Mahammaayi
₹195.00
Author: Chandrasekhara Kambara, Translator: Kathyayini Kunjibettu
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Vaidehi Dhvani
Author: Vaidehi
ಪ್ರಸ್ತುತ ಪುಸ್ತಕವು ಮುಂದಿನ ಕಾಲಕ್ಕೆ ವೈದೇಹಿಯವರ ಧ್ವನಿ ಮತ್ತು ನಿರೂಪಣೆಯನ್ನು ದಾಖಲಿಸುವ ಪ್ರಯತ್ನವಾಗಿದೆ. ಅವರ ಕಥೆಗಳ ನಿರೂಪಣೆಯು ಕುಂದಾಪುರದ ಆಡುಭಾಷೆಯ ಶ್ರೀಮಂತಿಕೆಯಲ್ಲಿ ಮತ್ತು ಅದರಾಚೆಗೆ ಕನ್ನಡದ ಸಂಸ್ಕೃತಿಯೊಂದಿಗೆ ಏಕತೆಯ ಭಾವನೆಯೊಂದಿಗೆ ಎತ್ತರದಲ್ಲಿದೆ. ಐದು ಕಥೆಗಳು ಮತ್ತು ಏಳು ಕವಿತೆಗಳ ಈ ಪುಸ್ತಕವನ್ನು ಅವರು ಓದಿದ್ದಾರೆ. ಈ ಆಯ್ದ ಕಥೆಗಳು ಈಗಾಗಲೇ ಪ್ರಕಟವಾದವುಗಳಾಗಿವೆ ಆದರೆ ಅದನ್ನು ವಿಭಿನ್ನವಾಗಿಸುವುದು ಅವುಗಳನ್ನು ಓದುವ ವಿಧಾನವಾಗಿದೆ. ಪ್ರತಿ ಪದ, ಪ್ರತಿ ವಿರಾಮಚಿಹ್ನೆ, ಪ್ರತಿ ವಿರಾಮ, ಅವರ ಧ್ವನಿಯಲ್ಲಿ ತುಂಬಾ ವಿಭಿನ್ನವಾಗಿದೆ. “ವೈದೇಹಿ ಧ್ವನಿ” ಎಂಬ ಹೆಸರನ್ನು ಅವರ ಧ್ವನಿಯ ನಾದದ ಗುಣಮಟ್ಟವನ್ನು ಪ್ರತಿನಿಧಿಸಲು ನೀಡಲಾಗಿದೆ ಆದರೆ ಅದು ಕೇಳುಗ ಅಥವಾ ಓದುಗನಲ್ಲಿ ಹೊಸ ಶಕ್ತಿಯನ್ನು ಹುಟ್ಟುಹಾಕುತ್ತದೆ. ಆಕೆಯ ಕಥೆಗಳನ್ನು ಅಧ್ಯಯನ ಮಾಡಲು ಬಯಸುವವರಿಗೆ ಅನುಕೂಲವಾಗುವಂತೆ ಆಡಿಯೋ ಸಿಡಿಯು ಪಠ್ಯ ರೂಪದಲ್ಲಿ ಪುಸ್ತಕವನ್ನು ಸಹ ಹೊಂದಿದೆ. ವಿವಿಧ ವಿಶ್ವವಿದ್ಯಾನಿಲಯಗಳಲ್ಲಿ ಅನೇಕ ವಿದ್ಯಾರ್ಥಿಗಳು ಅಧ್ಯಯನದ ವಿಷಯವಾಗಿ ತೆಗೆದುಕೊಳ್ಳುತ್ತಾರೆ.
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Bamonn
Author: Na D’Souza Translator: S M Pejathaya
Konkani Roman Catholic Christians were converted from other groups by Goan Missionaries long back, keeping the caste system tradition to a large extent in layers such as the Bamonn, the Charodi, the Gawdi, the Nendar, the Shudra, etc. At the time of marriages and other social gatherings they continue to consider caste system norms and customs in the community. Caste system in Indian Christians is vividly described in the novel Bamonn. Christopher Pai of Kalyanpura hails from a Bamonn family and takes great pride in his ancestry. He believes in the stories about his Konkani Roman Catholic ancestors from his elders and about their being true Christians, holding on to their faith despite tremendous pressure to convert to Islam during Tipu Sultan’s regime. He also believes Bamonns are superior to other Christians in the community. After retiring from his job of a Headmaster, he refuels his obsession to retrace his roots and find out the truth about his ancestors. In his journey of self-assurance and faith, will he succeed in his mission to convince his family, his children and the community at large of his glorious ancestry and in still pride in the next generation? . . .
