The Pollen Waits on Tiptoe- Selected Poems

Author: Shivarama Karanth Translator: D A Shankar

A Shrine for Sarasamma is the English translation of Sarasammana Samadhi written by K Shivarama Karanth in 1937, in his early thirties. It offers one of the most authentic and searing accounts of Indian womanhood, which consistently, and through the ages, has suffered deep anguish, humiliation and crushing insult from the oppressive patriarchal culture prevalent in all parts of India and among all castes and classes. The novel is a classic in Kannada and the English translation is an attempt to bring to the English reading audience a taste of the regional classic.

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Author: Na D’Souza Translator: S M Pejathaya

Konkani Roman Catholic Christians were converted from other groups by Goan Missionaries long back, keeping the caste system tradition to a large extent in layers such as the Bamonn, the Charodi, the Gawdi, the Nendar, the Shudra, etc. At the time of marriages and other social gatherings they continue to consider caste system norms and customs in the community. Caste system in Indian Christians is vividly described in the novel Bamonn. Christopher Pai of Kalyanpura hails from a Bamonn family and takes great pride in his ancestry. He believes in the stories about his Konkani Roman Catholic ancestors from his elders and about their being true Christians, holding on to their faith despite tremendous pressure to convert to Islam during Tipu Sultan’s regime. He also believes Bamonns are superior to other Christians in the community. After retiring from his job of a Headmaster, he refuels his obsession to retrace his roots and find out the truth about his ancestors. In his journey of self-assurance and faith, will he succeed in his mission to convince his family, his children and the community at large of his glorious ancestry and in still pride in the next generation? . . .

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Author: Raja Radhikaraman Prasad Singh, Translator: Mahendra P Srivastava

The book The Gandhi Cap and Other Short Stories offers a glimpse into the lifetime of work of a forgotten pioneer of Hindi fiction, Raja Radhikaraman Prasad Sinha. It is ironic that one cannot find a single book by this author who was so dedicated to Hindi literature. The stories in this collection are a testament not only to the contributions of Sinha to Hindi fiction but also, reflect the depth of political and social milieu of the times. Many readers will be moved by the elements patriotism, feminism, secularism, and spiritualism in these stories. Strong female characters are common in most of these stories. These characters provide both a moral fulcrum to the stories as well as reflect the struggle of women to balance prevailing customs with modernity. Some of these stories provide sharp political and social commentary that still have currency (The Gandhi Cap). Sinha incorporates a unique style of writing that uses lyrical prose and poetry together. He even employs a dialogue between the storyteller and a social gathering in the form of an epilogue, to offer a discourse on social dilemma about women’s plight to become modern while admonishing them to retain their Indian essence (An Expensive Bargain). We hope the readers will enjoy this wonderful collection.

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Defiance is a captivating tale of the march of globalization and its impact on the lives and times of the Santher Guthu family in Ombathkere, a village located between Mangaluru and Kasaragodu. Set in the picturesque Malabar coast of Karnataka in the late 20th Century, the novel takes the reader through four generations of the family. Ambakke, the protagonist, along with her brother Sankappa Hegde, the third-generation descendants of the family form the lifeblood of this story of human relationships in the midst of time and change. The novel is born out of deep contemplation of a community in the face of transition. There is anxiety that grips this part of Karnataka in the wake of modernity. The vast canvas of the novel and the depiction of folk culture provides a unique touch to the saga of the community. Defiance is a novel about traditions and the fear of losing out to modernity. It is about change and the desire to remain rooted.