Categories: | Fiction, Indic languages, Translation |
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Post Googlism and Other Short Stories
This collection of short stories is for the fast-paced millennials, whom the author calls ?The Post Googlist Generation? who want everything hastily, at their finger-tips and on the go. The language has also shrunk in size to allow the pace. The world-view of this generation is that what cannot be done through an app cannot and should not be done. Their expectations of a story are a striking start, a quickly built middle and an interesting end. Stories in the collection seek to meet these expectations of this generation talking to them in their own language. They also echo the changing lives and changing aspirations of the time.
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A Bond So Sacred
A Bond So Sacred tells the story of Raman, a satyagrahi, who adopts Kokila, an orphan. He leaves the five year old in the care of his mother while he plunges into the freedom struggle. His nationalist fervour, however, clashes with his love for Amina, his charming neighbour who wants parental approval to their marriage. Raman’s mother is as staunch a Brahmin as Amina’s father is a Muslim. Will Raman be able to get their consent? The joy of India becoming an independent nation is marred by Gandhiji’s death. Raman’s fellow satyagrahis have gone their ways and he finds himself with no role to play in a rapidly changing country. Meanwhile, Kokila, his protégée, has her own battles to fight. As the years bring them together again, Kokila discovers truths about Raman that she would never have imagined. She is forced to confront the ghosts of the past, his and hers.
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A Shrine for Sarasamma
A Shrine for Sarasamma is the English translation of Sarasammana Samadhi written by K Shivarama Karanth in 1937, in his early thirties. It offers one of the most authentic and searing accounts of Indian womanhood, which consistently, and through the ages, has suffered deep anguish, humiliation and crushing insult from the oppressive patriarchal culture prevalent in all parts of India and among all castes and classes. The novel is a classic in Kannada and the English translation is an attempt to bring to the English reading audience a taste of the regional classic.
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Makkala Padya Manjiri
Author: Kayyara Kinhanna Rai
ಮಕ್ಕಳ ಪದ್ಯಮಂಜಿರಿ ಶ್ರೀ ಕಯ್ಯಾರ ಕಿಞ್ಞಣ್ಣ ರೈ ಅವರಿಂದ ಮಕ್ಕಳಿಗಾಗಿ ಕವನಗಳ ಪುಸ್ತಕ. ಶ್ರೀ ಕಯ್ಯಾರರ ಕವನಗಳು ಎಲ್ಲಾ ಹಿನ್ನೆಲೆಯ ಜನರನ್ನು ತಲುಪುವುದರಿಂದ ಹೆಚ್ಚಿನ ಕನ್ನಡಿಗರು ಕಾವ್ಯವನ್ನು ಓದುವ ಬೆಳವಣಿಗೆಯನ್ನು ಹೊಂದಿದ್ದಾರೆ. ಗ್ರಾಮೀಣ ಅಥವಾ ನಗರ, ಶ್ರೀಮಂತ ಅಥವಾ ಬಡ. ಈ ಕವಿತೆಗಳಲ್ಲಿ ಬಾಲ್ಯದ ಸವಿನೆನಪುಗಳು ಅಡಗಿದ್ದು, ಓದುವಾಗ ಓದುಗರಿಗೆ ನಾಸ್ಟಾಲ್ಜಿಕ್ ಆಗುವುದರಿಂದ ಅವು ದೊಡ್ಡವರಲ್ಲಿಯೂ ಜನಪ್ರಿಯವಾಗಿವೆ. ಕಲಾವಿದ ಪ್ರಸಾದ್ ರಾವ್ ಜಿ ಅವರು ಚಿತ್ರಿಸಿದ ಚಿತ್ರಗಳೊಂದಿಗೆ ಪ್ರಸ್ತುತ ಪುಸ್ತಕವು ಓದುವಿಕೆಯನ್ನು ಇನ್ನಷ್ಟು ಆಸಕ್ತಿದಾಯಕವಾಗಿಸುತ್ತದೆ. ಇದು ಶ್ರೇಷ್ಠ ಕವಿ, ಬರಹಗಾರ ಕಯ್ಯಾರ ಅವರ ಶತಮಾನೋತ್ಸವ ವರ್ಷದಲ್ಲಿ ಹೊರತರಲಾದ MUP ಯ 50 ನೇ ಪ್ರಕಟಣೆಯಾಗಿದೆ.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Unheard Sounds Flow On
In spite of being one of the oldest members of the Dravidian family of languages, Tulu, unfortunately, has not yet found the recognition that it richly deserves in the modern world. Since modernity privileges the written over the spoken, the Tulu language that is abundantly blessed with oral literature has been placed on the fringes of modern literary world. Ironically, Tulu is still engaged in a desperate fight for official status in a country that boasts of its cultural and linguistic diversity. The motives behind the translation of Nanajjer Sude Tirgayer, hailed as the first modern Tulu novel, into English refuse to remain apolitical in this context.
The novel, which has already been translated into Kannada, Konkani and Malayalam, beautifully captures the pulse of rusticity that characterizes the life of a village community that lived its life with its love-hate relationship with nature, more than 75 years ago in a Tulu speaking village in the south-western part of Karnataka. Besides bringing alive the socio-cultural practices that find their articulation through the natural linguistic plurality ingrained in the village psyche, the novel touches upon the duality of human nature that leaves man perennially condemned to an inner crisis.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
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Kaitan Gandhi’s Freedom Struggle
Kaitan Gandhiya Swatantrya Horata is one of the very few novels written in Kannada on the Gandhian phase of the Indian freedom struggle. It is not globally unknown that Gandhi not only changed the idiom of the struggle and successfully experimented his lifetime-belief in non-violence on the vast canvas but also made it decisively inclusive. Kaitan Gandhi?s Freedom Struggle thematically illuminates these two crucial aspects of the great struggle and grapples with the naked truth as Charles, the priest in the novel revealingly says, ?The rulers, whosoever it is, are rulers. Caste, colour, or country does not matter to them. All are wicked.? Like in all true works of realist literature, the author, here too, creatively blends the individual, the social, and the historical in such a way that the novel poignantly unfolds the true spirit of quest ? for freedom and humanity.
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Anurakte
There are many rags-to-riches stories around the city of Mumbai. However, here is a story of transformation of a woman and her true self in the city of dreams. Set in Mangalore and Mumbai of the late 1940s, Anurakte ? The Enamoured is an elegantly written story of a woman and her changing worldview over a period of time. Sumithra, a young woman with ordinary dreams and aspirations, comes to the then Bombay in search of livelihood. Little did she know that her experiences in the city and her zest for an independent life would transform her into a different person. She breaks the shell and resolves not to look back. The book is a poignant tale of love, loss, betrayal, family, relationships and traditions. The culturescape of Mumbai beautifully intertwines with her dreams. It is as much a story of the vibrancy of Mumbai as it is about Sumithra?s journey towards freedom.
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If we meet again we shall smile
People leave our lives. Some simply walk away from our world while some leave this world altogether. Through visuals, poetry and short stories, the author has a dialogue with the reader that takes them both through a journey full of characters that are no more, and yet have shaped the story. This fictional dialogue is a short trip down memory lane that visits the relationships one keeps hidden beneath.
Anushua Chakrabarti, originally from Kolkata, is a wandering minstrel. She lives on travel and music. Anushua has completed her MBA from TAPMI, Manipal, India, post which she worked in top technology brands like HP and Microsoft. She is presently back in Kolkata, driving social service through her acquired experience. Anushua has faced several childhood traumas but she believes she is what she is today, not in spite of it; but because of it.