Hitting The Right Notes—Hindi Cinema’s Golden Music
₹595.00
Author: Manek Premchand
Hitting The Right Notes is a collection of stories that explores the great music that was once made in Hindi cinema, the musicians who made it happen, the instruments that were part of the narrative, and hundreds of associated ideas that confluenced to make it happen. In these pages there are essays on parallel harmony and counter-melody, as also on songs that end on a high pitch, and why they are made to do so. There are articles that attempt to demystify ghazals, with plenty of examples from our cinema. Other stories tell us about rhythmless songs the west calls senza misura, as also the significance behind background songs, with examples again. All such fascinating subjects are offered in a page-turning, reader-friendly way, and needless to say, the other, simpler subjects are also treated in the same absorbing fashion. Instances of such subjects would be songs featuring the horse-trot beats, the music of OP Nayyar and SD Burman, actresses playing the piano, the presence of the dance form called Laavni, and so on. All these stories are sparked by the myriad facets of our wonderful music, and many have not been offered earlier in any way, anywhere.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
Category: | General Interest |
---|
Author | |
---|---|
Format |
Related products
-
The Ramayana of Valmiki: A condensed version of Valmiki’s epic
Author: M R Parameswaran
The world’s greatest epic poem Valmikiramayana, composed over 2,500 years ago, is loved by countless millions of men and women of all religions. The present book is the first condensed version in English of the most reliable version of Valmikiramayana, the Critical Edition prepared by Baroda Oriental Research Institute, India.
Interested readers may write to us at mup@manipal.edu about purchasing the book. -
The Gandhi Cap and Other Short Stories
Author: Raja Radhikaraman Prasad Singh, Translator: Mahendra P Srivastava
The book The Gandhi Cap and Other Short Stories offers a glimpse into the lifetime of work of a forgotten pioneer of Hindi fiction, Raja Radhikaraman Prasad Sinha. It is ironic that one cannot find a single book by this author who was so dedicated to Hindi literature. The stories in this collection are a testament not only to the contributions of Sinha to Hindi fiction but also, reflect the depth of political and social milieu of the times. Many readers will be moved by the elements patriotism, feminism, secularism, and spiritualism in these stories. Strong female characters are common in most of these stories. These characters provide both a moral fulcrum to the stories as well as reflect the struggle of women to balance prevailing customs with modernity. Some of these stories provide sharp political and social commentary that still have currency (The Gandhi Cap). Sinha incorporates a unique style of writing that uses lyrical prose and poetry together. He even employs a dialogue between the storyteller and a social gathering in the form of an epilogue, to offer a discourse on social dilemma about women’s plight to become modern while admonishing them to retain their Indian essence (An Expensive Bargain). We hope the readers will enjoy this wonderful collection.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Dhvani and Epiphany: Essays in Criticism
Author: Prabhaker Acharya
Dhvani and Epiphany examines the work of major Indian poets like Nissim Ezekiel and Arun Kolatkar; the struggle of young poets to find an audience; and the art of fiction. But its main focus is on the nature of creativity. How does an artist communicate his meaning? What makes a work genuinely creative? Through a sensitive exploration of poetry- ranging from the simple poems of a child, Poorna Prajna, to the complex “Byzantium Poems” of Yeats- the first seven essays try to show how a poem comes to life when it speaks to us and we listen to its dhvani and respond.
Even in fiction, it is not all realism. There is irony in exploring the paradoxical nature of reality; events taking on symbolic overtones; and epiphany, moments of illumination and insights – when surprising correspondences are seen. Writers cannot surprise and delight their audience if they themselves are not surprised and delighted by such insights.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Retro India
Author: R M Rajgopal
Retro India is, in essence, a trip down the memory lane, meandering through the sixties, seventies, eighties and nineties of the twentieth century. Today’s youth would battle with the fact that India had experienced a sweeping change from what it was in just as recently as thirty years ago. What kind of a moribund economy could engender a continuing state of shortages, high inflation, low growth, a paucity of jobs, rampant smuggling, and a foreign exchange situation that was perpetually perilous! It took major political and economical transformations to remove the shackles that then bound the economy. This narrative provides a clear bridge between the then and now for the younger generations. And for the older reader, it provides a heap of nostalgia. In the latter half of the twentieth century, the changes in India have been vast and comprehensive. In these decades, economic indicators such as India’s growth in GDP rate, the proliferation of the number of Airlines in the Indian skies, the multiplying of car models, the flourishing of telephone connections and moving on to the world of mobiles, televisions going colour from black and white to operating with over a thousand channels, India turning digital, and so on clearly directs that India had taken a crucial turn in its history. India has changed. And how! The Indian consumer grins. This is notwithstanding the fact that poverty is endemic and the gulf between the rich and the poor.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Valmiki Ramayana – Critical Essays
Author: M R Parameswaran
This book critically engages with several important events and statements found in Valmiki’s epic poem, the Ramayana composed over 2500 years ago. Though certain methods were followed to preserve the Vedic texts, no serious methods were adopted to preserve the text of Ramayana. The poem spread to all parts of India and beyond through narrators of the epic who sometimes added their own explanatory verses to conform to local customs and traditions. In the second half of the 20th century, scholars at the Baroda Oriental Research Institute, after many years of labour and examination of over 2000 different manuscripts, compiled what is now accepted as the most reliable version of the poem. Based on this critical edition, a condensed English version by Dr Parameswaran was earlier published by the Manipal University Press. In the present book, Dr Parameswaran reviews the critical interpretations of scholars like Sheldon Pollock, R P Goldman and Wendy Doniger and has analytic responses to many unanswered questions. About the book: Dr M R Parameswaran has taught Mathematics as well as Sanskrit at the University of Manitoba in Winnipeg, Canada. His work Studies in Srivaishnavism, has been well received by academic scholars and Srivaishnavas.
