Lady Lokasundari Raman: Reflections of Her Early Life and Times
₹380.00
Lady Lokasundari Raman was a charismatic person in her own right, as well as a devoted helpmate to her scientist-husband, Sir C V Raman. The book traces her early life in Madurai, Chennai and Calcutta, and we get a glimpse of the role of a young woman in the early decades of the twentieth century as she went forward bearing the many responsibilities of an extended family. This biography brings to light details of an unconventional wedding that had to be postponed due to societal pressures and an unconventional marriage between two great individuals.
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Pot of Butter and other short stories
₹250.00Author: Sunanda Belgaumkar Translator: Sa Usha, Vaijayanti Suryanarayana
Pot of Butter and other Short Stories is a collection of nine short stories, originally composed by Sunanda Belgaumkar in Kannada, handpicked and translated from her collections – Kajjaya and Koduvudenu Kombudenu. The bulk of her literary work including the stories in this book are inspired by the experiences in her early life, in the rustic and robust atmosphere of Dharwad. Her stories are predominantly semiautobiographical, laced with a liberal dose of artistic freedom.
This collection weaves together her writings on the underprivileged and marginalized as seen from the comfort of her palatial home, but rendered with compassion and empathy. Often, we find her narrative infused with self-directed questions such as, “What if I was in her shoes? ” or “Could that have been me? ” These stories are reflections on human nature, suffering, and destiny. There is hope, there is despair. There is love, there is longing. There is defeat, and there is triumph. In her stories, an oft-recurring metaphor for picking up one’s life after loss is a scorching summer followed by a torrential downpour and subsequently a plant springing to life.
As a translation, this book attempts to introduce Sunanda Belgaumkar’s literary and artistic creations to the non-Kannada reader, retaining as much of the indigenous elements of the original writings as possible. In doing so, it seeks to preserve the cultural climate of North Karnataka as it was around fifty years ago.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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Dhvani and Epiphany: Essays in Criticism
₹270.00Author: Prabhaker Acharya
Dhvani and Epiphany examines the work of major Indian poets like Nissim Ezekiel and Arun Kolatkar; the struggle of young poets to find an audience; and the art of fiction. But its main focus is on the nature of creativity. How does an artist communicate his meaning? What makes a work genuinely creative? Through a sensitive exploration of poetry- ranging from the simple poems of a child, Poorna Prajna, to the complex “Byzantium Poems” of Yeats- the first seven essays try to show how a poem comes to life when it speaks to us and we listen to its dhvani and respond.
Even in fiction, it is not all realism. There is irony in exploring the paradoxical nature of reality; events taking on symbolic overtones; and epiphany, moments of illumination and insights – when surprising correspondences are seen. Writers cannot surprise and delight their audience if they themselves are not surprised and delighted by such insights.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
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The Gandhi Cap and Other Short Stories
₹345.00Author: Raja Radhikaraman Prasad Singh, Translator: Mahendra P Srivastava
The book The Gandhi Cap and Other Short Stories offers a glimpse into the lifetime of work of a forgotten pioneer of Hindi fiction, Raja Radhikaraman Prasad Sinha. It is ironic that one cannot find a single book by this author who was so dedicated to Hindi literature. The stories in this collection are a testament not only to the contributions of Sinha to Hindi fiction but also, reflect the depth of political and social milieu of the times. Many readers will be moved by the elements patriotism, feminism, secularism, and spiritualism in these stories. Strong female characters are common in most of these stories. These characters provide both a moral fulcrum to the stories as well as reflect the struggle of women to balance prevailing customs with modernity. Some of these stories provide sharp political and social commentary that still have currency (The Gandhi Cap). Sinha incorporates a unique style of writing that uses lyrical prose and poetry together. He even employs a dialogue between the storyteller and a social gathering in the form of an epilogue, to offer a discourse on social dilemma about women’s plight to become modern while admonishing them to retain their Indian essence (An Expensive Bargain). We hope the readers will enjoy this wonderful collection.
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