He leaves the five year old in the care of his mother while he plunges into the freedom struggle. His nationalist fervour, however, clashes with his love for Amina, his charming neighbour who wants parental approval to their marriage. Raman’s mother is as staunch a Brahmin as Amina’s father is a Muslim. Will Raman be able to get their consent? The joy of India becoming an independent nation is marred by Gandhiji’s death. Raman’s fellow satyagrahis have gone their ways and he finds himself with no role to play in a rapidly changing country. Meanwhile, Kokila, his protégée, has her own battles to fight. As the years bring them together again, Kokila discovers truths about Raman that she would never have imagined. She is forced to confront the ghosts of the past, his and hers.
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The Other Face
Author: Na Mogasale Translator: N T Bhat
Set in a fictitious village called Kanthapura in Kasaragod district, Mukhāntara spans across the life of seven generations of a Havyaka Brahmin family. A story about the realities of living in a society marked by caste distinctions, the desire to find communal harmony and the tribulations of the characters through the entirety of the novel, it is also a tale of changing times and people. After unexpectedly coming into possession of a huge portion of land, Thirumalēshwara Bhat of Īshwarīmūle becomes a satisfied man. But childless, Thirumalēshwara Bhat and his wife Pārvathakka decide to adopt Venkappaiah and also give shelter to his widowed mother, Rathnamma. Venkappaiah is to inherit Thirumalēshwara’s vast wealth but when Krishnaiah, the illegitimate child of Thirumalēshwara and Rathnamma is born, rivalry ensues. Through the overlapping narratives of the characters, we get a glimpse into their journey from tradition to modernity. The characters strive to reshape new values when old values are slowly questioned and erased as they move on and are swept along in the waves of globalization.
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