Interested readers may write to us at mup@manipal.edu about purchasing the book. -
Pot of Butter and other short stories
Author: Sunanda Belgaumkar Translator: Sa Usha, Vaijayanti Suryanarayana
Pot of Butter and other Short Stories is a collection of nine short stories, originally composed by Sunanda Belgaumkar in Kannada, handpicked and translated from her collections – Kajjaya and Koduvudenu Kombudenu. The bulk of her literary work including the stories in this book are inspired by the experiences in her early life, in the rustic and robust atmosphere of Dharwad. Her stories are predominantly semiautobiographical, laced with a liberal dose of artistic freedom.
This collection weaves together her writings on the underprivileged and marginalized as seen from the comfort of her palatial home, but rendered with compassion and empathy. Often, we find her narrative infused with self-directed questions such as, “What if I was in her shoes? ” or “Could that have been me? ” These stories are reflections on human nature, suffering, and destiny. There is hope, there is despair. There is love, there is longing. There is defeat, and there is triumph. In her stories, an oft-recurring metaphor for picking up one’s life after loss is a scorching summer followed by a torrential downpour and subsequently a plant springing to life.
As a translation, this book attempts to introduce Sunanda Belgaumkar’s literary and artistic creations to the non-Kannada reader, retaining as much of the indigenous elements of the original writings as possible. In doing so, it seeks to preserve the cultural climate of North Karnataka as it was around fifty years ago.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Vaidehi Kathana: A Critical Study of Vaidehi’s Narratives
Author: T P Ashoka
Vaidehi Kathana is the first full-length literary critical study of the fictional, non fictional and poetic narratives of Vaidehi, who is considered to be one of the most celebrated contemporary Indian writers in Kannada. This work reviews, introduces, discusses and interprets all the writings of Vaidehi, which include short stories, poems, essays and a novel. The book examines how this great Indian writer has been reacting and responding to her time and space for the last four decades. The book shows how Vaidehi’s poetics has so subtly blended with her politics thereby creating some of the outstanding masterpieces in poetry and fiction of our times. The book discusses the special features of Vaidehi’s feminist perspectives as well as the uniqueness of her narrative skills. Arguing that Vaidehi’s spiritual triumph is demonstrated in her technical triumph, the book draws the attention of the non-Kannada readers to the entire body of Vaidehi’s writings. Lucidly translated into English by the noted translator O L Nagabhushana Swamy, T P Ashoka’s Vaidehi Kathana provides a meaningful opportunity for the non-Kannada readers to familiarize themselves with one of the greatest contemporary writers of India. T P Ashoka’s Vaidehi Kathana is a significant contribution to modern Indian literary criticism. The book provides an interesting reading not only to the students of literature, researchers and teachers but also appeals to the general readers.
Interested readers may write to us at mup@manipal.edu about purchasing the book.
-
Sati Kamale
Author: S U Paniyadi Translators: B Surendra Rao, K Chinnappa Gowda
This eponymous novel is centred on Kamale, who is an embodiment of wifely virtue. For fifteen long years Kamale lives the life of a widow to the outside world, nurturing the hopes of reuniting with the husband one day. Alone in the room, each night she wears her marks of a married woman with the dagger gifted by Umesha next to her. It could be seen as an exposition on the then existing indigenous discourse in India in the 19th century and early 20th century. Kamale, in her rigorous commitment and in retrieving her husband from ‘death’, is fashioned after Savithri in an intertextual reference to Mahabharata’s episode of “Satyavan and Savithri”. The novel might look conservative for the present-day reader, but it is a representative literary work of the time when Paniyadi, among many others, wanted to regain the independent status of the Tulu language which had somehow slipped out of its pedestal.
Interested readers may write to us at mup@manipal.edu about purchasing the book.