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Colours of the Rainbow
The author, through Colours of the Rainbow, tells us that everyone is destined for his/her own rainbow with a pot of gold at the other end if, one has a will, works hard on it, and with a little bit of luck. The book narrates the dream journey of a village boy.
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The Other Face
Author: Na Mogasale Translator: N T Bhat
Set in a fictitious village called Kanthapura in Kasaragod district, Mukhāntara spans across the life of seven generations of a Havyaka Brahmin family. A story about the realities of living in a society marked by caste distinctions, the desire to find communal harmony and the tribulations of the characters through the entirety of the novel, it is also a tale of changing times and people. After unexpectedly coming into possession of a huge portion of land, Thirumalēshwara Bhat of Īshwarīmūle becomes a satisfied man. But childless, Thirumalēshwara Bhat and his wife Pārvathakka decide to adopt Venkappaiah and also give shelter to his widowed mother, Rathnamma. Venkappaiah is to inherit Thirumalēshwara’s vast wealth but when Krishnaiah, the illegitimate child of Thirumalēshwara and Rathnamma is born, rivalry ensues. Through the overlapping narratives of the characters, we get a glimpse into their journey from tradition to modernity. The characters strive to reshape new values when old values are slowly questioned and erased as they move on and are swept along in the waves of globalization.
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Valmiki Ramayana – Critical Essays
This book critically engages with several important events and statements found in Va?lmi?ki?s epic poem, the Ra?ma?yan?a composed over 2500 years ago. Though certain methods were followed to preserve the Vedic texts, no serious methods were adopted to preserve the text of Ra?ma?yan?a. The poem spread to all parts of India and beyond through narrators of the epic who sometimes added their own explanatory verses to conform to local customs and traditions. In the second half of the 20th century, scholars at the Baroda Oriental Research Institute, after many years of labour and examination of over 2000 different manuscripts, compiled what is now accepted as the most reliable version of the poem. Based on this critical edition, a condensed English version by Dr Parameswaran was earlier published by the Manipal University Press. In the present book, Dr Parameswaran reviews the critical interpretations of scholars like Sheldon Pollock, R P Goldman and Wendy Doniger and has analytic responses to many unanswered questions. About the book: Dr M R Parameswaran has taught Mathematics as well as Sanskrit at the University of Manitoba in Winnipeg, Canada. His work ?Studies in Srivaishnavism? has been well received by academic scholars and Srivaishnavas.
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A Bond So Sacred
A Bond So Sacred tells the story of Raman, a satyagrahi, who adopts Kokila, an orphan. He leaves the five year old in the care of his mother while he plunges into the freedom struggle. His nationalist fervour, however, clashes with his love for Amina, his charming neighbour who wants parental approval to their marriage. Raman’s mother is as staunch a Brahmin as Amina’s father is a Muslim. Will Raman be able to get their consent? The joy of India becoming an independent nation is marred by Gandhiji’s death. Raman’s fellow satyagrahis have gone their ways and he finds himself with no role to play in a rapidly changing country. Meanwhile, Kokila, his protégée, has her own battles to fight. As the years bring them together again, Kokila discovers truths about Raman that she would never have imagined. She is forced to confront the ghosts of the past, his and hers.
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Ayurvedic Inheritance- A Reader’s Companion
In ancient India, learning spanned four quarters of one?s life. Learning was sought from the teacher, from one?s individual effort, from fellow students and in the last quarter, from the school of life itself. This book belongs to the third quarter for students of Ayurveda regardless of their background in medicine, science, or humanities. Apart from topics in the eight branches of Ayurveda, the book also deals with ?yurvedic Biology which seeks to study the concepts and procedures of Ayurveda with the tools of modern biology. M S Valiathan is a National Research Professor of the Government of India. He is a medical graduate from the University of Kerala and completed his postgraduate training in general surgery from the University of Liverpool and other hospitals in the UK. He did his specialisation in cardiac surgery from the Johns Hopkins and Georgetown University Hospitals in the US. He was a cardiac surgeon for over three decades. His shift to Ayurvedic studies resulted in the publication of three volumes on Caraka, Su?ruta and V?gbha?a, and an Introduction to ?yurveda. The Department of Science and Technology set up a Task Force in Ayurvedic Biology under his chairmanship to promote research in the nascent discipline.
