Mahaammaayi

There are many rags-to-riches stories around the city of Mumbai. However, here is a story of transformation of a woman and her true self in the city of dreams. Set in Mangalore and Mumbai of the late 1940s, Anurakte ? The Enamoured is an elegantly written story of a woman and her changing worldview over a period of time. Sumithra, a young woman with ordinary dreams and aspirations, comes to the then Bombay in search of livelihood. Little did she know that her experiences in the city and her zest for an independent life would transform her into a different person. She breaks the shell and resolves not to look back. The book is a poignant tale of love, loss, betrayal, family, relationships and traditions. The culturescape of Mumbai beautifully intertwines with her dreams. It is as much a story of the vibrancy of Mumbai as it is about Sumithra?s journey towards freedom.

Pot of Butter and other Short Stories is a collection of nine short stories, originally composed by Sunanda Belgaumkar in Kannada, handpicked and translated from her collections – Kajjaya and Koduvudenu Kombudenu. The bulk of her literary work including the stories in this book are inspired by the experiences in her early life, in the rustic and robust atmosphere of Dharwad. Her stories are predominantly semiautobiographical, laced with a liberal dose of artistic freedom.

This collection weaves together her writings on the underprivileged and marginalized as seen from the comfort of her palatial home, but rendered with compassion and empathy. Often, we find her narrative infused with self-directed questions such as, “What if I was in her shoes? ” or “Could that have been me? ” These stories are reflections on human nature, suffering, and destiny. There is hope, there is despair. There is love, there is longing. There is defeat, and there is triumph. In her stories, an oft-recurring metaphor for picking up one’s life after loss is a scorching summer followed by a torrential downpour and subsequently a plant springing to life.

As a translation, this book attempts to introduce Sunanda Belgaumkar’s literary and artistic creations to the non-Kannada reader, retaining as much of the indigenous elements of the original writings as possible. In doing so, it seeks to preserve the cultural climate of North Karnataka as it was around fifty years ago.