Categories: | Fiction, Indic languages, Translation |
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Bamonn
Konkani Roman Catholic Christians were converted from other groups by Goan Missionaries long back, keeping the caste system tradition to a large extent in layers such as the Bamonn, the Charodi, the Gawdi, the Nendar, the Shudra, etc. At the time of marriages and other social gatherings they continue to consider caste system norms and customs in the community. Caste system in Indian Christians is vividly described in the novel Bamonn. Christopher Pai of Kalyanpura hails from a Bamonn family and takes great pride in his ancestry. He believes in the stories about his Konkani Roman Catholic ancestors from his elders and about their being true Christians, holding on to their faith despite tremendous pressure to convert to Islam during Tipu Sultan?s regime. He also believes Bamonns are superior to other Christians in the community. After retiring from his job of a Headmaster, he refuels his obsession to retrace his roots and find out the truth about his ancestors. In his journey of self-assurance and faith, will he succeed in his mission to convince his family, his children and the community at large of his glorious ancestry and in still pride in the next generation? . . .
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Makkala Padya Manjiri
Author: Kayyara Kinhanna Rai
ಮಕ್ಕಳ ಪದ್ಯಮಂಜಿರಿ ಶ್ರೀ ಕಯ್ಯಾರ ಕಿಞ್ಞಣ್ಣ ರೈ ಅವರಿಂದ ಮಕ್ಕಳಿಗಾಗಿ ಕವನಗಳ ಪುಸ್ತಕ. ಶ್ರೀ ಕಯ್ಯಾರರ ಕವನಗಳು ಎಲ್ಲಾ ಹಿನ್ನೆಲೆಯ ಜನರನ್ನು ತಲುಪುವುದರಿಂದ ಹೆಚ್ಚಿನ ಕನ್ನಡಿಗರು ಕಾವ್ಯವನ್ನು ಓದುವ ಬೆಳವಣಿಗೆಯನ್ನು ಹೊಂದಿದ್ದಾರೆ. ಗ್ರಾಮೀಣ ಅಥವಾ ನಗರ, ಶ್ರೀಮಂತ ಅಥವಾ ಬಡ. ಈ ಕವಿತೆಗಳಲ್ಲಿ ಬಾಲ್ಯದ ಸವಿನೆನಪುಗಳು ಅಡಗಿದ್ದು, ಓದುವಾಗ ಓದುಗರಿಗೆ ನಾಸ್ಟಾಲ್ಜಿಕ್ ಆಗುವುದರಿಂದ ಅವು ದೊಡ್ಡವರಲ್ಲಿಯೂ ಜನಪ್ರಿಯವಾಗಿವೆ. ಕಲಾವಿದ ಪ್ರಸಾದ್ ರಾವ್ ಜಿ ಅವರು ಚಿತ್ರಿಸಿದ ಚಿತ್ರಗಳೊಂದಿಗೆ ಪ್ರಸ್ತುತ ಪುಸ್ತಕವು ಓದುವಿಕೆಯನ್ನು ಇನ್ನಷ್ಟು ಆಸಕ್ತಿದಾಯಕವಾಗಿಸುತ್ತದೆ. ಇದು ಶ್ರೇಷ್ಠ ಕವಿ, ಬರಹಗಾರ ಕಯ್ಯಾರ ಅವರ ಶತಮಾನೋತ್ಸವ ವರ್ಷದಲ್ಲಿ ಹೊರತರಲಾದ MUP ಯ 50 ನೇ ಪ್ರಕಟಣೆಯಾಗಿದೆ.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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A Shrine for Sarasamma
A Shrine for Sarasamma is the English translation of Sarasammana Samadhi written by K Shivarama Karanth in 1937, in his early thirties. It offers one of the most authentic and searing accounts of Indian womanhood, which consistently, and through the ages, has suffered deep anguish, humiliation and crushing insult from the oppressive patriarchal culture prevalent in all parts of India and among all castes and classes. The novel is a classic in Kannada and the English translation is an attempt to bring to the English reading audience a taste of the regional classic.
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Pot of Butter and other short stories
Pot of Butter and other Short Stories is a collection of nine short stories, originally composed by Sunanda Belgaumkar in Kannada, handpicked and translated from her collections – Kajjaya and Koduvudenu Kombudenu. The bulk of her literary work including the stories in this book are inspired by the experiences in her early life, in the rustic and robust atmosphere of Dharwad. Her stories are predominantly semiautobiographical, laced with a liberal dose of artistic freedom.
