The King Who Got Lost: A Historical Play about Mummadi Krishnaraja Wodeyar
₹200.00
Young Mummadi, put on the throne by the British after the last Mysore war in 1799, was brought up under the watchful guidance of the far-sighted and shrewd Dowager Maharani Lakshmammanni. After falling into the hands of the powerful and politically experienced Dewan Purnaiah, he had a tortuous and tortured life. The young prince was never able to outgrow the influence of two of these mentors. To add to this, Mummadi, fell prey to an easy and rather voluptuous life. He was married but in addition to his many wedded consorts, he was caught in the spying and quarrelsome domestic life. Mummadi could never, despite valiant efforts, free himself and grow into a self-confident king.
The pressures of the ruthless British administration and the local, disruptive, and rebellious chieftains made Mummadi’s life a sad, tragic tale bordering on the ridiculous and the pathetic.
Interested overseas customers may write to us at mup@manipal.edu about purchasing the book.
Also available on
| Author | |
|---|---|
| Format |
Related products
-
Colours of the Rainbow
₹450.00Author: Umesh Bhat
The author, through Colours of the Rainbow, tells us that everyone is destined for his/her own rainbow with a pot of gold at the other end if, one has a will, works hard on it, and with a little bit of luck. The book narrates the dream journey of a village boy.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Also available on
-
Just a few pages: Some Memories of Saraswatibai Rajwade
₹210.00Author: Vaidehi, Translator: Deepa Ganesh
This book is a coming together of two women writers of modern Kannada literature; one from its early period, the other, a contemporary. Saraswati Bai Rajwade, the early writer, became a fable, a mythology, leaving behind only the shadows of her writing. Vaidehi, the contemporary writer, reinvents Rajwade from the folds of history and gives her a life in the present. Saraswati Bai Rajwade was born into a poor family in the Dakshina Kannada of yore. By chance, she stepped into theatre and later into films. But all the glory that came to her unexpectedly, vanished just as suddenly. She later became the wife of a rich and high official, travelled abroad and underwent immense suffering. In her pain and loneliness, she took to books and also began to write and attained glory as a writer. In the last years of her life, she returned to a life of austerity and anonymity. Vaidehi has collected bits and pieces from her life and writing, presenting before us a unique tapestry. In this tapestry, Vaidehi?s perceptions criss-cross with Rajwade?s life and writing. Art does not reside in the object, but in its close encounter with life. This work unfolds before us as a grand illustration of such twin narratives.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Also available on
-
A Handful of Sesame
₹310.00Author: Srinivas B Vaidya, Translator: Maithreyi Karnoor
With a captivating start, A Handful of Sesame plunges us into the heart of the dying years of the 1857 mutiny. But the mutiny is largely a backdrop to the novel. When Kamalanabh of Kashi is manipulated by an impoverished Brahmin of Navalgund into marrying his daughter, the novel becomes basically the story of an internal migration. This is rare, and it remains one of the strengths of the novel. We are so used to speaking of migration across the postcolonial bridge and accredited national borders that we forget that India is a country of endless internal migrations – in the past and the present.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Also available on
