Hitting The Right Notes—Hindi Cinema’s Golden Music
₹595.00
Author: Manek Premchand
Hitting The Right Notes is a collection of stories that explores the great music that was once made in Hindi cinema, the musicians who made it happen, the instruments that were part of the narrative, and hundreds of associated ideas that confluenced to make it happen. In these pages there are essays on parallel harmony and counter-melody, as also on songs that end on a high pitch, and why they are made to do so. There are articles that attempt to demystify ghazals, with plenty of examples from our cinema. Other stories tell us about rhythmless songs the west calls senza misura, as also the significance behind background songs, with examples again. All such fascinating subjects are offered in a page-turning, reader-friendly way, and needless to say, the other, simpler subjects are also treated in the same absorbing fashion. Instances of such subjects would be songs featuring the horse-trot beats, the music of OP Nayyar and SD Burman, actresses playing the piano, the presence of the dance form called Laavni, and so on. All these stories are sparked by the myriad facets of our wonderful music, and many have not been offered earlier in any way, anywhere.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Category: | General Interest |
---|
Author | |
---|---|
Format |
Related products
-
Just a few pages: Some Memories of Saraswatibai Rajwade
Author: Vaidehi, Translator: Deepa Ganesh
This book is a coming together of two women writers of modern Kannada literature; one from its early period, the other, a contemporary. Saraswati Bai Rajwade, the early writer, became a fable, a mythology, leaving behind only the shadows of her writing. Vaidehi, the contemporary writer, reinvents Rajwade from the folds of history and gives her a life in the present. Saraswati Bai Rajwade was born into a poor family in the Dakshina Kannada of yore. By chance, she stepped into theatre and later into films. But all the glory that came to her unexpectedly, vanished just as suddenly. She later became the wife of a rich and high official, travelled abroad and underwent immense suffering. In her pain and loneliness, she took to books and also began to write and attained glory as a writer. In the last years of her life, she returned to a life of austerity and anonymity. Vaidehi has collected bits and pieces from her life and writing, presenting before us a unique tapestry. In this tapestry, Vaidehi?s perceptions criss-cross with Rajwade?s life and writing. Art does not reside in the object, but in its close encounter with life. This work unfolds before us as a grand illustration of such twin narratives.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Colours of the Rainbow
Author: Umesh Bhat
The author, through Colours of the Rainbow, tells us that everyone is destined for his/her own rainbow with a pot of gold at the other end if, one has a will, works hard on it, and with a little bit of luck. The book narrates the dream journey of a village boy.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Nanna Parni Shaale
Author: Thakur S Powdyel Translator: N T Bhat
ನನ್ನ ಪರ್ಣ ಶಾಲೆ ಠಾಕೂರ್ ಎಸ್ ಪಡೆಯಲು ಅವರು ಇಂಗ್ಲಿಷಿನಲ್ಲಿ ರಚಿಸಿದ ಪುಸ್ತಕದ ಕನ್ನಡ ಅನುವಾದ, ಭೂತಾನ್ ರಾಜ್ಯದಲ್ಲಿ ರಾಷ್ಟ್ರವ್ಯಾಪಿಯಾಗಿ ಅಳವಡಿಸಲಾದ ಶಿಕ್ಷಣ ಯೋಜನೆಯನ್ನು ಪೌಡಿಯಲ್ “ಮೈ ಗ್ರೀನ್ ಸ್ಕೂಲ್” ಎಂಬ ಹೆಸರಿನಲ್ಲಿ ವಿವರಿಸಿದ್ದಾರೆ. ಮೂಲದ ಇಂಗ್ಲಿಷ್ ಶೀರ್ಷಿಕೆ ಹೊಂದಿಕೊಳ್ಳುವಂತ ಈ ಅನುವಾದಕ್ಕೆ ಪರ್ಣ ಶಾಲೆ ಎಂಬ ಶೀರ್ಷಿಕೆಯನ್ನು ನೀಡಲಾಗಿದೆ. ವಿದ್ಯಾರ್ಥಿ ವ್ಯಕ್ತಿತ್ವ ವನ್ನು ಸರ್ವಾಂಗೀಣ ವಾಗಿ ರೂಪಿಸುವ ಉದಾತ್ತ ಧೈರ್ಯವನ್ನು ಶಿಕ್ಷಣವು ಹೊಂದಿರಬೇಕೆಂಬುದನ್ನು ಈ ಪುಸ್ತಕದಲ್ಲಿ ಗಂಭೀರವಾಗಿ ಪ್ರತಿ ಪಾದಿಸುತ್ತಾರೆ. ಮನುಷ್ಯನು ಪ್ರಕೃತಿಯೊಂದಿಗೆ ತಾದಾತ್ಮ್ಯ ಭಾವವನ್ನು ಹೊಂದಿಕೊಳ್ಳುವುದು ಸರ್ವಾಂಗೀಣ ವ್ಯಕ್ತಿತ್ವದಲ್ಲಿ ಆಂತರ್ಗತವಾಗಿದೆ. ಶಿಕ್ಷಣಕ್ಕೆ, ಶಿಕ್ಷಣ ಸಂಸ್ಥೆಗಳಿಗೆ ಈ ಲಕ್ಷ್ಯವೂ ಇರಬೇಕೆಂಬುದು ಸ್ವತಸ್ಸಿದ್ದ. ಈ ನಿಟ್ಟಿನಲ್ಲಿ ಉದಾತ್ತ ಶಿಕ್ಷಣ ನೀಡುವ ಶಾಲೆಯನ್ನು ಗ್ರೀನ್ ಸ್ಕೂಲ್ ಎಂದು ಕರೆಯುವುದು ಸರ್ವಥಾ ಸ ರಿ. ಅಂತೆಯೇ ಈ ಶಿಕ್ಷಣ ನೀತಿಯನ್ನು ಭಾರತದಲ್ಲೂ ವ್ಯಾಪಕವಾಗಿ ಅಳವಡಿಸುವುದು ಅಪೇಕ್ಷಣೀಯ.