This collection weaves together her writings on the underprivileged and marginalized as seen from the comfort of her palatial home, but rendered with compassion and empathy. Often, we find her narrative infused with self-directed questions such as, “What if I was in her shoes? ” or “Could that have been me? ” These stories are reflections on human nature, suffering, and destiny. There is hope, there is despair. There is love, there is longing. There is defeat, and there is triumph. In her stories, an oft-recurring metaphor for picking up one’s life after loss is a scorching summer followed by a torrential downpour and subsequently a plant springing to life.
As a translation, this book attempts to introduce Sunanda Belgaumkar’s literary and artistic creations to the non-Kannada reader, retaining as much of the indigenous elements of the original writings as possible. In doing so, it seeks to preserve the cultural climate of North Karnataka as it was around fifty years ago.
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Sati Kamale
This eponymous novel is centred on Kamale, who is an embodiment of wifely virtue. For fifteen long years Kamale lives the life of a widow to the outside world, nurturing the hopes of reuniting with the husband one day. Alone in the room, each night she wears her marks of a married woman with the dagger gifted by Umesha next to her. It could be seen as an exposition on the then existing indigenous discourse in India in the 19th century and early 20th century. Kamale, in her rigorous commitment and in retrieving her husband from ‘death’, is fashioned after Savithri in an intertextual reference to Mahabharata’s episode of “Satyavan and Savithri”. The novel might look conservative for the present-day reader, but it is a representative literary work of the time when Paniyadi, among many others, wanted to regain the independent status of the Tulu language which had somehow slipped out of its pedestal.
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Caught in the World of Binaries: Selected Poems of K S Nisar Ahmed
Professor K S Nisar Ahmed (b 1936) is a geologist by profession and a major writer in Kannada. His first collection of poems, Manasu Gandhi Bazar (?My Mind is like Gandhi Bazar?) was published in 1960, and since then he has published poetry (15 collections), prose (five collections), and translations from Shakespeare and Neruda. He has been honoured with many awards, including ?Padmashri?, Honorary D Litt (Kuvempu University), and Pampa Prashasti (Karnataka Government). Living between two languages and two cultures, Prof. Nisar has successfully achieved the balance necessary for the tight-rope walking as a poet. He believes that, ?Only when you understand another religion (or culture or language), you really understand your own religion (or culture or language).? The present volume of 100 selected poems exhibits the multifaceted poetry of Nisar that reflects his creative pluralism. The 13 translators of the poems in this volume include A K Ramanujan, V K Gokak and Tejaswini Niranjana.
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If we meet again we shall smile
People leave our lives. Some simply walk away from our world while some leave this world altogether. Through visuals, poetry and short stories, the author has a dialogue with the reader that takes them both through a journey full of characters that are no more, and yet have shaped the story. This fictional dialogue is a short trip down memory lane that visits the relationships one keeps hidden beneath.
Anushua Chakrabarti, originally from Kolkata, is a wandering minstrel. She lives on travel and music. Anushua has completed her MBA from TAPMI, Manipal, India, post which she worked in top technology brands like HP and Microsoft. She is presently back in Kolkata, driving social service through her acquired experience. Anushua has faced several childhood traumas but she believes she is what she is today, not in spite of it; but because of it.
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Unheard Sounds Flow On
In spite of being one of the oldest members of the Dravidian family of languages, Tulu, unfortunately, has not yet found the recognition that it richly deserves in the modern world. Since modernity privileges the written over the spoken, the Tulu language that is abundantly blessed with oral literature has been placed on the fringes of modern literary world. Ironically, Tulu is still engaged in a desperate fight for official status in a country that boasts of its cultural and linguistic diversity. The motives behind the translation of Nanajjer Sude Tirgayer, hailed as the first modern Tulu novel, into English refuse to remain apolitical in this context.
The novel, which has already been translated into Kannada, Konkani and Malayalam, beautifully captures the pulse of rusticity that characterizes the life of a village community that lived its life with its love-hate relationship with nature, more than 75 years ago in a Tulu speaking village in the south-western part of Karnataka. Besides bringing alive the socio-cultural practices that find their articulation through the natural linguistic plurality ingrained in the village psyche, the novel touches upon the duality of human nature that leaves man perennially condemned to an inner crisis.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
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