Austrian Economics in One Lesson
₹320.00
Author: Chee-Heong Quah
Austrian Economics in One Lesson – the third venture of the author Quah, Chee Heong, dwells upon contemporary economic aspects. His earlier titles Optimal Currency Areas in East Asia and Eccentric Views on Money and Banking laid stress on money, currency, inflation, banking, and the monetary system. The book focuses on the issues that currently define and influence day-to-day lives and would certainly and ably complement the mainstream economics that constitutes the curricula in schools and colleges, at large. The prime objective of this venture is to break the set-mind, defy the fallacious notions, debunk the flaws, and evince afresh reasoning in mainstream economics.
Interested customers may write to us at mup@manipal.edu about purchasing the book.
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Educational Philosophy of Dr S Radhakrishnan
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Childhood Cancer
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Pharmaceutical Consumer Complaints: A Guide to Academia and Pharmaceutical Industry
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Performing Self, Performing Gender: Reading the lives of Women Performers in Colonial India
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This book explores the shifting identity of the female performer in India, starting from the late 19th century to the early years of independence, through the study of autobiographies and memoirs. It attempts to make visible the actress figure by entering the history of performance, guided by the voice of the female performer. The discussion on performing woman in this book spans across the performing traditions of the tawaif, actresses in public theatre, early Indian film actresses, and actresses in the Indian People?s Theatre and the Prithvi Theatre. Sheetala Bhat is an actress and a writer from Sirsi, a small town in the Western Ghats of Karnataka. She holds an MA in English Literature from Manipal Centre for Philosophy and Humanities, Manipal University, Manipal. She worked with Chintana repertory, exploring the possibilities of theatre in education in government schools in Karnataka. She writes short stories and poetry in Kannada. Being a reclusive reader and an enthusiastic actress, she often finds herself rummaging and weaving in between the fields of theatre and Indian literature, with an emphasis on the gender concerns in these areas. Performing Self, Performing Gender: Reading the Lives of Women Performers in Colonial India is her first book.
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