Also available on
eBook available on
-
Dhvani and Epiphany: Essays in Criticism
Author: Prabhaker Acharya
Dhvani and Epiphany examines the work of major Indian poets like Nissim Ezekiel and Arun Kolatkar; the struggle of young poets to find an audience; and the art of fiction. But its main focus is on the nature of creativity. How does an artist communicate his meaning? What makes a work genuinely creative? Through a sensitive exploration of poetry- ranging from the simple poems of a child, Poorna Prajna, to the complex “Byzantium Poems” of Yeats- the first seven essays try to show how a poem comes to life when it speaks to us and we listen to its dhvani and respond.
Even in fiction, it is not all realism. There is irony in exploring the paradoxical nature of reality; events taking on symbolic overtones; and epiphany, moments of illumination and insights – when surprising correspondences are seen. Writers cannot surprise and delight their audience if they themselves are not surprised and delighted by such insights.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
The Gandhi Cap and Other Short Stories
Author: Raja Radhikaraman Prasad Singh, Translator: Mahendra P Srivastava
The book The Gandhi Cap and Other Short Stories offers a glimpse into the lifetime of work of a forgotten pioneer of Hindi fiction, Raja Radhikaraman Prasad Sinha. It is ironic that one cannot find a single book by this author who was so dedicated to Hindi literature. The stories in this collection are a testament not only to the contributions of Sinha to Hindi fiction but also, reflect the depth of political and social milieu of the times. Many readers will be moved by the elements patriotism, feminism, secularism, and spiritualism in these stories. Strong female characters are common in most of these stories. These characters provide both a moral fulcrum to the stories as well as reflect the struggle of women to balance prevailing customs with modernity. Some of these stories provide sharp political and social commentary that still have currency (The Gandhi Cap). Sinha incorporates a unique style of writing that uses lyrical prose and poetry together. He even employs a dialogue between the storyteller and a social gathering in the form of an epilogue, to offer a discourse on social dilemma about women’s plight to become modern while admonishing them to retain their Indian essence (An Expensive Bargain). We hope the readers will enjoy this wonderful collection.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Defiance
Defiance is a captivating tale of the march of globalization and its impact on the lives and times of the Santher Guthu family in Ombathkere, a village located between Mangaluru and Kasaragodu. Set in the picturesque Malabar coast of Karnataka in the late 20th Century, the novel takes the reader through four generations of the family. Ambakke, the protagonist, along with her brother Sankappa Hegde, the third-generation descendants of the family form the lifeblood of this story of human relationships in the midst of time and change. The novel is born out of deep contemplation of a community in the face of transition. There is anxiety that grips this part of Karnataka in the wake of modernity. The vast canvas of the novel and the depiction of folk culture provides a unique touch to the saga of the community. Defiance is a novel about traditions and the fear of losing out to modernity. It is about change and the desire to remain rooted.
-
Reliving the memories of an Indian forester: Memoir of S Shyam Sunder
Editor: Shiv Someshwar
Shyam Sunder’s memoir is a series of vignettes, from numerous comedic to a tragic few. The life narrated is varied and never short of excitement – being ten yards from a charging tusker or a foot away from a King Cobra; defying orders of the chief minister; being hauled up for contempt of the high court, and discussing with Indira Gandhi the best way to eat avocados. Possessed of wit and passion, the narration lays bare the hubris of popular discourse on noble forest livelihoods, and unflinchingly narrates neglect of rural communities, as well as of forests, at times by the callous imposition of rules and regulations.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Retro India
Author: R M Rajgopal
Retro India is, in essence, a trip down the memory lane, meandering through the sixties, seventies, eighties and nineties of the twentieth century. Today’s youth would battle with the fact that India had experienced a sweeping change from what it was in just as recently as thirty years ago. What kind of a moribund economy could engender a continuing state of shortages, high inflation, low growth, a paucity of jobs, rampant smuggling, and a foreign exchange situation that was perpetually perilous! It took major political and economical transformations to remove the shackles that then bound the economy. This narrative provides a clear bridge between the then and now for the younger generations. And for the older reader, it provides a heap of nostalgia. In the latter half of the twentieth century, the changes in India have been vast and comprehensive. In these decades, economic indicators such as India’s growth in GDP rate, the proliferation of the number of Airlines in the Indian skies, the multiplying of car models, the flourishing of telephone connections and moving on to the world of mobiles, televisions going colour from black and white to operating with over a thousand channels, India turning digital, and so on clearly directs that India had taken a crucial turn in its history. India has changed. And how! The Indian consumer grins. This is notwithstanding the fact that poverty is endemic and the gulf between the rich and the poor.
Interested readers may write to us at mup@manipal.edu about purchasing the book.