The Zoo In My Backyard
₹290.00
Author: Usha Rajagopalan
What can you expect in a family of quirky adults, hyperactive children, and an assortment of pets? The author and her siblings shared their childhood with Kesavan, the incorrigibly curious black monkey; Judie, the nimble giant squirrel; Mini, the shy mouse deer that strayed; Psitta, the cackling parakeet; Devil, the runaway hound and many more creatures great and small. The adventures of the children and antics of their pets, together with the adults in the family make for a whole lot of fun and laughter ? not just in the backyard but indoors as well.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Categories: | Literature for Young Readers, Works in Fiction |
---|
Author | |
---|---|
Format |
Related products
-
Sümi and the Dance of the Dark Spirits
Author: Toinali Sema
Join the shy Moi, spirited Sumi and brave Vikai in this folk-fantasy adventure of self-discovery, bravery, mystery, and above all loyalty and friendship as they embark on a journey into unfamiliar territories and encounter supernatural beings, get chased by spirits, befriend dragonflies, meets the wind family, and fight the dark spirits.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
Also available on
-
Defiance
Defiance is a captivating tale of the march of globalization and its impact on the lives and times of the Santher Guthu family in Ombathkere, a village located between Mangaluru and Kasaragodu. Set in the picturesque Malabar coast of Karnataka in the late 20th Century, the novel takes the reader through four generations of the family. Ambakke, the protagonist, along with her brother Sankappa Hegde, the third-generation descendants of the family form the lifeblood of this story of human relationships in the midst of time and change. The novel is born out of deep contemplation of a community in the face of transition. There is anxiety that grips this part of Karnataka in the wake of modernity. The vast canvas of the novel and the depiction of folk culture provides a unique touch to the saga of the community. Defiance is a novel about traditions and the fear of losing out to modernity. It is about change and the desire to remain rooted.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Two Plays – The Sahyadri Saga and The World of Swayamvara
Author: Akshara K V Translator: Jayanth Kodkani
These two plays negotiate with the real problems of contemporary India. If Sahyadri Kanda is about the ripples caused in the life of the people in a village on the Western Coast which will soon have a nuclear plant, Swayamvaraloka, is an allegorical narrative set in a small village that extends to include the larger contemporary world. Both the plays dwell on the seeming binaries of village-city, success-failure, modern-traditional while examining the nature of human relationships in the changing world. These plays also reflect an ambition to elevate the real experience to a mythical level. While most playwrights attempt to echo contemporary concerns by reinterpreting history and mythology, for these plays, the epics, their grandeur, the struggle, the wars are not episodes that happen in kingdoms and palaces and battlefields, they are also that which takes place in the microworld of one’s consciousness. Each character in these plays find their own dharma, yet it offers no model for the reader, and remains only a pointer to the complex process of finding it.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Also available on
eBook available on
-
Bamonn: Story of a Konkani Roman Catholic
Author: Na D’Souza Translator: S M Pejathaya
Konkani Roman Catholic Christians were converted from other groups by Goan Missionaries long back, keeping the caste system tradition to a large extent in layers such as the Bamonn, the Charodi, the Gawdi, the Nendar, the Shudra, etc. At the time of marriages and other social gatherings they continue to consider caste system norms and customs in the community. Caste system in Indian Christians is vividly described in the novel Bamonn. Christopher Pai of Kalyanpura hails from a Bamonn family and takes great pride in his ancestry. He believes in the stories about his Konkani Roman Catholic ancestors from his elders and about their being true Christians, holding on to their faith despite tremendous pressure to convert to Islam during Tipu Sultan’s regime. He also believes Bamonns are superior to other Christians in the community. After retiring from his job of a Headmaster, he refuels his obsession to retrace his roots and find out the truth about his ancestors. In his journey of self-assurance and faith, will he succeed in his mission to convince his family, his children and the community at large of his glorious ancestry and in still pride in the next generation? . . .
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
A Bond So Sacred
A Bond So Sacred tells the story of Raman, a satyagrahi, who adopts Kokila, an orphan. He leaves the five year old in the care of his mother while he plunges into the freedom struggle. His nationalist fervour, however, clashes with his love for Amina, his charming neighbour who wants parental approval to their marriage. Raman’s mother is as staunch a Brahmin as Amina’s father is a Muslim. Will Raman be able to get their consent. The joy of India becoming an independent nation is marred by Gandhiji’s death. Raman’s fellow satyagrahis have gone their ways and he finds himself with no role to play in a rapidly changing country. Meanwhile, Kokila, his protégée, has her own battles to fight. As the years bring them together again, Kokila discovers truths about Raman that she would never have imagined. She is forced to confront the ghosts of the past, his and hers.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Comasya Dhakka
Author: Shivarama Karanth Translator: Ananthapadmanabha Shastri
Set in the coastal Karavali region of Karnataka, Chomasya Dakka is the story of Coma, a Dalit bonded-laborer. Set in the pre-independent India, Comasya Dakka tells a poignant tale of dalit lives, and the suppression of their fundamental rights and identity through the character of Coma. Denied the right to even till and cultivate their own land due to their caste and identity, Coma and his children work as bonded-labourers for their landlord, Sankappayya. The plot of the novel follows the lives of Coma and his children and the tragedies that befall them. The original work in Kannada, Comana Dudi, was adapted into a well-acclaimed, national award-winning film in the year 1975. Directed by B V Karanth, it won the Swarna Kamal, Indias National Award for the Best Film in the year 1976.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
If we meet again we shall smile
Author: Anushua Chakrabarti
People leave our lives. Some simply walk away from our world while some leave this world altogether. Through visuals, poetry and short stories, the author has a dialogue with the reader that takes them both through a journey full of characters that are no more, and yet have shaped the story. This fictional dialogue is a short trip down memory lane that visits the relationships one keeps hidden beneath.
Anushua Chakrabarti, originally from Kolkata, is a wandering minstrel. She lives on travel and music. Anushua has completed her MBA from TAPMI, Manipal, India, post which she worked in top technology brands like HP and Microsoft. She is presently back in Kolkata, driving social service through her acquired experience. Anushua has faced several childhood traumas but she believes she is what she is today, not in spite of it; but because of it.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Mahāmmāyi
Author: Chandrasekhara Kambara, Translator: Kathyayini Kunjibettu
Mahāmmāyi is the story of the legend of Shatavithaayi – the Goddess of death, and her adopted son Sambhashiva. Out of affection for her son, Goddess Shatavithaayi blesses him with the “power of life”. The blessing was that death will evade the people who are treated by Sambashiva. But a certain condition set by Shatavithaayi forbade him from healing every ill man. The condition was that, if Shatavithaayi stood on the right side of the patient, Sambhashiva could treat that person and he would live; but, if she stood on the left side of the patient, he should not treat that person as his death was inevitable. Through a distinct method of story-telling, the story follows the life of Sambhashiva as he begins to question the ideas of fate and destiny. Thus, the conflict between fate and human efforts to change that fate is vividly described in this play.