Categories: | Indian Literature in Translation, Works in Fiction |
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Defiance
Defiance is a captivating tale of the march of globalization and its impact on the lives and times of the Santher Guthu family in Ombathkere, a village located between Mangaluru and Kasaragodu. Set in the picturesque Malabar coast of Karnataka in the late 20th Century, the novel takes the reader through four generations of the family. Ambakke, the protagonist, along with her brother Sankappa Hegde, the third-generation descendants of the family form the lifeblood of this story of human relationships in the midst of time and change. The novel is born out of deep contemplation of a community in the face of transition. There is anxiety that grips this part of Karnataka in the wake of modernity. The vast canvas of the novel and the depiction of folk culture provides a unique touch to the saga of the community. Defiance is a novel about traditions and the fear of losing out to modernity. It is about change and the desire to remain rooted.
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Inti Dvadasha Akhyana
ಸತ್ಯವತಿ ಹರಿಕೃಷ್ಣನ್ ಹಾಸ್ಯಬರವಣಿಗೆಯಲ್ಲಿ ಸುಮಾರು ಎರಡು ದಶಕಗಳಿಂದ ತನ್ನನ್ನು ತೊಡಗಿಸಿಕೊಂಡಿರುವ ಕವಯಿತ್ರಿ. ಇವರ ಹಾಸ್ಯಲೇಖನಗಳು ತರಂಗ, ತುಷಾರ, ಮಯೂರ, ಕರ್ಮವೀರದಂಥ ನಿಯತಕಾಲಿಕಗಳಲ್ಲಿ, ಉದಯವಾಣಿ, ಪ್ರಜಾವಾಣಿ ಮುಂತಾದವುಗಳಲ್ಲಿಯೂ ಪ್ರಕಟಗೊಂಡಿವೆ. 2002ರಲ್ಲಿ ಡೆಟ್ರಾಯಿಟ್ ನಲ್ಲಿ ನಡೆದ “ಅಕ್ಕ” ವಿಶ್ವ ಕನ್ನಡ ಸಮ್ಮೇಳನದ ಸ್ಮರಣ ಸಂಚಿಕೆಯಲ್ಲಿ ಇವರ “ಗುಂಡ್ರಾಮನ ಚಿಕಿತ್ಸಾಯಣ’ ಎಂಬ ಕೃತಿ ಪ್ರಕಟವಾಗಿದೆ. ಸನ್ಮಾನ್ಯರಾದ ದೇಜಗೌ ಮತ್ತು ಜಿಟಿನಾರವರ ಸಂಪಾದಕತ್ವದಲ್ಲಿ ಪ್ರಕಟವಾದ “ಪುಸ್ತಕ ಪ್ರಪಂಚ’ದಲ್ಲಿ ಇವರ ಅನುವಾದಿತ ಲೇಖನಗಳು ಪಡಿಮೂಡಿವೆ. “ಕುಂಬಾಸ’, “ನುಗ್ಗೇಹಳ್ಳಿ ಪಂಕಜ’ವೇ ಮೊದಲಾದ ಪ್ರಶಸ್ತಿಗಳನ್ನು ಪಡೆದಿರುವ ಸತ್ಯವತಿಯವರು ಈಗಾಗಲೇ ಐದು ಹಾಸ್ಯ ಸಂಕಲನಗಳನ್ನು ರಚಿಸಿದ್ದಾರೆ. ಅವರ ಆರನೆಯ ಹಾಸ್ಯ ಸಂಕಲನವೇ – “ಇಂತಿ ದ್ವಾದಶ ಆಖ್ಯಾನ’. ಹಾಸ್ಯದಲ್ಲಿ ಅಪಹಾಸ್ಯ, ತಿಳಿಹಾಸ್ಯ, ವ್ಯಂಗ್ಯ ಮುಂತಾದ ಪ್ರಭೇದಗಳಿವೆ. ವ್ಯಂಗ್ಯಮಿಶ್ರಿತವಾದ ತಿಳಿಹಾಸ್ಯ ಒಂದೇ ಕಾಲದಲ್ಲಿ ಎರಡು ಉದ್ದೇಶಗಳನ್ನು ಹೊಂದಿರುತ್ತವೆ. ಅದು ಮೇಲ್ನೋಟಕ್ಕೆ ಮನೋರಂಜನೆಯಾಗಿ ಕಂಡರೂ, ಅದರ ಇಂಗಿತ ಓದುಗರನ್ನು ಗಂಭೀರ ಚಿಂತನೆಗೆ ತೊಡಗುವಂತೆ ಮಾಡುವುದಾಗಿರುತ್ತದೆ. ವ್ಯಕ್ತಿಯನ್ನು ನೋಯಿಸದೇ ಲಘುಹಾಸ್ಯ-ವ್ಯಂಗ್ಯಗಳಿಂದ ಸ್ವವಿಮರ್ಶೆ ಮಾಡಿಕೊಳ್ಳುವಂತೆ ಪ್ರೇರೇಪಿಸುವುದು ಹಾಸ್ಯದ ಕಲಾತ್ಮಕ ಪ್ರಕ್ರಿಯೆ. ಶ್ರೀಮತಿ ಸತ್ಯವತಿಯವರ ಈ ಕೃತಿಯಲ್ಲಿ ಇಂತಹ ಒಂದು ಪ್ರಯತ್ನವನ್ನು ನಾವು ಕಾಣಬಹುದು. “ಇಂತಿ ದ್ವಾದಶ ಆಖ್ಯಾನ’ದಲ್ಲಿ ಹನ್ನೆರಡು ವೈವಿಧ್ಯಮಯ ಸಣ್ಣ ಹಾಸ್ಯಲೇಖನಗಳಿವೆ. ಸತ್ಯವತಿಯವರು ನಮ್ಮ ಜೀವನದ ಸಾಮಾನ್ಯ ಘಟನೆಗಳನ್ನೇ ರಂಗುರಂಗಾಗಿ ತಿಳಿಹಾಸ್ಯದ ಮೂಲಕ ಈ ಕೃತಿಯಲ್ಲಿ ತೋರಿಸಿದ್ದಾರೆ. ಕಾಲ್ಪನಿಕ ಘಟನೆಗಳಲ್ಲಿ ಹಾಸ್ಯದ ಪಾತ್ರಗಳನ್ನು ಸೃಷ್ಟಿಸಿ, ಗಂಭೀರ ವಿಚಾರಗಳನ್ನು ಮನಮುಟ್ಟುವಂತೆ ನಿರೂಪಿಸುವ ಲೇಖಕಿಯ ಶೈಲಿಯು ಅಪೂರ್ವವಾದದ್ದು. ಪ್ರತಿ ಕತೆಯ ಶೀರ್ಷಿಕೆಯಲ್ಲೇ ಹಾಸ್ಯ ತುಂಬಿರುವ ಈ ಕೃತಿಯು ಓದುಗರನ್ನು ನಗಿಸುವಲ್ಲಿ ಯಶಸ್ವಿಯಾಗುತ್ತದೆ.
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Sati Kamale
This eponymous novel is centred on Kamale, who is an embodiment of wifely virtue. For fifteen long years Kamale lives the life of a widow to the outside world, nurturing the hopes of reuniting with the husband one day. Alone in the room, each night she wears her marks of a married woman with the dagger gifted by Umesha next to her. It could be seen as an exposition on the then existing indigenous discourse in India in the 19th century and early 20th century. Kamale, in her rigorous commitment and in retrieving her husband from ‘death’, is fashioned after Savithri in an intertextual reference to Mahabharata’s episode of “Satyavan and Savithri”. The novel might look conservative for the present-day reader, but it is a representative literary work of the time when Paniyadi, among many others, wanted to regain the independent status of the Tulu language which had somehow slipped out of its pedestal.
