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Post Googlism and Other Short Stories
This collection of short stories is for the fast-paced millennials, whom the author calls ?The Post Googlist Generation? who want everything hastily, at their finger-tips and on the go. The language has also shrunk in size to allow the pace. The world-view of this generation is that what cannot be done through an app cannot and should not be done. Their expectations of a story are a striking start, a quickly built middle and an interesting end. Stories in the collection seek to meet these expectations of this generation talking to them in their own language. They also echo the changing lives and changing aspirations of the time.
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Bamonn
Konkani Roman Catholic Christians were converted from other groups by Goan Missionaries long back, keeping the caste system tradition to a large extent in layers such as the Bamonn, the Charodi, the Gawdi, the Nendar, the Shudra, etc. At the time of marriages and other social gatherings they continue to consider caste system norms and customs in the community. Caste system in Indian Christians is vividly described in the novel Bamonn. Christopher Pai of Kalyanpura hails from a Bamonn family and takes great pride in his ancestry. He believes in the stories about his Konkani Roman Catholic ancestors from his elders and about their being true Christians, holding on to their faith despite tremendous pressure to convert to Islam during Tipu Sultan?s regime. He also believes Bamonns are superior to other Christians in the community. After retiring from his job of a Headmaster, he refuels his obsession to retrace his roots and find out the truth about his ancestors. In his journey of self-assurance and faith, will he succeed in his mission to convince his family, his children and the community at large of his glorious ancestry and in still pride in the next generation? . . .
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Retro India
Retro India is, in essence, a trip down the memory lane, meandering through the sixties, seventies, eighties and nineties of the twentieth century. Today?s youth would battle with the fact that India had experienced a sweeping change from what it was in just as recently as thirty years ago. What kind of a moribund economy could engender a continuing state of shortages, high inflation, low growth, a paucity of jobs, rampant smuggling, and a foreign exchange situation that was perpetually perilous! It took major political and economical transformations to remove the shackles that then bound the economy. This narrative provides a clear bridge between the then and now for the younger generations. And for the older reader, it provides a heap of nostalgia. In the latter half of the twentieth century, the changes in India have been vast and comprehensive. In these decades, economic indicators such as India?s growth in GDP rate, the proliferation of the number of Airlines in the Indian skies, the multiplying of car models, the flourishing of telephone connections and moving on to the world of mobiles, televisions going colour from black and white to operating with over a thousand channels, India turning digital, and so on clearly directs that India had taken a crucial turn in its history. India has changed. And how! The Indian consumer grins. This is notwithstanding the fact that poverty is endemic and the gulf between the rich and the poor
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Capturing the Cosmic Light – A Handbook of Astrophotography
The Handbook of Astrophotography is the first book dedicated to Astronomical Imaging through modest equipment, and the first to be published in India. It is a chronicle of the techniques learnt and employed by the author and is by no means proprietary. It is assumed that the reader is equipped with the basic knowledge to use a digital camera. After showing the many methods to capture the Cosmos, the book shows how to process these images. It is designed to be a handbook and not a user manual. The author hopes that the reader will be confident in astronomical imaging and develop his/her own techniques after reading the book. Sathyakumar started Astrophotography in January 2006 with a homemade wooden star-tracking mount and a camera borrowed from a friend. He later used his homemade Newtonian reflector telescope and an inexpensive digital camera to capture photos of the Moon. With an MSc in Aerospace engineering from the University of Salford, Manchester, he joined Opticstar Ltd, as a design engineer. There he was trained on the latest of astronomical instruments available for the amateur astrophotographer and eventually purchased the Celestron C8 Schmidt cassegrain telescope and the CG-5 Equatorial mount. Currently, he uses a GSO 6 inch RC telescope and an HEQ5-PRO computerized mount as well as an Orion 80ED Apochromatic telescope for astrophotography. He also owns an Astrotrac to take wide field vistas of the Cosmos. He is now employed as a Scientific Officer at Karnataka Science and Technology Promotion Society, Department of Science and Technology, Govt. of Karnataka.
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Pot of Butter and other short stories by Sunanda Belgaumkar
Pot of Butter and other Short Stories is a collection of nine short stories, originally composed by Sunanda Belgaumkar in Kannada, handpicked and translated from her collections ? Kajjaya and Koduvudenu Kombudenu. The bulk of her literary work including the stories in this book are inspired by the experiences in her early life, in the rustic and robust atmosphere of Dharwad. Her stories are predominantly semiautobiographical, laced with a liberal dose of artistic freedom.
This collection weaves together her writings on the underprivileged and marginalized as seen from the comfort of her palatial home, but rendered with compassion and empathy. Often, we find her narrative infused with self-directed questions such as, ?What if I was in her shoes?? or ?Could that have been me?? These stories are reflections on human nature, suffering, and destiny. There is hope, there is despair. There is love, there is longing. There is defeat, and there is triumph. In her stories, an oft-recurring metaphor for picking up one?s life after loss is a scorching summer followed by a torrential downpour and subsequently a plant springing to life.
As a translation, this book attempts to introduce Sunanda Belgaumkar?s literary and artistic creations to the non-Kannada reader, retaining as much of the indigenous elements of the original writings as possible. In doing so, it seeks to preserve the cultural climate of North Karnataka as it was around fifty years ago.
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Ancient Stone Riddles: Megaliths of the Indian Subcontinent
Ancient Stone Riddles is an introduction to the fascinating but less-known monuments called megaliths in the context of the Indian subcontinent. The book seeks to present the current understanding among archaeologists and other researchers in a lucid manner to the general reader, while stimulating thought on the many questions that linger about these remnants from our distant past and the people and cultures that built them. It also discusses recent research about the knowledge systems possessed by the megalith builders, including the possibility that some of these monuments were erected to observe celestial cycles.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
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Defiance
Defiance is a captivating tale of the march of globalization and its impact on the lives and times of the Santher Guthu family in Ombathkere, a village located between Mangaluru and Kasaragodu. Set in the picturesque Malabar coast of Karnataka in the late 20th Century, the novel takes the reader through four generations of the family. Ambakke, the protagonist, along with her brother Sankappa Hegde, the third-generation descendants of the family form the lifeblood of this story of human relationships in the midst of time and change. The novel is born out of deep contemplation of a community in the face of transition. There is anxiety that grips this part of Karnataka in the wake of modernity. The vast canvas of the novel and the depiction of folk culture provides a unique touch to the saga of the community. Defiance is a novel about traditions and the fear of losing out to modernity. It is about change and the desire to remain rooted.
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A Bond So Sacred
A Bond So Sacred tells the story of Raman, a satyagrahi, who adopts Kokila, an orphan. He leaves the five year old in the care of his mother while he plunges into the freedom struggle. His nationalist fervour, however, clashes with his love for Amina, his charming neighbour who wants parental approval to their marriage. Raman’s mother is as staunch a Brahmin as Amina’s father is a Muslim. Will Raman be able to get their consent? The joy of India becoming an independent nation is marred by Gandhiji’s death. Raman’s fellow satyagrahis have gone their ways and he finds himself with no role to play in a rapidly changing country. Meanwhile, Kokila, his protégée, has her own battles to fight. As the years bring them together again, Kokila discovers truths about Raman that she would never have imagined. She is forced to confront the ghosts of the past, his and hers.