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A Bond So Sacred
A Bond So Sacred tells the story of Raman, a satyagrahi, who adopts Kokila, an orphan. He leaves the five year old in the care of his mother while he plunges into the freedom struggle. His nationalist fervour, however, clashes with his love for Amina, his charming neighbour who wants parental approval to their marriage. Raman’s mother is as staunch a Brahmin as Amina’s father is a Muslim. Will Raman be able to get their consent? The joy of India becoming an independent nation is marred by Gandhiji’s death. Raman’s fellow satyagrahis have gone their ways and he finds himself with no role to play in a rapidly changing country. Meanwhile, Kokila, his protégée, has her own battles to fight. As the years bring them together again, Kokila discovers truths about Raman that she would never have imagined. She is forced to confront the ghosts of the past, his and hers.
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Ati Sannakathe: Swarupa, Siddhi Mattu Sadhyate
Author: T P Ashoka Translator: Prakash Nayak
ಕಲ್ಪನೆ ಎಂಬುದು ಸತ್ಯಕ್ಕಿಂತ ಹೆಚ್ಚು ಸತ್ಯ, ಕನಸು ಎಂಬುದು ವಾಸ್ತವಕ್ಕಿಂತ ಹೆಚ್ಚು ವಾಸ್ತವ ಎಂಬುದು ಅತಿ ಸಣ್ಣಕತೆಗಳು ನಮಗೆ ಮನದಟ್ಟು ಮಾಡಿಕೊಡುವಂತೆ ಕಾಣುತ್ತವೆ. ಹೆಚ್ಚಿನ ಅತಿ ಸಣ್ಣಕತೆಗಳು ವಾಸ್ತವವಾದೀ ಮಾರ್ಗವನ್ನು ಬಿಟ್ಟುಕೊಟ್ಟಿರುವುದಕ್ಕೆ ಪ್ರಾಯಶಃ ಇದೇ ಕಾರಣ. ವಿವರಣೆ-ವರ್ಣನೆಗಳ ಹಂಗು ಇಲ್ಲದಿರುವುದರಿಂದ ಸಂಕ್ಷಿಪ್ತತೆ ಮತ್ತು ಸಾಂದ್ರತೆಗಳು ಇವುಗಳ ಸಹಜ ಲಕ್ಷಣಗಳಾಗಿವೆ. ಅಂತರಂಗದ ಆಳವನ್ನು, ಅಮೂರ್ತವನ್ನು, ಸಾಂಕೇತಿಕವಾದುದದ್ದನ್ನು ಮತ್ತೊಂದೇ ಸ್ತರದಲ್ಲಿ ಗ್ರಹಿಸಿ ಅಭಿವ್ಯಕ್ತಿಸಲು ಲೇಖಕರಿಗೆ ಈ ಪ್ರಕಾರ ಹೇಳಿ ಮಾಡಿಸಿದಂತಿದೆ. ಹಾಗಾಗಿ ಜಗತ್ತಿನ ಎಲ್ಲ ಭಾಷೆಗಳ ದೊಡ್ಡ ಲೇಖಕರು, ದೀರ್ಘವಾದ ಕತೆ-ಕಾದಂಬರಿಗಳನ್ನು ಬರೆದವರನ್ನೂ ಸೇರಿಸಿಕೊಂಡು, ಈ ಪ್ರಕಾರದಲ್ಲಿ ಕೃಷಿಮಾಡಿದ್ದಾರೆ. ತುಂಬ ಸೂಕ್ಷ್ಮವಾದ, ನಾಜೂಕಾದ ಸಂಗತಿಗಳನ್ನು ಸೂಚ್ಯವಾಗಿ, ಕೆಲವೊಮ್ಮೆ ಪರೋಕ್ಷವಾಗಿ, ಇನ್ನೂ ಕೆಲವು ವೇಳೆ ಮುಚ್ಚಿಟ್ಟು ಹೇಳಲು ಈ ಪ್ರಕಾರವು ತನ್ನ ಸ್ವರೂಪದ ಕಾರಣದಿಂದಲೇ ಅನುವು ಮಾಡಿಕೊಡುತ್ತದೆ. ಇದು ಆಧುನಿಕ ಪೂರ್ವದ ದಂತಕತೆ, ನೀತಿಕತೆ, ದೃಷ್ಟಾಂತ ಕತೆಗಳ ಆಧುನಿಕ ರೂಪವಾಗಿ ಕಂಡರೂ ಆಶ್ಚರ್ಯವಿಲ್ಲ.
