Let Polly Thrive: May anyone shout as they please
₹200.00
Author: Kotiganahalli Ramaiah, Translator: Anusha Ravi Sood
Who are you?
Let Polly Thrive: May anyone shout as they please poses this very question. Can a piece of laminated paper define your identity, or should society’s rules dictate who you are? Why can’t a man dream of food, or a buffalo fall in love with a girl? A quirky yet hard-hitting play, it holds up a mirror to you and me, forcing us to take a long, honest look at ourselves. Perhaps the answer lies within this unusual love triangle between a man, a woman, and a buffalo—or maybe it flickers under the lantern that lights up a Dalit woman’s home. Could it be hidden within the farce of communism among the privileged castes, which reeks of casteism?
Well, if you can figure out this riddle, let me in on it too.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Madhavi Kathana Kavya
₹195.00Author: ONV Kurup Translator: Parvathi G Aithal
ವ್ಯಾಸ ಮಹಾಭಾರತದ ಉದ್ಯೋಗ ಪರ್ವದಲ್ಲಿ ಬರುವ ಒಂದು ಉಪಾಖ್ಯಾನವನ್ನಾಧರಿಸಿ ಬರೆದ ಒಂದು ಕಾವ್ಯವಿದು. ಮೂಲಕಥೆಯಲ್ಲಿ ಮಾಧವಿಯ ಶೋಷಣೆ ಎದ್ದು ಕಾಣುವುದಿಲ್ಲ. ವಿಶ್ವಾಮಿತ್ರ ಶಿಷ್ಯನಾದ ಗಾಲವನು ತನ್ನ ವಿದ್ಯಾಭ್ಯಾಸವನ್ನು ಮುಗಿಸಿ ಹೊರಡುವಾಗ ‘ಗುರುದಕ್ಷಿಣೆಯಾಗಿ ಏನನ್ನು ಕೊಡಲಿ?’ ಎಂದು ಕೇಳುತ್ತಾನೆ. ವಿಶ್ವಾಮಿತ್ರರು ಗುರುದಕ್ಷಿಣೆ ಬೇಡವೆಂದರೂ ಕೇಳುವುದಿಲ್ಲ. ಕೊನೆಗೆ ವಿಶ್ವಾಮಿತ್ರರು, ‘ಒಂದು ಕಿವಿ ಮಾತ್ರ ಕಪ್ಪಾಗಿರುವ ಎಂಟುನೂರು ಶ್ವೇತಾಶ್ವಗಳನ್ನು ಕಾಣಿಕೆಯಾಗಿ ತೆಗೆದುಕೊಂಡು ಬಾ’ ಎಂದು ಹೇಳುತ್ತಾರೆ. ಆದರೆ, ಅಂಥ ವಿಶೇಷ ಗುಣದ ಕುದುರೆಗಳು ಬಹಳ ದುರ್ಲಭವಾದುವೆಂಬುದನ್ನು ಅರಿತಾಗ ಗಾಲವ ದಾನಶೂರ ಯಯಾತಿ ಮಹಾರಾಜನ ಬಳಿ ಸಹಾಯ ಬೇಡಲು ಹೋಗುತ್ತಾನೆ. ಆಗಷ್ಟೇ ದೊಡ್ಡದೊಂದು ಯಾಗ ಮುಗಿಸಿದ ಯಯಾತಿಯ ಬಳಿ ಅಶ್ವಗಳಿಲ್ಲ. ಆದರೆ, ತನ್ನ ಪ್ರತಿಷ್ಠೆಯನ್ನು ಉಳಿಸಿಕೊಳ್ಳುವುದಕ್ಕೋಸ್ಕರ ಯಯಾತಿ ತನ್ನ ಮಗಳು ಮಾಧವಿಯನ್ನು ಗಾಲವನ ವಶಕ್ಕೆ ಬಿಟ್ಟು ‘ರೂಪಸಿಯಾದ ಈಕೆಯನ್ನು ಬೇಕಾದ ಹಾಗೆ ಬಳಸಿಕೊಂಡು ನಿನಗೆ ಬೇಕಾದ ಅಶ್ವಗಳನ್ನು ಪಡೆ’ ಅನ್ನುತ್ತಾನೆ. ಹಾಗೆ ಗಾಲವನು ಮಾಧವಿಯನ್ನು ಮೂರು ಮಂದಿ ರಾಜರ ಬಳಿಗೆ ಕರೆದೊಯ್ದು ಅವರಿಂದ ತಲಾ ಇನ್ನೂರು ಅಶ್ವಗಳನ್ನು ಪಡೆದು ಆ ರಾಜರುಗಳಿಗೆ ಒಂದು ವರ್ಷದ ಮಟ್ಟಿಗೆ ಉಪಯೋಗಿಸಿಕೊಳ್ಳಲು ಮಾಧವಿಯನ್ನು ಒಪ್ಪಿಸುತ್ತಾನೆ. ಮೂಲ ಕಥೆಯಲ್ಲಿ ಮಾಧವಿಯ ಮನಸ್ಸಿನ ಸಂಘರ್ಷಗಳು ವ್ಯಕ್ತವಾಗಿಲ್ಲ. ‘ಪುರುಷರಿಂದ ಲೈಂಗಿಕವಾಗಿ ಎಷ್ಟು ಸಾರಿ ಬಳಸಲ್ಪಟ್ಟರೂ ನನ್ನ ಕನ್ಯತ್ವ ಉಳಿಯುವಂಥ ವರ ನನಗಿದೆಯಾದ್ದರಿಂದ ನಾನು ನಿನಗೆ ಸಹಾಯ ಮಾಡಬಲ್ಲೆ’ ಎಂದು ಗಾಲವನ ಬಳಿ ಅವಳೇ ಹೇಳುತ್ತಾಳೆ . ಓಎನ್ವಿ ಕುರುಪ್ ಬರೆದ ಈ ಕೃತಿಯಲ್ಲಿ ಅವರು ಕೆಲವು ಬದಲಾವಣೆಗಳನ್ನು ಮಾಡಿಕೊಂಡಿದ್ದಾರೆ. ಇಲ್ಲಿ ಇಡೀ ಕಥೆಯನ್ನು ಪುರುಷರಿಂದ ಘೋರ ಅನ್ಯಾಯಕ್ಕೊಳಗಾಗಿ ಮಾನಸಿಕ ಯಾತನೆಯನ್ನು ಅನುಭವಿಸಿರಬಹುದಾದ ಮಾಧವಿಯ ದೃಷ್ಟಿಯಿಂದ ಬರೆಯಲಾಗಿದೆ. ಆದ್ದರಿಂದ ಇದರ ಸ್ತ್ರೀವಾದಿ ಓದು ಒಂದು ವಿಶಿಷ್ಟ ಅನುಭವವನ್ನು ನೀಡುತ್ತದೆ.ಮಲಯಾಳದ ಜ್ಞಾನಪೀಠ ಪ್ರಶಸ್ತಿ ವಿಜೇತ ಸಾಹಿತಿ ಓಎನ್ವಿಕುರುಪ್ ಅವರ ‘ಸ್ವಯಂವರಂ’ ಎಂಬ ಖಂಡಕಾವ್ಯದ ಭಾವಾನುವಾದವಿದು. ಮಹಾಭಾರತದ `ಉದ್ಯೋಗ ಪರ್ವ’ ದಲ್ಲಿ ಬರುವ ಒಂದು ಉಪಾಖ್ಯಾನದಲ್ಲಿ ಪುರುಷ ವರ್ಗದಿಂದ ಘೋರವಾಗಿ ಶೋಷಣೆಗೊಳಗಾದ ಮಾಧವಿ ಈ ಕಥೆಯ ನಾಯಕಿಯಾಗಿದ್ದು ಇಡೀ ಕಾವ್ಯವೇ ಅವಳ ದೃಷ್ಟಿಕೋನದಿಂದ ರಚಿತವಾಗಿದ್ದರಿಂದ ಸ್ತ್ರೀವಾದಿ ಓದಿಗೆ ಒಳಪಡಿಸಲು ಅತ್ಯಂತ ಸೂಕ್ತವಾದ ಕೃತಿಯಿದು ಎಂದೆನ್ನಿಸಿ ಅನುವಾದಕಿ ಅದರ ಶೀರ್ಷಿಕೆಯನ್ನು ‘ಮಾಧವಿ ಕಥನ ಕಾವ್ಯ’ವೆಂದು ಬದಲಾಯಿಸಿದ್ದಾರೆ . ಇದನ್ನು ಓದಿದಾಗೆಲ್ಲ ರಾಮಾಯಣದ ಸೀತೆಯ ನೆನಪಾಗುತ್ತದೆ.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
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Just a few pages: Some Memories of Saraswatibai Rajwade