-
Capturing the Cosmic Light – A Handbook of Astrophotography
₹670.00Author: Sathyakumar P M Sharma
The Handbook of Astrophotography is the first book dedicated to Astronomical Imaging through modest equipment, and the first to be published in India. It is a chronicle of the techniques learnt and employed by the author and is by no means proprietary. It is assumed that the reader is equipped with the basic knowledge to use a digital camera. After showing the many methods to capture the Cosmos, the book shows how to process these images. It is designed to be a handbook and not a user manual. The author hopes that the reader will be confident in astronomical imaging and develop his/her own techniques after reading the book. Sathyakumar started Astrophotography in January 2006 with a homemade wooden star-tracking mount and a camera borrowed from a friend. He later used his homemade Newtonian reflector telescope and an inexpensive digital camera to capture photos of the Moon. With an MSc in Aerospace engineering from the University of Salford, Manchester, he joined Opticstar Ltd, as a design engineer. There he was trained on the latest of astronomical instruments available for the amateur astrophotographer and eventually purchased the Celestron C8 Schmidt cassegrain telescope and the CG-5 Equatorial mount. Currently, he uses a GSO 6 inch RC telescope and an HEQ5-PRO computerized mount as well as an Orion 80ED Apochromatic telescope for astrophotography. He also owns an Astrotrac to take wide field vistas of the Cosmos. He is now employed as a Scientific Officer at Karnataka Science and Technology Promotion Society, Department of Science and Technology, Govt. of Karnataka.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Also available on
-
Retro India
₹350.00Author: R M Rajgopal
Retro India is, in essence, a trip down the memory lane, meandering through the sixties, seventies, eighties and nineties of the twentieth century. Today’s youth would battle with the fact that India had experienced a sweeping change from what it was in just as recently as thirty years ago. What kind of a moribund economy could engender a continuing state of shortages, high inflation, low growth, a paucity of jobs, rampant smuggling, and a foreign exchange situation that was perpetually perilous! It took major political and economical transformations to remove the shackles that then bound the economy. This narrative provides a clear bridge between the then and now for the younger generations. And for the older reader, it provides a heap of nostalgia. In the latter half of the twentieth century, the changes in India have been vast and comprehensive. In these decades, economic indicators such as India’s growth in GDP rate, the proliferation of the number of Airlines in the Indian skies, the multiplying of car models, the flourishing of telephone connections and moving on to the world of mobiles, televisions going colour from black and white to operating with over a thousand channels, India turning digital, and so on clearly directs that India had taken a crucial turn in its history. India has changed. And how! The Indian consumer grins. This is notwithstanding the fact that poverty is endemic and the gulf between the rich and the poor.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Also available on