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Kaitan Gandhi’s Freedom Struggle
Kaitan Gandhiya Swatantrya Horata is one of the very few novels written in Kannada on the Gandhian phase of the Indian freedom struggle. It is not globally unknown that Gandhi not only changed the idiom of the struggle and successfully experimented his lifetime-belief in non-violence on the vast canvas but also made it decisively inclusive. Kaitan Gandhi’s Freedom Struggle thematically illuminates these two crucial aspects of the great struggle and grapples with the naked truth as Charles, the priest in the novel revealingly says,The rulers, whosoever it is, are rulers. Caste, colour, or country does not matter to them. All are wicked. Like in all true works of realist literature, the author, here too, creatively blends the individual, the social, and the historical in such a way that the novel poignantly unfolds the true spirit of quest for freedom and humanity.
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Swapnasaraswatha
Swapna Saraswatha is the saga of migration of a community called Saraswaths in the west coast of India, extending from Goa to the south of Mangalore. It captures the dominance of a colonial power over the region that began with the entry of the Portuguese about four hundred years ago. The novel is a graphic description of the displacement of this strongly-rooted community which saw its resurrection in a new area. In the course of its narrative, the novel traces the gradual changes in the structure of the family that moved from a closely knit joint family of the bygone era to the nuclear family. It also deals with the factors that are responsible for the change in value systems of individuals in the wake of such paradigm shifts. With its vast canvas, it remarkably weaves fiction with myth and history, peppered with cultural details and linguistic nuances. The narration in Swapna Saraswatha progresses in the form of an epic detailing the story of nine generations spread over a period of two hundred and fifty years from 1510 to about 1760. It encompasses more than a hundred and fifty characters which include Hindus, Muslims, Christians, chieftains, traders, farmers, priests and black magicians, and covers a range of themes spread across folk tales, legends, armies, myths and a sprinkling of history.
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A Handful of Sesame
With a captivating start, A Handful of Sesame plunges us into the heart of the dying years of the 1857 mutiny. But the mutiny is largely a backdrop to the novel. When Kamalanabh of Kashi is manipulated by an impoverished Brahmin of Navalgund into marrying his daughter, the novel becomes basically the story of an internal migration. This is rare, and it remains one of the strengths of the novel. We are so used to speaking of migration across the postcolonial bridge and accredited national borders that we forget that India is a country of endless internal migrations – in the past and the present.
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The Gandhi Cap and Other Short Stories by Raja Radhikaraman Prasad Singh
The book The Gandhi Cap and Other Short Stories offers a glimpse into the lifetime of work of a forgotten pioneer of Hindi fiction, Raja Radhikaraman Prasad Sinha. It is ironic that one cannot find a single book by this author who was so dedicated to Hindi literature. The stories in this collection are a testament not only to the contributions of Sinha to Hindi fiction but also, reflect the depth of political and social milieu of the times. Many readers will be moved by the elements patriotism, feminism, secularism, and spiritualism in these stories. Strong female characters are common in most of these stories. These characters provide both a moral fulcrum to the stories as well as reflect the struggle of women to balance prevailing customs with modernity. Some of these stories provide sharp political and social commentary that still have currency (The Gandhi Cap). Sinha incorporates a unique style of writing that uses lyrical prose and poetry together. He even employs a dialogue between the storyteller and a social gathering in the form of an epilogue, to offer a discourse on social dilemma about women?s plight to become modern while admonishing them to retain their Indian essence (An Expensive Bargain). We hope the readers will enjoy this wonderful collection.
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Post Googlism and Other Short Stories
This collection of short stories is for the fast-paced millennials, whom the author calls ?The Post Googlist Generation? who want everything hastily, at their finger-tips and on the go. The language has also shrunk in size to allow the pace. The world-view of this generation is that what cannot be done through an app cannot and should not be done. Their expectations of a story are a striking start, a quickly built middle and an interesting end. Stories in the collection seek to meet these expectations of this generation talking to them in their own language. They also echo the changing lives and changing aspirations of the time.