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This book is a coming together of two women writers of modern Kannada literature; one from its early period, the other, a contemporary. Saraswati Bai Rajwade, the early writer, became a fable, a mythology, leaving behind only the shadows of her writing. Vaidehi, the contemporary writer, reinvents Rajwade from the folds of history and gives her a life in the present. Saraswati Bai Rajwade was born into a poor family in the Dakshina Kannada of yore. By chance, she stepped into theatre and later into films. But all the glory that came to her unexpectedly, vanished just as suddenly. She later became the wife of a rich and high official, travelled abroad and underwent immense suffering. In her pain and loneliness, she took to books and also began to write and attained glory as a writer. In the last years of her life, she returned to a life of austerity and anonymity. Vaidehi has collected bits and pieces from her life and writing, presenting before us a unique tapestry. In this tapestry, Vaidehi?s perceptions criss-cross with Rajwade?s life and writing. Art does not reside in the object, but in its close encounter with life. This work unfolds before us as a grand illustration of such twin narratives.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Tapaalu Mani
₹140.00Author: Rabhindranath Tagore, Translator: Mounesh Badiger
ರಾಷ್ಟ್ರಕವಿ ರವೀಂದ್ರನಾಥ ಠಾಕೂರರ ‘ಡಾಕ್ ಘರ್’ ಬಹಳ ಪ್ರಸಿದ್ಧ ನಾಟಕ. ಮಗುವಿನ ಮನೋದೈಹಿಕ ಸಾಧ್ಯತೆಗಳನ್ನು ಕಲೆಯ ಸೂಕ್ಷ್ಮಕಣ್ಣಿನಿಂದ ನೋಡುವ ಎರಡಂಕದ ಪುಟ್ಟ ನಾಟಕವಿದು. ಇದು ಸೃಷ್ಟಿಸುವ ಮಾಯಾವಾಸ್ತವ ಬಹಳ ಅಪರೂಪವಾದದ್ದು. ಇದರ ಮುಖ್ಯ ಪಾತ್ರ ಮಗುವೇ ಆಗಿದ್ದರೂ ಇದರ ವಸ್ತು ಮಕ್ಕಳಿಗಳಿಂತ ಹೆಚ್ಚಾಗಿ ದೊಡ್ಡವರಿಗೇ ಅನ್ವಯವಾಗುವಂತಿದೆ. ಮೌನೇಶ ಬಡಿಗೇರರು ಇದನ್ನು ಉತ್ತರಕರ್ನಾಟಕದ ಭಾಷೆಗೆ ತಂದು ಕನ್ನಡದ ನಾಟಕವೇ ಎನ್ನುವಷ್ಟು ರೂಪಾಂತರಿಸಿದ್ದಾರೆ. ಇದರ ಪ್ರಯೋಗದ ಹೊಸ ಹೊಸ ಸಾಧ್ಯತೆಗಳನ್ನು ಕನ್ನಡ ರಂಗಭೂಮಿ ಇನ್ನೂ ಶೋಧಿಸಬೇಕಿದೆ.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Tunes of a Single String
₹200.00Author: Kathyayini Kunjibettu, Translator: N Thirumaleshwara Bhat
Dive into the enchanting poetry of Dr Kathyayini Kunjibettu through Tunes of a Single String, a captivating translation of her anthology Ekthari Sanchari. Kathyayini’s verses defy convention with unrhymed lines and free verse, reflecting a profound liberation of spirit and language. Each poem brings rural landscapes and Indian mythological scenes to life with remarkable freshness and emotional depth.
This collection invites readers to explore why Kathyayini’s works align with Renaissance Poems of a Modernist Tradition. Her poetic voice resonates with freshness and depth, deftly blending familiar themes into uniquely unconventional settings. Tunes of a Single String invites readers to delve into the vibrant world of modern Kannada poetry through Kathyayini’s fearless exploration of life, culture, and language.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
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A Shrine for Sarasamma
₹180.00Author: Shivarama Karanth Translator: D A Shankar