-
Dhvani and Epiphany: Essays in Criticism
₹270.00Author: Prabhaker Acharya
Dhvani and Epiphany examines the work of major Indian poets like Nissim Ezekiel and Arun Kolatkar; the struggle of young poets to find an audience; and the art of fiction. But its main focus is on the nature of creativity. How does an artist communicate his meaning? What makes a work genuinely creative? Through a sensitive exploration of poetry- ranging from the simple poems of a child, Poorna Prajna, to the complex “Byzantium Poems” of Yeats- the first seven essays try to show how a poem comes to life when it speaks to us and we listen to its dhvani and respond.
Even in fiction, it is not all realism. There is irony in exploring the paradoxical nature of reality; events taking on symbolic overtones; and epiphany, moments of illumination and insights – when surprising correspondences are seen. Writers cannot surprise and delight their audience if they themselves are not surprised and delighted by such insights.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Also available on
-
Kathana Bharathi
₹300.00Author: T P Ashoka
ಕಥನ ಭಾರತಿಯು ವಿವಿಧ ಭಾರತೀಯ ಭಾಷೆಗಳಾದ ಕನ್ನಡ, ಹಿಂದಿ, ಬೆಂಗಾಲಿ, ಗುಜರಾತಿ, ಮಲಯಾಳಂ, ಮರಾಠಿ, ಒರಿಯಾ, ಪಂಜಾಬಿ ಮತ್ತು ಉರ್ದುಗಳಲ್ಲಿ ಬರೆಯಲಾದ ಆಧುನಿಕ ಶ್ರೇಷ್ಠ ಸಾಹಿತ್ಯದ ಇಪ್ಪತ್ತು ಸಾಹಿತ್ಯ ವಿಮರ್ಶಾತ್ಮಕ ಪ್ರಬಂಧಗಳ ಸಂಗ್ರಹವಾಗಿದೆ. ಪುಸ್ತಕದಲ್ಲಿ ಚರ್ಚಿಸಲಾದ ಭಾರತೀಯ ಲೇಖಕರಲ್ಲಿ ಜನಪ್ರಿಯ ಲೇಖಕರಾದ ಅಲೋಕ್ ಭಲ್ಲಾ, ಅಮೃತಾ ಪ್ರೀತಮ್, ಬೇಗಂ ರೋಕ್ವಿಯಾ ಸಖಾವತ್ ಹುಸೇನ್, ಭೀಮರಾವ್ ರಾಮ್ಜಿ ಅಂಬೇಡ್ಕರ್, ಭೀಶಮ್ ಸಾಹ್ನಿ, ಚಂದ್ರಶೇಖರ ಕಂಬಾರ, ಗಿರೀಶ್ ರಘುನಾಥ್ ಕಾರ್ನಾಡ್, ಗೋಪಿನಾಥ್ ಮೊಹಾಂತಿ, ಜಾನಕಿ ಶ್ರೀನಿವಾಸ ಮೂರ್ತಿ (ವೈದೇಹಿ, ಕೋತಾ ಸುನಿವಾಸ ಮೂರ್ತಿ) ಸೇರಿದ್ದಾರೆ. ಶಿವರಾಮ ಕಾರಂತ್, ಲಕ್ಷ್ಮಣ ಮಾನೆ, ಮಹಾಶ್ವೇತಾದೇವಿ, ಮಾಸ್ತಿ ವೆಂಕಟೇಶ ಅಯ್ಯಂಗಾರ್, ಮೋಹನ್ದಾಸ್ ಕರಮಚಂದ್ ಗಾಂಧಿ, ಮುನ್ಷಿ ಪ್ರೇಮಚಂದ್, ಪನ್ನಾಲಾಲ್ ನಾನಾಲಾಲ್ ಪಟೇಲ್, ರವೀಂದ್ರನಾಥ ಠಾಗೋರ್, ಸಾದತ್ ಹಸನ್ ಮಂಟೋ, ತಕಳಿ ಶಿವಶಂಕರ ಪಿಳ್ಳೈ, ಉಡುಪಿ ರಾಜಗೋಪಾಲಾಚಾರ್ಯ ಅನಂತಮೂರ್ತಿ ಮತ್ತು ಯಶಪಾಲ. ಇಪ್ಪತ್ತು ಸಾಹಿತ್ಯ ವಿಮರ್ಶಾತ್ಮಕ ಪ್ರಬಂಧಗಳು ತಮ್ಮ ಆಯ್ದ ಬರಹಗಳನ್ನು ಪರಿಶೀಲಿಸುತ್ತವೆ, ಪರಿಚಯಿಸುತ್ತವೆ, ಚರ್ಚಿಸುತ್ತವೆ ಮತ್ತು ವ್ಯಾಖ್ಯಾನಿಸುತ್ತವೆ. ಕಳೆದ ನೂರೈವತ್ತು ವರ್ಷಗಳಲ್ಲಿ ಭಾರತೀಯ ಶ್ರೇಷ್ಠ ಲೇಖಕರು ತಮ್ಮ ಸಮಯ ಮತ್ತು ಜಾಗಕ್ಕೆ ಹೇಗೆ ಪ್ರತಿಕ್ರಿಯಿಸಿದ್ದಾರೆ ಮತ್ತು ಪ್ರತಿಕ್ರಿಯಿಸಿದ್ದಾರೆ ಎಂಬುದನ್ನು ಈ ಲೇಖನಗಳು ಪರಿಶೀಲಿಸುತ್ತವೆ. ವಸಾಹತುಶಾಹಿ ಅನುಭವ, ವಿಭಜನೆಯ ಆಘಾತ ಮತ್ತು ಸ್ವಾತಂತ್ರ್ಯಾನಂತರದ ಸಾಮಾಜಿಕ ರಾಜಕೀಯ ಬೆಳವಣಿಗೆಗಳು ಈ ಬರಹಗಾರರ ಬರಹಗಳಲ್ಲಿ ಪ್ರಬಲ ನಿರೂಪಣೆಗಳು ಮತ್ತು ರೂಪಕಗಳ ರೂಪದಲ್ಲಿ ಅಭಿವ್ಯಕ್ತಿಯನ್ನು ಕಂಡುಕೊಂಡಿವೆ. ಟಿ ಪಿ ಅಶೋಕ ಅವರ ಕಥನ ಭಾರತಿ ಈ ಬರಹಗಳ ವಿಮರ್ಶೆ. ಆಧುನಿಕ ಭಾರತೀಯ ಸಾಹಿತ್ಯದಲ್ಲಿನ ಈ ಅಧ್ಯಯನಗಳು ಆಧುನಿಕ ಭಾರತೀಯ ಸಾಹಿತ್ಯ ವಿಮರ್ಶೆಗೆ ಅಮೂಲ್ಯ ಕೊಡುಗೆಯಾಗಿದೆ. ಪುಸ್ತಕವು ಸಾಹಿತ್ಯದ ವಿದ್ಯಾರ್ಥಿಗಳು, ಸಂಶೋಧಕರು ಮತ್ತು ಶಿಕ್ಷಕರಿಗೆ ಆಸಕ್ತಿದಾಯಕ ಓದುವಿಕೆಯನ್ನು ಒದಗಿಸುತ್ತದೆ ಆದರೆ ಸಾಮಾನ್ಯ ಓದುಗರನ್ನೂ ಆಕರ್ಷಿಸುತ್ತದೆ.
Interested readers may write to us at mup@manipal.edu about purchasing the book.Also available on
-
A Shrine for Sarasamma
₹180.00Author: Shivarama Karanth Translator: D A Shankar
A Shrine for Sarasamma is the English translation of Sarasammana Samadhi written by K Shivarama Karanth in 1937, in his early thirties. It offers one of the most authentic and searing accounts of Indian womanhood, which consistently, and through the ages, has suffered deep anguish, humiliation and crushing insult from the oppressive patriarchal culture prevalent in all parts of India and among all castes and classes. The novel is a classic in Kannada and the English translation is an attempt to bring to the English reading audience a taste of the regional classic.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Also available on