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The Other Face
Author: Na Mogasale Translator: N T Bhat
Set in a fictitious village called Kanthapura in Kasaragod district, Mukhāntara spans across the life of seven generations of a Havyaka Brahmin family. A story about the realities of living in a society marked by caste distinctions, the desire to find communal harmony and the tribulations of the characters through the entirety of the novel, it is also a tale of changing times and people. After unexpectedly coming into possession of a huge portion of land, Thirumalēshwara Bhat of Īshwarīmūle becomes a satisfied man. But childless, Thirumalēshwara Bhat and his wife Pārvathakka decide to adopt Venkappaiah and also give shelter to his widowed mother, Rathnamma. Venkappaiah is to inherit Thirumalēshwara’s vast wealth but when Krishnaiah, the illegitimate child of Thirumalēshwara and Rathnamma is born, rivalry ensues. Through the overlapping narratives of the characters, we get a glimpse into their journey from tradition to modernity. The characters strive to reshape new values when old values are slowly questioned and erased as they move on and are swept along in the waves of globalization.
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A Shrine for Sarasamma
Author: Shivarama Karanth Translator: D A Shankar
A Shrine for Sarasamma is the English translation of Sarasammana Samadhi written by K Shivarama Karanth in 1937, in his early thirties. It offers one of the most authentic and searing accounts of Indian womanhood, which consistently, and through the ages, has suffered deep anguish, humiliation and crushing insult from the oppressive patriarchal culture prevalent in all parts of India and among all castes and classes. The novel is a classic in Kannada and the English translation is an attempt to bring to the English reading audience a taste of the regional classic.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Chomasya Dakka
Author: Shivarama Karanth Translator: Ananthapadmanabha Shastri
Set in the coastal Karavali region of Karnataka, Chomasya Dakka is the story of Coma, a Dalit bonded-laborer. Set in the pre-independent India, Comasya Dakka tells a poignant tale of dalit lives, and the suppression of their fundamental rights and identity through the character of Coma. Denied the right to even till and cultivate their own land due to their caste and identity, Coma and his children work as bonded-labourers for their landlord, Sankappayya. The plot of the novel follows the lives of Coma and his children and the tragedies that befall them. The original work in Kannada, Comana Dudi, was adapted into a well-acclaimed, national award-winning film in the year 1975. Directed by B V Karanth, it won the Swarna Kamal, Indias National Award for the Best Film in the year 1976.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Unheard Sounds Flow On
Author: K Mahalinga, Translator: T K Ravindran
In spite of being one of the oldest members of the Dravidian family of languages, Tulu, unfortunately, has not yet found the recognition that it richly deserves in the modern world. Since modernity privileges the written over the spoken, the Tulu language that is abundantly blessed with oral literature has been placed on the fringes of modern literary world. Ironically, Tulu is still engaged in a desperate fight for official status in a country that boasts of its cultural and linguistic diversity. The motives behind the translation of Nanajjer Sude Tirgayer, hailed as the first modern Tulu novel, into English refuse to remain apolitical in this context.
The novel, which has already been translated into Kannada, Konkani and Malayalam, beautifully captures the pulse of rusticity that characterizes the life of a village community that lived its life with its love-hate relationship with nature, more than 75 years ago in a Tulu speaking village in the south-western part of Karnataka. Besides bringing alive the socio-cultural practices that find their articulation through the natural linguistic plurality ingrained in the village psyche, the novel touches upon the duality of human nature that leaves man perennially condemned to an inner crisis.
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