A Shrine for Sarasamma is the English translation of Sarasammana Samadhi written by K Shivarama Karanth in 1937, in his early thirties. It offers one of the most authentic and searing accounts of Indian womanhood, which consistently, and through the ages, has suffered deep anguish, humiliation and crushing insult from the oppressive patriarchal culture prevalent in all parts of India and among all castes and classes. The novel is a classic in Kannada and the English translation is an attempt to bring to the English reading audience a taste of the regional classic.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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These two plays negotiate with the real problems of contemporary India. If Sahyadri Kanda is about the ripples caused in the life of the people in a village on the Western Coast which will soon have a nuclear plant, Swayamvaraloka, is an allegorical narrative set in a small village that extends to include the larger contemporary world. Both the plays dwell on the seeming binaries of village-city, success-failure, modern-traditional while examining the nature of human relationships in the changing world. These plays also reflect an ambition to elevate the real experience to a mythical level. While most playwrights attempt to echo contemporary concerns by reinterpreting history and mythology, for these plays, the epics, their grandeur, the struggle, the wars are not episodes that happen in kingdoms and palaces and battlefields, they are also that which takes place in the microworld of one’s consciousness. Each character in these plays find their own dharma, yet it offers no model for the reader, and remains only a pointer to the complex process of finding it.
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A Handful of Sesame
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Interested readers may write to us at mup@manipal.edu about purchasing the book.
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The Other Face
₹550.00Author: Na Mogasale Translator: N T Bhat
Set in a fictitious village called Kanthapura in Kasaragod district, Mukhāntara spans across the life of seven generations of a Havyaka Brahmin family. A story about the realities of living in a society marked by caste distinctions, the desire to find communal harmony and the tribulations of the characters through the entirety of the novel, it is also a tale of changing times and people. After unexpectedly coming into possession of a huge portion of land, Thirumalēshwara Bhat of Īshwarīmūle becomes a satisfied man. But childless, Thirumalēshwara Bhat and his wife Pārvathakka decide to adopt Venkappaiah and also give shelter to his widowed mother, Rathnamma. Venkappaiah is to inherit Thirumalēshwara’s vast wealth but when Krishnaiah, the illegitimate child of Thirumalēshwara and Rathnamma is born, rivalry ensues. Through the overlapping narratives of the characters, we get a glimpse into their journey from tradition to modernity. The characters strive to reshape new values when old values are slowly questioned and erased as they move on and are swept along in the waves of globalization.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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