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Retro India
Retro India is, in essence, a trip down the memory lane, meandering through the sixties, seventies, eighties and nineties of the twentieth century. Today?s youth would battle with the fact that India had experienced a sweeping change from what it was in just as recently as thirty years ago. What kind of a moribund economy could engender a continuing state of shortages, high inflation, low growth, a paucity of jobs, rampant smuggling, and a foreign exchange situation that was perpetually perilous! It took major political and economical transformations to remove the shackles that then bound the economy. This narrative provides a clear bridge between the then and now for the younger generations. And for the older reader, it provides a heap of nostalgia. In the latter half of the twentieth century, the changes in India have been vast and comprehensive. In these decades, economic indicators such as India?s growth in GDP rate, the proliferation of the number of Airlines in the Indian skies, the multiplying of car models, the flourishing of telephone connections and moving on to the world of mobiles, televisions going colour from black and white to operating with over a thousand channels, India turning digital, and so on clearly directs that India had taken a crucial turn in its history. India has changed. And how! The Indian consumer grins. This is notwithstanding the fact that poverty is endemic and the gulf between the rich and the poor
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Post Googlism and Other Short Stories
This collection of short stories is for the fast-paced millennials, whom the author calls ?The Post Googlist Generation? who want everything hastily, at their finger-tips and on the go. The language has also shrunk in size to allow the pace. The world-view of this generation is that what cannot be done through an app cannot and should not be done. Their expectations of a story are a striking start, a quickly built middle and an interesting end. Stories in the collection seek to meet these expectations of this generation talking to them in their own language. They also echo the changing lives and changing aspirations of the time.
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Defiance
Defiance is a captivating tale of the march of globalization and its impact on the lives and times of the Santher Guthu family in Ombathkere, a village located between Mangaluru and Kasaragodu. Set in the picturesque Malabar coast of Karnataka in the late 20th Century, the novel takes the reader through four generations of the family. Ambakke, the protagonist, along with her brother Sankappa Hegde, the third-generation descendants of the family form the lifeblood of this story of human relationships in the midst of time and change. The novel is born out of deep contemplation of a community in the face of transition. There is anxiety that grips this part of Karnataka in the wake of modernity. The vast canvas of the novel and the depiction of folk culture provides a unique touch to the saga of the community. Defiance is a novel about traditions and the fear of losing out to modernity. It is about change and the desire to remain rooted.
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Pot of Butter and other short stories by Sunanda Belgaumkar
Pot of Butter and other Short Stories is a collection of nine short stories, originally composed by Sunanda Belgaumkar in Kannada, handpicked and translated from her collections ? Kajjaya and Koduvudenu Kombudenu. The bulk of her literary work including the stories in this book are inspired by the experiences in her early life, in the rustic and robust atmosphere of Dharwad. Her stories are predominantly semiautobiographical, laced with a liberal dose of artistic freedom.
This collection weaves together her writings on the underprivileged and marginalized as seen from the comfort of her palatial home, but rendered with compassion and empathy. Often, we find her narrative infused with self-directed questions such as, ?What if I was in her shoes?? or ?Could that have been me?? These stories are reflections on human nature, suffering, and destiny. There is hope, there is despair. There is love, there is longing. There is defeat, and there is triumph. In her stories, an oft-recurring metaphor for picking up one?s life after loss is a scorching summer followed by a torrential downpour and subsequently a plant springing to life.
As a translation, this book attempts to introduce Sunanda Belgaumkar?s literary and artistic creations to the non-Kannada reader, retaining as much of the indigenous elements of the original writings as possible. In doing so, it seeks to preserve the cultural climate of North Karnataka as it was around fifty years ago.